3705 lines
98 KiB
Plaintext
3705 lines
98 KiB
Plaintext
00:00:00:00 - 00:00:31:18
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Unknown
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Yeah.
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00:00:31:22 - 00:00:42:33
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Unknown
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We.
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00:01:13:24 - 00:01:19:48
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Unknown
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We.
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00:01:19:53 - 00:01:32:27
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Unknown
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We we.
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00:01:32:31 - 00:01:41:37
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Unknown
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Definitely.
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00:01:52:22 - 00:02:13:18
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Unknown
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Yeah.
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00:02:13:22 - 00:02:26:53
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Unknown
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We.
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00:03:16:10 - 00:03:23:44
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Unknown
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Any.
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00:05:30:41 - 00:05:35:28
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Speaker 2
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There we are. How do you do.
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00:05:35:33 - 00:06:02:35
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Speaker 2
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Hello spring trap. Thank you for the follow. We love spring trap. I've made a couple of animations on spring traps that are on TikTok. If you go over to my profile you can check out those animations. I've actually had, people say, what was it? this is kind of what I love about TikTok, right? Is because, like, people will just come on.
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00:06:02:40 - 00:06:18:27
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Speaker 2
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It's like it's like a giant costume party in a sense. Right? Because they they come over and they're like, hey. And it's like, it's literally just spring trap the entire profile. It's like, that's the whole thing. The character. Right?
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00:06:18:32 - 00:06:28:19
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Speaker 2
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I've I've had people in my comments being like, I did not do that shit because I made Spring Trap do a couple of funny dances.
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00:06:28:24 - 00:06:45:29
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Speaker 2
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That was pretty fun. Some Roto nation done that a, couple of times. A little bit of, manual animation. When it's when it's suits my fancy.
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00:06:45:34 - 00:07:12:19
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Speaker 2
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Anyhow, going to be getting back to Silksong. Loads of things have happened. got a goodness. It's it's rough. And I got to catch up on my my, my stream VODs again, of course, because it's bound to just happen every single time. I'm going to fall behind. Well, I also kind of just made the conscious decision that, you know, my project blocks of it's it's going to be difficult to actually spend time working on the projects.
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00:07:12:19 - 00:07:37:34
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Speaker 2
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If I'm always worrying about, you know, getting the, the streams, the stream VODs up. So I've tried to automate it as much as I can. and I've got a couple of more, good experiments that have I'm going to try out. but yeah, I've been.
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00:07:38:09 - 00:08:07:39
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Speaker 2
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Chipping away this other project. So that's been that's that's that's been, a progress, let's say. hopefully I'll be able to present it here on stream. I don't know, hopefully within a week or so because, well, you eventually make it. That's, that's that's the thing I wish I had more time to, chipotle toilet like, I like I love the TikTok names.
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00:08:07:44 - 00:08:19:25
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Speaker 2
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They're they're always so unhinged. I swear, like, no other streaming platform I've been on before has ever had such unhinged names before.
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00:08:19:30 - 00:08:26:38
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Speaker 2
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It's a it's a daily occurrence where somebody just got, like, just a banger name, right?
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00:08:26:43 - 00:08:27:22
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Speaker 4
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I.
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00:08:27:27 - 00:08:49:37
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Speaker 2
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Wasn't going to say I swapped out my 3090. because it was throttling and I was trying to, But what's what's the word? I was trying to, troubleshoot that. And I'm actually going to look at it right now because last I checked, it wasn't throttling on the other machine that I put it on. So that was cringe.
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00:08:49:42 - 00:09:13:32
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Speaker 2
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Well, actually it's mainly because my Ethernet died on my main board and it's like, well, okay, okay, this looks like it's throttling just a bit. How many watts is that? 315W. And it's only going like it's barely going underneath the clock stock. The, stock clocks. It's not throttling at all. What the hell was it? Throttling on my machine.
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00:09:13:37 - 00:09:22:19
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Speaker 2
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That's strange. Okay, it's throttling a little. Let's. Let's be real about this.
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00:09:22:24 - 00:09:43:17
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Speaker 2
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Surely, like, just having it on a different system and, like, springing drivers didn't change anything. And surely it's not just the case being a little bit too hot. That's, That's weird.
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00:09:43:22 - 00:10:02:06
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Speaker 2
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yeah, I was it was blocking the other slot in my, my system, and I didn't have, I didn't put ten gig Ethernet in because it's like, okay, whatever. I've already got 2.5 gig on this. Even though I've got this card right here, I could throw it in. but no, because, like, you know, it's not necessary, right?
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00:10:02:11 - 00:10:23:31
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Speaker 2
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I'd rather just keep the computer. You know, it's a 39 to 24 gigs of Ram, you know, forget about it. But, I couldn't forget about it because, I was just fucking about in comfy UI, filled up my entire Vram, of course, because, you know, 30, 90. I've got 24 gigs of Ram as well. Use it for something.
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00:10:23:31 - 00:10:47:52
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Speaker 2
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Right. But, yeah, kind of blew up. I don't know if it was just the board being weird, but like the that Ethernet port just would not. It would negotiate for half a second and then would just die. So I, I guess I just got ten G now downgraded my, my GPU to my, one of my 36 seconds just so I could actually fucking use the computer.
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00:10:47:52 - 00:11:10:57
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Speaker 2
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But it's nice because, at least it's not as hot in here. I could probably go for a lot longer. computers. It isn't quite, quite as good. So if I was playing 3D games, then I would be unhappy with it. But, I want to get a 4090 anyway. Water. Cool it. You know, so. Well, I may just have to sort of deal with it for now.
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00:11:10:57 - 00:11:35:29
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Speaker 2
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And, use the user 3090 whenever I can. Thank you for the follow. Which you bitch. Good name, good name. Honestly. But. Yeah. So it'll probably be fine just for played silksong. It's not a graphically intensive game. That's what's beautiful about unity. 2D.
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00:11:35:34 - 00:12:04:17
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Speaker 2
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Maybe one of the few things beautiful about using unity in the modern day. I. So I don't know really much at all about, Come on, press the button. I don't know much. Much at all about, Silk Songs development. Well, hardly anybody does. It's got, you know, three people that yellow. How do you do Azure? I hope this wonderful afternoon finds you well.
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00:12:07:30 - 00:12:15:04
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Speaker 2
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I all I know about their development is that's a little loud in my ears. How is it all the stream, though?
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00:12:15:09 - 00:12:55:32
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Speaker 2
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I know, the, whichever the three of them, I actually don't recall. It's not. I don't think it's Gibson. Whichever. The three of them does all of the coding. for the game, the original game was done, like, almost entirely and just nothing but code blocks and all things considered, it's pretty, pretty impressive. Like, they've they've done some competent programing, for the most part, that most of the stuff that they've, that they didn't do well was a, you know, a game design oversight or something rather than like the game literally not working properly.
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00:12:55:37 - 00:13:17:06
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Speaker 2
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so like they did a pretty, pretty damn good job. But that's just about all I know is that they have this add on in unity that allows them to do code blocks for all. I know that not doing that anymore. And they've, upgraded because it has been like, what, seven years or so since the original game and they've, at least updated the engines a bit.
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00:13:17:11 - 00:13:17:47
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Speaker 2
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Yeah. I don't.
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00:13:17:47 - 00:13:20:49
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Speaker 4
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Know. You're doing good.
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00:13:20:54 - 00:13:47:06
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Speaker 2
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That's good to hear you. GE to Dory. Thank you for the follow. Landon Stratman. Thank you for the follow. I actually I got a Pepsi. It's pretty good. I don't remember, what I was doing. I suppose I got to go and find these. Oh. Right, right, right. I've got to go to the blur. I've got to, like, steal souls or something.
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00:13:47:06 - 00:14:19:28
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Speaker 2
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Right. they teach spells. Something like that. That was in the middle of nowhere. I didn't realize that that was a place that you could go. Yeah, that one's off the map as well. Far off the map? Well, for all I know, there are many, many places I haven't been yet, so I have $3 million. Give me.
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00:14:19:33 - 00:14:39:25
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Speaker 2
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How'd you get all the all the bow bucks? Were you? Why have we got 932 rosaries? That's loads of rosaries. Why have I got so many? Goodies? Okay. Chill out.
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00:14:39:30 - 00:14:45:01
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Speaker 2
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And agates. Got the same idea as me. Give me.
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00:14:45:06 - 00:14:49:45
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Speaker 2
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Yeah. Don't hit agate. That'd be mean.
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00:14:49:50 - 00:14:52:59
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Speaker 4
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Yep.
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00:14:53:04 - 00:15:11:57
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Speaker 2
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I've departed to pay my respects at the Grays within the Great Wood. That's right. I forgot about that. Oh, just. Just sitting there. I've already, rejoined a little bit of a little bit of silk. We do be soaking.
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00:15:12:01 - 00:15:20:26
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Speaker 2
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Well, this is going to be interesting. Oh, I also got a mechanical keyboard. Finally.
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00:15:20:31 - 00:15:48:36
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Speaker 2
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Lost my. Lost my clicky clacking virginity. I suppose I've I've just been on membranes, like, literally over a decade since I started using computers. Just always been membranes. Never. never ventured into into the mechanical realm. So. Right, right. Well, I've got to go here. Heart of my to claim the encrusted out of the woods. Claim the pollen heart out of the wild.
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00:15:48:36 - 00:16:13:54
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Speaker 2
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Claim the is art interesting. Oh, right. And then we've got these ones. Travel. The Pinterest is home at the far edge. Pinterest at that. That. That's a woman. I wasn't aware of that. Well, you lights out to do every day. I'm so good. My song. Well, That's good. Me too. We do, we silken.
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00:16:13:58 - 00:16:26:13
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Speaker 2
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But we don't be singing. Not yet. There's been no singing yet. BA ba ba ba ba. Accept her challenge. Interesting. Oh, wait. Another pin. Stress difference. Different character.
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00:16:27:03 - 00:16:51:48
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Speaker 2
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There's the blasted steps. Rather the, the. Yes. Now I understand the flea master moussaka of flea topia. Got to go all the way up there. Dark hearts destroy the void mass throughout volume. Okay, so I can, oh. Okay, that'll be good. This is all act three. Shit. Looks like. Right. I gave you another follow up. Make Me mod now.
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00:16:51:48 - 00:17:08:17
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Speaker 2
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How did you do that? You have some new follower. How do you do that? I didn't know you had the power to summon witchy bitches, a bitchy witches. whichever it is, whatever the case may be.
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00:17:08:22 - 00:17:38:37
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Speaker 2
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Hi. New follower. Indeed. Shite. lip up. I may as well move. I'll go to the bastard steps first. Should be too difficult. Yeah, yeah, yeah, I could just just pop to the child what it's going to say? The child full one. But, I suppose she's not child full. The children are, no longer filling her.
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00:17:38:38 - 00:17:47:09
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Speaker 2
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Where is the fucking, lost it steps. This one.
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00:17:47:13 - 00:17:52:23
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Speaker 2
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My new follower. I'm Dad.
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00:17:52:28 - 00:17:58:57
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Speaker 2
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Oh, evidently there's a bit of a mix up on who who? That is.
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00:17:59:02 - 00:18:10:49
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Speaker 2
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All right. Well, well, Should I explore about. Or should I, assume that there is not the time for it, but, Oh, I like.
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00:18:10:50 - 00:18:12:18
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Speaker 4
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The.
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00:18:12:23 - 00:18:39:02
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Speaker 2
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Music is just completely, changed just to upgrade and upgrade. Now it's just different. Oh, apparently. What you bitches. Daddy. Interesting. Very, very fascinating developments. Now.
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00:18:39:07 - 00:18:43:18
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Speaker 2
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I can't say I've,
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00:18:43:22 - 00:18:58:54
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Speaker 2
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I'm okay. I'm just going to pretend like that. that sentence that I was, I was trying to riff, and I. And I think it was just a bit bankrupt. Honestly.
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00:18:58:58 - 00:19:20:19
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Speaker 2
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I don't think I could go through that direction. I feel as if I would have known, just because I explored this area pretty thoroughly.
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00:19:20:24 - 00:19:28:30
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Speaker 2
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Quit it. yeah, I don't, I don't I don't think there's anything here. I'm going to have to get used to that.
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00:19:28:35 - 00:19:33:59
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Unknown
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Yeah. Oh. Oh.
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00:19:34:04 - 00:19:42:25
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Speaker 4
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Oh.
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00:19:42:30 - 00:19:53:44
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Speaker 2
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Okay. Definitely not. I've got a I got to look at the bloody map. Gotta look at the map here. I got an,
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00:19:53:49 - 00:19:58:01
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Speaker 2
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Is that. Is that it?
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00:19:58:06 - 00:20:25:21
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Speaker 2
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Is that what we're looking is, is this. Oh, yes. Clearly. Oh, right. Yes. oh. Was was this the one that I. Okay, okay. I've got to go and check out up there, but I think I may have to go to the, Fuck's sake. May have to go to the white place, whatever that's called. The what? The white ward.
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00:20:25:21 - 00:20:31:09
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Speaker 2
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That's what it's called.
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00:20:31:13 - 00:20:46:12
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Speaker 2
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Insert moment. What? What? I maybe have it a stroke or something. Whoa. That's things leaking out of that. It's going to say insert Mormon joke here.
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00:20:46:17 - 00:20:49:54
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Unknown
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Fuck.
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00:20:49:58 - 00:20:57:58
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Speaker 2
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Well, everything's changed, so.
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00:20:58:03 - 00:21:34:03
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Speaker 2
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Me me me. You like my singing, bro? Thinks we could hear him singing. Yes. This is this is what I've got for. Evidently. oh. This was a four dimensional being. Friendly chat. no other example. Why am I being targeted? I don't well, we're friendly to four dimensional beings, but, like, I don't know, it's if you're a four dimensional being, it's kind of like, it's kind of like hanging hanging around with, like, a bunch of, like, toddlers or something when you're like, like 20 years old or something.
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00:21:34:03 - 00:21:41:53
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Speaker 2
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It's like, that's just kind of weird. It's like, I'm not going to kick it with you. I'm not like, I'm on a different level, you know?
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00:21:41:58 - 00:21:50:24
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Speaker 2
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I got a whole night yesterday. Well, very good. I, you've got quite the road ahead of you. It's a very fun one.
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00:21:50:29 - 00:21:53:24
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Speaker 3
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Okay.
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00:21:53:29 - 00:22:05:53
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Speaker 2
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You just got a victim complex, broski. Yeah. I mean, if you. Come on, if you've four dimensional being, like, I feel like, I feel like you're good, right?
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00:22:05:58 - 00:22:31:18
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Speaker 2
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Yeah, I like being manhandled. What of it? I suppose we're just getting right into it. It's. Why did you. Two minutes for speed, 22 minutes live. And I'm just going to get right into it. I suppose I'm the weird one now. Yeah. Yeah, I think you are just a little bit. Just a bit. But that's fine. We like weird around here.
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00:22:31:22 - 00:22:40:55
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Speaker 2
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Shape. I used to be good at this one.
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00:22:41:00 - 00:22:45:03
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Speaker 2
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But.
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00:22:45:08 - 00:22:51:00
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Speaker 2
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Hey.
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00:22:51:05 - 00:22:56:15
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Speaker 2
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Rude.
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00:22:56:20 - 00:23:04:07
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Speaker 2
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Goodness. Oh. Oh.
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00:23:04:12 - 00:23:05:04
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Speaker 2
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Every one is.
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00:23:05:04 - 00:23:10:14
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Speaker 4
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Black.
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00:23:15:52 - 00:23:23:25
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Speaker 2
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That child really did a number on this place by imprisoning a mother or whatever. Yeah, yeah, people. It's kind of.
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00:23:23:25 - 00:23:25:55
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Speaker 4
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Hard to follow the law bit.
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00:23:26:00 - 00:23:31:41
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Speaker 2
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When you. When you put it that way. Right?
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00:23:31:46 - 00:23:39:38
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Speaker 2
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I think I still need to turn the volume down. It just it's interfering with my thoughts.
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00:23:39:43 - 00:23:43:22
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Speaker 2
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I'm freaky, but, like, goosebumps. Types of freaky scarecrow work.
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00:23:43:22 - 00:23:45:52
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Speaker 4
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That bit,
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00:23:45:57 - 00:24:04:28
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Speaker 2
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Wonderful. Ref. Oh, shite. I don't like it being so dark. I know they've ruined everything. I don't like that. It was all golden before. What have you people died? Not you people. It's literally just void stuff.
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00:24:04:33 - 00:24:13:46
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Speaker 4
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But does Scarecrow work? Late night? Oh, yes.
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00:24:13:46 - 00:24:26:51
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Speaker 2
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It's busted now. It's fucked. I much prefer this. Oh, this is this is cool. You get to reach for the exact same areas in a different light and dilate.
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00:24:26:56 - 00:24:27:55
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Speaker 3
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Oh.
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00:24:28:00 - 00:24:35:24
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Speaker 2
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Well, that one's still moving somehow. Appears to be going slower than it used to.
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00:24:35:29 - 00:24:58:07
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Speaker 2
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Though I could just be schizo. I wonder if they're, All right. RA ra ra. What if there were, like, any additional areas that are blocked off now? I always hate the stupid move when you excuse me. That looks like a rosary. You can't do that. A b make me think I forgot something.
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00:25:03:37 - 00:25:14:49
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Speaker 2
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Oh, right. Wait a minute. Does that room can I enter into that?
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00:25:14:54 - 00:25:43:00
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Speaker 2
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I don't do that. I don't have to worry about it anymore. There we go. Yes, I can, because I can go here. But I don't reckon. But yeah, yeah, I don't think there's anything to be done about that. Oh, this looks. I suppose it looks like it's going to fall down that. Oh, yeah. I don't think there's anything to be done.
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00:25:43:04 - 00:25:55:39
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Speaker 2
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I'm freaky, but, like a fanboy. Freaky. Interesting. That's not generally what would come to mind when I. When I think witchy bitch. But,
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00:25:55:44 - 00:26:00:24
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Speaker 2
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Maybe, maybe at.
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00:26:00:28 - 00:26:16:36
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Speaker 2
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My favor. The deed, right is pretty anti-gay, so it might be banned. He hates. I see this is the thing I. This is why I hate self-censorship, but I know I will be banned if I say my favorite word. So.
|
|
|
|
00:26:16:40 - 00:26:27:54
|
|
Speaker 2
|
|
Is it my favorite? It's it's it's up there. It's like top ten, you know, about to be dogs. Don't be dogs at level.
|
|
|
|
00:26:27:59 - 00:26:44:49
|
|
Speaker 2
|
|
Use your new ability to go up. Oh, thank you for the reminder. I forgot that that's the thing. It. I'm sorry if my speech patterns have taken a bit of a hit. I'm in a goofy, silly mood now. The foggy. There we go.
|
|
|
|
00:26:47:25 - 00:27:09:02
|
|
Speaker 2
|
|
Good reminder. Thank you. This is the back seating. I wish goodness. Yes, I am going all the way back down. Just get. Whoa! Is it bouncing all pretty impressive. Oh, but.
|
|
|
|
00:27:09:07 - 00:27:12:53
|
|
Speaker 3
|
|
I'm.
|
|
|
|
00:27:12:58 - 00:27:17:46
|
|
Speaker 4
|
|
A bow bow bow bow bow bow bow bow bow bow bow bow bow.
|
|
|
|
00:27:18:50 - 00:27:40:14
|
|
Speaker 2
|
|
I just want to be free. I want to be free to do the things and say the words that I wish to do and say and use. I don't really like the, but, I don't I don't know if I like that. Oh, okay. So this is the place. All righty then. This is the way to go.
|
|
|
|
00:27:44:49 - 00:27:48:07
|
|
Speaker 4
|
|
want to break free?
|
|
|
|
00:27:48:12 - 00:27:54:49
|
|
Speaker 2
|
|
Speaking of that word.
|
|
|
|
00:27:54:54 - 00:27:57:56
|
|
Speaker 4
|
|
want to break?
|
|
|
|
00:27:58:01 - 00:27:59:31
|
|
Speaker 2
|
|
Okay.
|
|
|
|
00:28:02:20 - 00:28:03:40
|
|
Speaker 2
|
|
a spooky one.
|
|
|
|
00:28:03:45 - 00:28:10:03
|
|
Speaker 4
|
|
Oh, spooky one. Die!
|
|
|
|
00:28:10:08 - 00:28:13:55
|
|
Speaker 2
|
|
Probably was not worth it.
|
|
|
|
00:28:14:00 - 00:28:17:57
|
|
Speaker 2
|
|
Back seat, kid. Kicking chair.
|
|
|
|
00:28:18:02 - 00:28:22:18
|
|
Speaker 4
|
|
Hey, hey.
|
|
|
|
00:28:22:22 - 00:28:32:46
|
|
Speaker 2
|
|
Is that. Is that, Okay. Come on.
|
|
|
|
00:28:32:51 - 00:28:45:20
|
|
Speaker 2
|
|
This is interesting. We've got to do a little area to explore. Little sub area. Oh, this is where I came from.
|
|
|
|
00:28:45:25 - 00:29:01:49
|
|
Speaker 2
|
|
Okay. I suppose now that I've got this. Yeah, yeah. Because you just supposed to get that ability like, early on into, into this act. So there's a way. To, is there anything else I could do.
|
|
|
|
00:29:01:49 - 00:29:07:37
|
|
Speaker 4
|
|
With,
|
|
|
|
00:29:07:42 - 00:29:18:36
|
|
Speaker 2
|
|
I if you could get this move in in the original game, there are so many things that you could break, like you could sequence breaks so hard.
|
|
|
|
00:29:19:31 - 00:29:37:50
|
|
Speaker 2
|
|
I wonder if it's possible to add, Hornet into the original game as playable. I love that sound. They've got some excellent little crunchy sounds.
|
|
|
|
00:29:37:55 - 00:29:43:39
|
|
Speaker 2
|
|
Infinite salutations indeed. Imminent salutations.
|
|
|
|
00:29:47:42 - 00:29:54:52
|
|
Speaker 4
|
|
Now leave me alone.
|
|
|
|
00:29:54:57 - 00:30:04:55
|
|
Speaker 4
|
|
Hey, Shite! No! Don't attack me! Please.
|
|
|
|
00:30:05:00 - 00:30:12:04
|
|
Speaker 2
|
|
I don't have the I frames for that.
|
|
|
|
00:30:12:09 - 00:30:12:43
|
|
Speaker 2
|
|
Just use the.
|
|
|
|
00:30:12:43 - 00:30:15:25
|
|
Speaker 4
|
|
Fucking.
|
|
|
|
00:30:15:30 - 00:30:28:59
|
|
Unknown
|
|
Damage,
|
|
|
|
00:30:32:27 - 00:30:41:30
|
|
Speaker 2
|
|
I don't think it's that difficult. I've clearly done it at my at the top of my game. It.
|
|
|
|
00:30:41:34 - 00:30:49:36
|
|
Speaker 2
|
|
I'll un imminent. Salutations. Flashes. Rude.
|
|
|
|
00:30:49:40 - 00:30:57:52
|
|
Speaker 2
|
|
I should probably rest on that bench, shouldn't I? Oh, yeah, because I broke the thing open. Yeah. Going to do that. Going to do that.
|
|
|
|
00:30:57:57 - 00:31:07:45
|
|
Speaker 4
|
|
Burp burp burp burp burp burp. Hello.
|
|
|
|
00:31:07:49 - 00:31:13:28
|
|
Speaker 2
|
|
I don't know if that was necessary.
|
|
|
|
00:31:13:33 - 00:31:31:34
|
|
Speaker 2
|
|
Okay. So now that I've taken that out, there's no enemies there anymore. Neat. I wonder if there's something that I could purchase from somebody that tracks all of the void locations. I could destroy them because shortly, like you think if you. One of the bugs of these are that, that'd be an excellent little world building. But I wonder if they'll do it.
|
|
|
|
00:31:31:39 - 00:31:45:18
|
|
Speaker 2
|
|
Bear trap it right now. like if you were one of the bugs in this place. Now, I'd have not broken into something.
|
|
|
|
00:31:45:23 - 00:32:07:54
|
|
Speaker 2
|
|
While. Oh, is it, Well, we shall see. But if you if you were one of the bugs in this place that, you know, you're not like Hornet. You haven't got the skills to pay the bills and kill the things then, like, oh, no, it's underneath. What am I thinking?
|
|
|
|
00:32:07:58 - 00:32:26:31
|
|
Speaker 2
|
|
Neat. Oh, okay. So this is the entire smashed thing. This is the thing I opened up. If I want to go up, I could go up. But I want to go over here, pay for the bench. Shit.
|
|
|
|
00:32:26:36 - 00:32:30:06
|
|
Speaker 4
|
|
Can't do that. Yes.
|
|
|
|
00:32:30:10 - 00:32:35:04
|
|
Speaker 2
|
|
there is no, off your wall.
|
|
|
|
00:32:35:09 - 00:32:45:07
|
|
Speaker 2
|
|
It's not law because it's not a live action. Shida.
|
|
|
|
00:32:45:12 - 00:32:49:34
|
|
Speaker 2
|
|
I'm touching myself, I don't care, I'm free as a bird. Yeah. Good job.
|
|
|
|
00:32:52:16 - 00:32:59:06
|
|
Speaker 2
|
|
But I try to lop is freaky. This is what it seems like, bro, I am freaky. There is no love.
|
|
|
|
00:33:00:32 - 00:33:04:12
|
|
Speaker 2
|
|
This does seem like a bit of a laugh, though.
|
|
|
|
00:33:04:17 - 00:33:07:07
|
|
Speaker 4
|
|
Oh, hello, experimentalists.
|
|
|
|
00:33:07:08 - 00:33:10:39
|
|
Speaker 2
|
|
How do you do?
|
|
|
|
00:33:10:44 - 00:33:20:28
|
|
Speaker 2
|
|
For a moment, like I didn't, I. I think it's just because I didn't, didn't read it, but I didn't realize that there was, an Alice in our midst.
|
|
|
|
00:33:20:33 - 00:33:27:22
|
|
Speaker 3
|
|
Ha ha ha ha.
|
|
|
|
00:33:27:27 - 00:33:42:47
|
|
Speaker 2
|
|
Shut down! Don't do this to me. oh. That was unnecessary.
|
|
|
|
00:33:42:52 - 00:33:46:19
|
|
Speaker 2
|
|
He.
|
|
|
|
00:33:46:24 - 00:33:52:00
|
|
Speaker 2
|
|
This is a tricky one.
|
|
|
|
00:33:52:04 - 00:34:01:34
|
|
Speaker 2
|
|
Hey, there we go. I just use it as a safe option because, well, it is.
|
|
|
|
00:34:03:05 - 00:34:20:37
|
|
Speaker 2
|
|
Okay. Now, I could purchase the bench. Though I do wonder if I should have, is there anything else that I need? Why would they put. Oh, it's the.
|
|
|
|
00:34:20:41 - 00:34:23:28
|
|
Speaker 2
|
|
Azure. It's your, Jewish bench again.
|
|
|
|
00:34:23:33 - 00:34:28:17
|
|
Unknown
|
|
All.
|
|
|
|
00:34:28:22 - 00:34:31:28
|
|
Unknown
|
|
Oh.
|
|
|
|
00:34:31:33 - 00:34:32:43
|
|
Speaker 2
|
|
That's additive. I appreciate.
|
|
|
|
00:34:32:43 - 00:34:36:13
|
|
Speaker 4
|
|
That.
|
|
|
|
00:34:41:07 - 00:34:58:05
|
|
Speaker 2
|
|
Well, I suppose that's kind of 15 beads wasted there because, no, I got to do down first. I've got to go back up and deposit all my rosaries. Well, that's not depositing them, is it?
|
|
|
|
00:34:58:10 - 00:35:12:27
|
|
Speaker 2
|
|
I'm going to put them into the form that doesn't get lost. What? I gotta string them up. Stringing me up from the floorboards.
|
|
|
|
00:35:12:32 - 00:35:15:04
|
|
Speaker 4
|
|
Go on. This.
|
|
|
|
00:35:15:09 - 00:35:28:52
|
|
Speaker 2
|
|
Okay. Major spelling error. True. I'm chilling. I'm final Fantasy seven original. Nice. I've never played it.
|
|
|
|
00:35:30:36 - 00:35:59:58
|
|
Speaker 2
|
|
I think I think I've got it on steam from what I recall, because my mate was, was trying to run it. It was kind of, some kind of a strange executable because, well, old games just just as strange that way. But there's, like, direct port, something. yeah. So I got to go back to Bell shot.
|
|
|
|
00:36:00:03 - 00:36:16:57
|
|
Speaker 2
|
|
Now, I suppose I didn't actually wait. I should, I shouldn't have breasted that I should have just gone all the way back. Could have saved me 15 rosaries. Goodness. Oh, well. Williams fellow resident.
|
|
|
|
00:36:17:02 - 00:36:19:10
|
|
Speaker 3
|
|
In.
|
|
|
|
00:36:19:15 - 00:36:29:49
|
|
Speaker 2
|
|
I'm going to stock up on these until, I'm full again. I might actually have enough to be full completely.
|
|
|
|
00:36:29:54 - 00:36:36:58
|
|
Speaker 2
|
|
Of your losses. Fuck. Okay, well, you're not the only one.
|
|
|
|
00:36:37:03 - 00:36:41:17
|
|
Speaker 2
|
|
And hatred of the crowd control.
|
|
|
|
00:36:41:22 - 00:36:56:06
|
|
Speaker 4
|
|
This is move your turn to ground control to. Own control domains, or from. Wake up.
|
|
|
|
00:36:56:11 - 00:37:04:05
|
|
Speaker 2
|
|
Level. yes.
|
|
|
|
00:37:04:10 - 00:37:20:01
|
|
Speaker 2
|
|
Are you. Are you doing witchy spells? Why are you doing wishy washy spells? Low to knock the nor ultimate rock. I also agree. I've no idea what I'm agreeing to.
|
|
|
|
00:37:20:06 - 00:37:25:57
|
|
Speaker 4
|
|
Shall we? Oh, wait.
|
|
|
|
00:37:26:02 - 00:37:39:04
|
|
Speaker 2
|
|
Thank you for the follow my low fat shoe. That's a that's a black protagonist of a novel name right there. That's a good one. That's a pretty good names, honestly.
|
|
|
|
00:37:39:09 - 00:37:42:58
|
|
Speaker 4
|
|
No.
|
|
|
|
00:37:43:03 - 00:38:16:55
|
|
Speaker 2
|
|
It's so unnecessary. I doing evil Fatboy spells. What do they do? And how exactly are they fanboy spells? Are they spells cast by a fan boy? Or are they like spells that act on fan boys in such such a manner that would, well, it would do something. I'm not familiar with the terminology. Not familiar with this branch of magic by.
|
|
|
|
00:38:17:00 - 00:38:22:19
|
|
Speaker 4
|
|
I'm taking a piss. What the hell are you throwing.
|
|
|
|
00:38:22:24 - 00:38:32:17
|
|
Speaker 2
|
|
For fuck's sake? Let go pay an additional 15 rosaries to Israel.
|
|
|
|
00:38:32:22 - 00:38:36:56
|
|
Speaker 2
|
|
You just got a roll with it. Okay.
|
|
|
|
00:38:37:58 - 00:38:48:20
|
|
Speaker 2
|
|
Isn't that the character from Atlantis? Yeah, yeah. Milo. Mean, you got to show your waist. To which you bitch.
|
|
|
|
00:38:48:25 - 00:38:54:31
|
|
Speaker 2
|
|
Right. As a very slutty right waist.
|
|
|
|
00:38:54:36 - 00:38:59:58
|
|
Speaker 2
|
|
You know, I don't do things on, on demand. You know?
|
|
|
|
00:39:00:03 - 00:39:08:21
|
|
Speaker 4
|
|
I'm not a monkey. I do not dance.
|
|
|
|
00:39:08:25 - 00:39:11:08
|
|
Speaker 2
|
|
I do not want to be monkey.
|
|
|
|
00:39:11:13 - 00:39:22:25
|
|
Speaker 4
|
|
Bitch, bitch bitch bitch bitch bitch bitch bitch bitch bitch bitch bitch bitch.
|
|
|
|
00:39:22:30 - 00:39:30:02
|
|
Speaker 2
|
|
That appears to be a little thing. Suppose that I'll be able to break. Break in, like two.
|
|
|
|
00:39:30:07 - 00:39:38:22
|
|
Unknown
|
|
But, Oh.
|
|
|
|
00:39:38:27 - 00:39:41:37
|
|
Speaker 4
|
|
Bitch!
|
|
|
|
00:39:41:42 - 00:39:44:27
|
|
Speaker 4
|
|
Ha ha ha ha. What? Wait. What do.
|
|
|
|
00:39:44:27 - 00:39:48:34
|
|
Speaker 2
|
|
You mean?
|
|
|
|
00:39:48:39 - 00:40:02:06
|
|
Speaker 2
|
|
Couldn't even see. What is this the one? Yes it is. I've done it. there's a spooky, spooky, spooky, spooky.
|
|
|
|
00:40:02:11 - 00:40:05:17
|
|
Speaker 4
|
|
Fuck!
|
|
|
|
00:40:05:22 - 00:40:22:32
|
|
Speaker 2
|
|
Go away! Void stuff. Have a go check out. I didn't go to the, furthest extent of this room here.
|
|
|
|
00:40:27:27 - 00:40:42:36
|
|
Speaker 2
|
|
Give me the stuff. Don't let it drop. Like, seriously, every single time they put the stuff in front of the place where I could just drop it's cringe. These.
|
|
|
|
00:40:45:46 - 00:40:52:05
|
|
Speaker 4
|
|
Suck my dick, suck my dick, suck my backpack. Suck a dick.
|
|
|
|
00:40:52:10 - 00:41:15:16
|
|
Speaker 2
|
|
Oh, I bro to dance like a monkey out of the ha! Yeah, I don't know about that. Isn't that a song? I think it think it is a in a song or something. Ooh, I see you, see you, see you every time. Is that a song?
|
|
|
|
00:41:15:21 - 00:41:23:02
|
|
Speaker 4
|
|
Whatever. Hello? Oh, oh, that's quite the.
|
|
|
|
00:41:23:02 - 00:41:24:25
|
|
Speaker 2
|
|
Way to greet a stranger.
|
|
|
|
00:41:27:10 - 00:41:40:23
|
|
Speaker 2
|
|
Hold straight. I'm charge forever to guard this sacred shrine. Build any wish to crush the weapon with loud. Yes. We shall challenge the Guardian says.
|
|
|
|
00:41:40:28 - 00:41:42:16
|
|
Speaker 4
|
|
Bitch girl. Oh.
|
|
|
|
00:41:42:21 - 00:41:44:04
|
|
Speaker 2
|
|
Okay.
|
|
|
|
00:41:44:09 - 00:41:53:27
|
|
Speaker 4
|
|
Captain America in Hollow Knight, the Lord. Bitch. Red bitch. Wait. Why the fuck I didn't?
|
|
|
|
00:41:53:31 - 00:42:09:40
|
|
Speaker 2
|
|
I was oh, that's why I was going down. I was inputting down, but that's not the proper one. Supposed to go side. it's up in this configuration.
|
|
|
|
00:42:09:45 - 00:42:16:41
|
|
Speaker 2
|
|
I completely forgot about that.
|
|
|
|
00:42:16:46 - 00:42:24:04
|
|
Speaker 2
|
|
How does he teleport? Who's teleporting? You're the story with that character? No, I have no idea.
|
|
|
|
00:42:25:24 - 00:42:27:57
|
|
Speaker 2
|
|
Oh, I just got to go. Go by, if you don't mind.
|
|
|
|
00:42:27:57 - 00:42:42:16
|
|
Speaker 4
|
|
Actually, yeah. Oh, yeah. You know, Vienna, old woman. You, That's all.
|
|
|
|
00:42:42:21 - 00:42:43:55
|
|
Speaker 2
|
|
He's unlike any bug in the.
|
|
|
|
00:42:43:55 - 00:42:46:23
|
|
Speaker 4
|
|
Is this a diablo?
|
|
|
|
00:42:46:28 - 00:42:49:01
|
|
Speaker 2
|
|
I don't know, you could do that,
|
|
|
|
00:42:49:06 - 00:43:03:46
|
|
Speaker 4
|
|
Gordon, you're like, what the. What? What up? Shit. Spacey. Yeah. My girl. Duh.
|
|
|
|
00:43:03:52 - 00:43:05:03
|
|
Speaker 2
|
|
He can't do this to me.
|
|
|
|
00:43:05:07 - 00:43:15:58
|
|
Speaker 4
|
|
See you. Look, Vila. Yeah. No, I just do it back to back. I got.
|
|
|
|
00:43:16:03 - 00:43:27:00
|
|
Speaker 2
|
|
Blows up pancakes with my mind, reforms. Pancakes with fists. I gotta reform you with my fist. If I get bitch.
|
|
|
|
00:43:27:05 - 00:43:48:07
|
|
Speaker 2
|
|
Crazy diamond, was a character created by someone with terminal cancer. They put it in the game from. Oh, man, I don't know about that. I thought you were meaning like in Game War. Was it, like a Patreon? or something like that? Or like, not Patreon. I didn't do Patreon. I forget how the funding worked for this game.
|
|
|
|
00:43:48:07 - 00:43:56:19
|
|
Speaker 2
|
|
Precisely. pretty sick though.
|
|
|
|
00:43:56:24 - 00:44:11:01
|
|
Speaker 4
|
|
Oh, yeah. Ringo just. That's all. Yeah. Hey, Gordo. He jumped out of bed. no.
|
|
|
|
00:44:11:06 - 00:44:15:06
|
|
Speaker 2
|
|
Vienna. Vienna.
|
|
|
|
00:44:15:10 - 00:44:20:31
|
|
Speaker 3
|
|
pop, we'll.
|
|
|
|
00:44:20:36 - 00:44:22:10
|
|
Speaker 4
|
|
you know.
|
|
|
|
00:44:22:15 - 00:44:23:08
|
|
Speaker 2
|
|
This is so rude.
|
|
|
|
00:44:23:13 - 00:44:26:04
|
|
Speaker 4
|
|
What is this? Why they had, like.
|
|
|
|
00:44:26:09 - 00:44:42:07
|
|
Speaker 2
|
|
I had tragic music. This makes this a lot more tragic than it would have been. Not even knowing it. Well, you know how to render your render, yo, yo.
|
|
|
|
00:44:42:12 - 00:44:51:00
|
|
Speaker 4
|
|
That's. That's all, Yes, yes. I hate shields. Okay?
|
|
|
|
00:44:51:00 - 00:45:01:52
|
|
Speaker 2
|
|
I clearly need to learn that when he does that move. Okay, it I'm going to keep going at it. Honestly.
|
|
|
|
00:45:06:12 - 00:45:27:51
|
|
Speaker 2
|
|
Almost like a Make-A-Wish type thing. They met Team Cherry, and he designed a character for him to put in the game. Oh. That's nice. Wow. that's that's a really cool thing to be able to do. What's the kind of thing that, you know, you as a developer would probably remember? You know, big, big sort of like, life changing type of thing.
|
|
|
|
00:45:27:55 - 00:45:53:26
|
|
Speaker 2
|
|
Is that person dead? Yep. Well, yeah. That, you know, he did say terminal cancer. You know, the music definitely makes it really tragic. Yeah. Difficulty. Spike is insane, though. It hasn't seemed so bad so far. To bad team cherry was on the island. What does that mean? What's which island? Yeah. Yes. Oh shut up. Set.
|
|
|
|
00:45:53:31 - 00:46:01:59
|
|
Unknown
|
|
Grill. under. no. Go go.
|
|
|
|
00:46:02:04 - 00:46:03:47
|
|
Speaker 2
|
|
Why do I keep doing this?
|
|
|
|
00:46:03:52 - 00:46:19:54
|
|
Unknown
|
|
Selah Wren under. Oh, cool. Well, Yeah. Hey, we're under your.
|
|
|
|
00:46:19:58 - 00:46:44:21
|
|
Speaker 2
|
|
I'm learning banner. With every failure I'm learning. Oh, I'm fucking not. I know that move. I dodged that pretty pretty decently, bro. Does it. No, no, I have no idea. What do you mean? On the island, the one called Australia. It's a continent.
|
|
|
|
00:46:44:25 - 00:46:58:01
|
|
Speaker 2
|
|
He moves like a brawl. Hall, a character. Mods time him out for 15 minutes of playing brawl. Hall. Buzzsaw. Oh. On suspicion of playing brawl Hall let like.
|
|
|
|
00:46:58:06 - 00:46:59:22
|
|
Speaker 4
|
|
Oh, come off it. So.
|
|
|
|
00:46:59:28 - 00:47:09:46
|
|
Unknown
|
|
Oh no. What? oh I come under Mando.
|
|
|
|
00:47:09:58 - 00:47:15:52
|
|
Speaker 4
|
|
Yeah. oh. You know, he does.
|
|
|
|
00:47:15:52 - 00:47:18:29
|
|
Speaker 2
|
|
Actually kind of have some.
|
|
|
|
00:47:18:34 - 00:47:19:01
|
|
Speaker 3
|
|
Oh.
|
|
|
|
00:47:19:06 - 00:47:23:34
|
|
Speaker 2
|
|
I but I don't think of Brawl Hall. I think of the game that they that brawl.
|
|
|
|
00:47:23:34 - 00:47:25:25
|
|
Speaker 4
|
|
Hall of ripped off.
|
|
|
|
00:47:25:30 - 00:47:26:58
|
|
Speaker 2
|
|
Super Smash Brothers.
|
|
|
|
00:47:27:03 - 00:47:41:06
|
|
Unknown
|
|
Sullivan. Yeah. Randall. Yeah, yeah. 000. What? No. will.
|
|
|
|
00:47:41:11 - 00:48:04:46
|
|
Speaker 2
|
|
Who? Bros timed out. No, no, I'm just I just I'm just take the piss I'll make. Can't tie me up. I'm as old as the stars. Damn you. Unk. Is such a funny response to that. You, uncle. He's like, no, no, he's like older than fucking sent. He's ancient. If that was if that were actually the case, which is?
|
|
|
|
00:48:04:46 - 00:48:11:33
|
|
Speaker 2
|
|
It hasn't. Oh, are you some ancient.
|
|
|
|
00:48:11:33 - 00:48:12:36
|
|
Speaker 4
|
|
Fucking.
|
|
|
|
00:48:12:41 - 00:48:25:05
|
|
Speaker 2
|
|
Celestial creature or are you. Are you like, fucking three years old when you met me or something, Oh, you really can't keep the cannon straight. Canyon green.
|
|
|
|
00:48:25:10 - 00:48:37:23
|
|
Speaker 4
|
|
Bitch. run! Do you run your, Please? No. Fuck it. I like.
|
|
|
|
00:48:37:28 - 00:48:45:02
|
|
Speaker 2
|
|
I like completely over, Over. I anticipated that one.
|
|
|
|
00:48:45:07 - 00:49:10:04
|
|
Speaker 2
|
|
Me one. Same genre is a rip off it. Well, no, it's not because it's the same genre of game. It's because, the way that smash is, is fighting game is unlike any other fighting game that came previous to it. Like that's actually the point. So they lifted, a significant amount of the functional mechanics of smash and, you know, put it in that game.
|
|
|
|
00:49:10:15 - 00:49:22:16
|
|
Speaker 2
|
|
It is it doesn't necessarily mean it's a rip off per se, as being hyperbolic, but like no other fighting game, like literally name a single other fighting game other than, other than fucking,
|
|
|
|
00:49:24:32 - 00:49:49:24
|
|
Speaker 2
|
|
What the fuck is the one with Bugs Bunny and shit? All Stars or whatever the fuck? which also ripped off smash that, the entire point is not to, to reduce health of your opponent, but to increase knockback and to knock them back so far that they fall off of the stage like no other game did that in the genre before smash.
|
|
|
|
00:49:49:24 - 00:50:09:06
|
|
Speaker 2
|
|
And no other game that comes after smash is is doing that, independently of smash. It's clearly the case that they're lifting that from Sakurai. Now, whether it's a rip off or not is is a different question entirely. But I'm being hyperbolic. So.
|
|
|
|
00:50:09:10 - 00:50:32:42
|
|
Speaker 2
|
|
Two things can be true at once. it's called doublespeak. But you realize that the person who coined the term doublespeak was like. That's literally from 1984 by George Orwell. Like, the entire point is that Douglas doublespeak is a contradiction in terms. Like every single time you use doublespeak is you being dishonest. That's the point.
|
|
|
|
00:50:32:47 - 00:50:37:55
|
|
Speaker 4
|
|
George Orwell.
|
|
|
|
00:50:38:00 - 00:50:45:09
|
|
Speaker 2
|
|
Also, which he bit. She's a little British. That of mind is weird expressions.
|
|
|
|
00:50:45:14 - 00:51:16:16
|
|
Speaker 2
|
|
Fuck you. like taking the piss. Also, you're doing the thing. You're doing the Uber thing where you type out like an an entire person's name. Did you copy and paste it or not? Well, no, you didn't because there's an underscore. So you literally just typed out like like you went and you did what she did. She I forgot the the keyboard actually fucking does something.
|
|
|
|
00:51:16:21 - 00:51:40:19
|
|
Speaker 2
|
|
Did you like my my Brown's my brown switches. I'm going to swap them out. I'm going to get, what? Yellow shades. That's all I'm going to do. I'm going to try them out at least, because Brown's a kind of nice, but I want more tactile, and I want it, less loud. So anyway, well, smash had been out for, like, 20 years.
|
|
|
|
00:51:40:24 - 00:51:56:10
|
|
Speaker 2
|
|
Well, yeah, but it it also iterated upon itself like four times. Five times since then. So why is he British? It does it for the stream. It's an act. Law for. I think I have a brown switch. Oh, nice.
|
|
|
|
00:51:56:15 - 00:52:00:34
|
|
Speaker 4
|
|
You have. You've got a mechanical keyboard.
|
|
|
|
00:52:00:39 - 00:52:04:12
|
|
Unknown
|
|
Oh, no. more.
|
|
|
|
00:52:04:17 - 00:52:06:29
|
|
Speaker 4
|
|
No.
|
|
|
|
00:52:09:23 - 00:52:17:29
|
|
Speaker 4
|
|
Oh, yeah. But Birch fellow. Oh, go!
|
|
|
|
00:52:17:34 - 00:52:29:49
|
|
Unknown
|
|
Oh, no! Okay. Oh. Tell the whole, What? Okay.
|
|
|
|
00:52:29:54 - 00:52:39:04
|
|
Speaker 4
|
|
Do you know. What? You're. Oh, yes. Oh. You go. Yeah. How.
|
|
|
|
00:52:39:09 - 00:52:46:39
|
|
Unknown
|
|
Oh oh, yeah. So. Oh, that's that's all I,
|
|
|
|
00:52:46:44 - 00:52:51:47
|
|
Speaker 4
|
|
Oh, fuck. Oh, I you can't do that.
|
|
|
|
00:52:51:52 - 00:53:05:26
|
|
Speaker 2
|
|
He's cheating.
|
|
|
|
00:53:05:31 - 00:53:10:50
|
|
Speaker 2
|
|
Oh, God. I have my throat.
|
|
|
|
00:53:10:55 - 00:53:20:55
|
|
Speaker 2
|
|
I would go for my drink right now, but my grape crush is in the Xbox. Oh, the Xbox mini fridge, to be precise.
|
|
|
|
00:53:21:00 - 00:53:27:35
|
|
Speaker 4
|
|
Oh, no. Ray Sullivan. Yo, you can't do this. Move again.
|
|
|
|
00:53:27:40 - 00:53:36:18
|
|
Speaker 2
|
|
Phil, how many times? Oh, well.
|
|
|
|
00:53:36:23 - 00:53:38:43
|
|
Speaker 2
|
|
You can't do that today.
|
|
|
|
00:53:38:48 - 00:53:49:31
|
|
Unknown
|
|
I don't know. Gordo. Yeah? What? So here's what I think.
|
|
|
|
00:53:49:31 - 00:53:56:00
|
|
Speaker 2
|
|
I actually need to look at my charms. My my loadout. Currently. Space. It was nearly.
|
|
|
|
00:53:56:00 - 00:54:04:07
|
|
Speaker 4
|
|
Fatal, though. You no, no, that's. That's all.
|
|
|
|
00:54:04:12 - 00:54:11:21
|
|
Unknown
|
|
render, What? Do you.
|
|
|
|
00:54:11:25 - 00:54:20:06
|
|
Speaker 4
|
|
Get fucked me now. Bundle. Damn it!
|
|
|
|
00:54:20:11 - 00:54:36:49
|
|
Speaker 2
|
|
I like garlic nice. Oh. Garlic bread. Good. No garlic. Oh, it's spicy beast. I know you're not a vampire. You know, that was also my thought. This garlic spicy. It's not only what I think of what I think spicy.
|
|
|
|
00:54:47:56 - 00:54:52:09
|
|
Speaker 4
|
|
Musso. Oh. Oh. Oh you.
|
|
|
|
00:54:52:13 - 00:54:56:13
|
|
Unknown
|
|
Girl bundle. Oh.
|
|
|
|
00:54:56:18 - 00:54:58:54
|
|
Speaker 4
|
|
Gordo bitch.
|
|
|
|
00:54:58:58 - 00:55:08:03
|
|
Unknown
|
|
Oh man. tell you the.
|
|
|
|
00:55:08:07 - 00:55:12:28
|
|
Speaker 4
|
|
Yeah. No. Frank. Woman.
|
|
|
|
00:55:12:36 - 00:55:27:43
|
|
Unknown
|
|
Your bread man. You. Yeah. Oh, fuck. Gordo, what are you gonna hit? Oh.
|
|
|
|
00:55:27:48 - 00:55:39:47
|
|
Speaker 4
|
|
How did that hit ya? I know that's not your friend. Oh, girl. Oh, that's that's all. Yup.
|
|
|
|
00:55:39:52 - 00:55:45:48
|
|
Unknown
|
|
Yup. From. Oh, yeah. That's. That's all.
|
|
|
|
00:55:45:53 - 00:55:50:12
|
|
Speaker 4
|
|
Pop some. Oh. What do you mean.
|
|
|
|
00:55:50:16 - 00:55:58:54
|
|
Unknown
|
|
Brenda? Oh, what are you. Oh. Oh, girl.
|
|
|
|
00:55:58:58 - 00:56:02:37
|
|
Speaker 4
|
|
Shit. Oh, no.
|
|
|
|
00:56:03:39 - 00:56:24:04
|
|
Speaker 2
|
|
If you buy to do it raw, it certainly seems spicy. Yeah, but I feel like you'd have to be a certain flavor of monster in order to do something like that. It's actually misconception. Vampires are directed by God. Like I should know. Interesting spicy nudes. What? What what does this have to do with anything? Why should you know?
|
|
|
|
00:56:24:09 - 00:56:30:38
|
|
Speaker 2
|
|
Have you had a chance encounter with one? I'm a vampire fanboy. How could you be a vampire fanboy? Witchy bitch?
|
|
|
|
00:56:31:58 - 00:56:41:37
|
|
Speaker 2
|
|
Are you primarily a vampire or primarily a witch? This is pretty spooky. I'll rather rather enjoying the spooky elements going on right now.
|
|
|
|
00:56:41:42 - 00:56:44:40
|
|
Speaker 3
|
|
A.
|
|
|
|
00:56:44:45 - 00:56:52:23
|
|
Speaker 4
|
|
Suck my dick, I made blood. Oh, I said.
|
|
|
|
00:56:52:28 - 00:56:53:53
|
|
Speaker 2
|
|
Elite ball knowledge.
|
|
|
|
00:56:55:44 - 00:57:05:03
|
|
Speaker 4
|
|
Oh, how do I house? Or else I'll suck your dick out. I'd be blood.
|
|
|
|
00:57:05:07 - 00:57:12:49
|
|
Speaker 2
|
|
I suck dick at blood and blood, broski. I like both at the same time. Sometimes, bruh.
|
|
|
|
00:57:12:54 - 00:57:14:24
|
|
Speaker 3
|
|
Bruh.
|
|
|
|
00:57:14:29 - 00:57:25:39
|
|
Speaker 2
|
|
Is that why you never go outside? Oh, what? People who suck dick in blood can't go outside.
|
|
|
|
00:57:25:44 - 00:57:30:38
|
|
Speaker 2
|
|
Vampires go outside in the night.
|
|
|
|
00:57:30:43 - 00:57:31:37
|
|
Speaker 4
|
|
oh. Yeah.
|
|
|
|
00:57:31:42 - 00:57:35:23
|
|
Speaker 2
|
|
So that's how the tales go. Yeah.
|
|
|
|
00:57:35:28 - 00:57:40:43
|
|
Speaker 4
|
|
Yeah, I had to go. Well.
|
|
|
|
00:57:40:48 - 00:57:45:55
|
|
Unknown
|
|
No. Oh, oh. That's okay.
|
|
|
|
00:57:48:45 - 00:57:57:43
|
|
Unknown
|
|
Oh, yeah. Yeah. What? Do y'all. Oh.
|
|
|
|
00:57:57:48 - 00:58:00:43
|
|
Speaker 4
|
|
No.
|
|
|
|
00:58:00:48 - 00:58:06:36
|
|
Unknown
|
|
Boom! Yeah. Well. Yeah.
|
|
|
|
00:58:06:41 - 00:58:09:37
|
|
Speaker 4
|
|
Like, seal up.
|
|
|
|
00:58:09:42 - 00:58:16:34
|
|
Unknown
|
|
With the old cool grin. A little old.
|
|
|
|
00:58:16:44 - 00:58:19:31
|
|
Speaker 4
|
|
No.
|
|
|
|
00:58:19:36 - 00:58:26:02
|
|
Unknown
|
|
oh. Hot girl. Oh, friend. What?
|
|
|
|
00:58:26:07 - 00:58:27:41
|
|
Speaker 2
|
|
Oh, you can, like, break that.
|
|
|
|
00:58:27:41 - 00:58:34:03
|
|
Speaker 4
|
|
Move man up. So, what do you got? Yeah. Oh.
|
|
|
|
00:58:34:08 - 00:58:41:37
|
|
Unknown
|
|
Yeah. You know, that's all, Oh, girl.
|
|
|
|
00:58:41:42 - 00:58:57:04
|
|
Speaker 4
|
|
Whoa oh, oh, yeah. Oh, fuck off here. Oh, you put space saying oh, man.
|
|
|
|
00:58:57:09 - 00:59:19:16
|
|
Speaker 2
|
|
this MF got link up B no. What the white. That must be an oversight. That's really weird. It's like it's like I'm hitting the further end of the the, the hitbox there, and then I'm, like, getting knocked back. Yeah, that's that's a weird frame data that for certain.
|
|
|
|
00:59:23:42 - 00:59:27:34
|
|
Speaker 2
|
|
You a.
|
|
|
|
00:59:27:39 - 00:59:38:12
|
|
Speaker 2
|
|
You know, that's true. You do like blood. I know from experience agate I surprising a little bit of blood. Something new about you. Evidently.
|
|
|
|
00:59:38:16 - 00:59:53:46
|
|
Speaker 2
|
|
Is it true you need permission to enter my house? I don't know, do I? That's the vampire rule. I never heard of that rule. My 1800 years. Goodness. That's interesting. It's a pretty old rule.
|
|
|
|
00:59:53:51 - 01:00:12:13
|
|
Speaker 2
|
|
You're disproving all the all the vampire stereotypes, Yeah, I suppose I it's very upsetting. The vampire stereotypes. It's offensive. There's a the. Mods ban that guy for, anti anti vampirism or something.
|
|
|
|
01:00:18:02 - 01:00:19:45
|
|
Speaker 4
|
|
well.
|
|
|
|
01:00:19:49 - 01:00:22:14
|
|
Speaker 3
|
|
Yeah. So.
|
|
|
|
01:00:22:14 - 01:00:27:06
|
|
Speaker 4
|
|
Oh from man.
|
|
|
|
01:00:27:10 - 01:00:32:48
|
|
Speaker 2
|
|
You know I needed to just not do that. What.
|
|
|
|
01:00:32:52 - 01:00:37:55
|
|
Speaker 4
|
|
Rendell. do you like.
|
|
|
|
01:00:38:00 - 01:00:41:31
|
|
Speaker 2
|
|
When you, every time I do it, I get punished. I mean, you should.
|
|
|
|
01:00:41:31 - 01:00:45:07
|
|
Speaker 4
|
|
Not I feel
|
|
|
|
01:00:45:12 - 01:01:09:54
|
|
Unknown
|
|
Yeah. Well. Oh, yeah. Well, fellow much friends y'all know, fellow. How are you? Please, friends. what? Girl. Oh, yeah.
|
|
|
|
01:01:09:59 - 01:01:12:20
|
|
Speaker 4
|
|
Oh, you.
|
|
|
|
01:01:12:25 - 01:01:16:12
|
|
Unknown
|
|
Dumb. Oh, my. Oh.
|
|
|
|
01:01:18:39 - 01:01:23:06
|
|
Unknown
|
|
Uncool. Cool,
|
|
|
|
01:01:23:11 - 01:01:23:49
|
|
Speaker 4
|
|
Oh.
|
|
|
|
01:01:23:54 - 01:01:30:27
|
|
Unknown
|
|
Rodrigo. I'm a real, You like.
|
|
|
|
01:01:30:32 - 01:01:32:45
|
|
Speaker 4
|
|
This? That's all.
|
|
|
|
01:01:32:50 - 01:01:38:40
|
|
Unknown
|
|
You know what? Real.
|
|
|
|
01:01:38:45 - 01:01:41:01
|
|
Speaker 4
|
|
you love,
|
|
|
|
01:01:41:06 - 01:01:54:20
|
|
Unknown
|
|
You know, you, This, Whoa. You know how I like.
|
|
|
|
01:01:54:25 - 01:02:09:15
|
|
Speaker 2
|
|
Tokyo Ghoul is basically like vampires. I wouldn't know. Are there ghouls in Tokyo? I stand corrected. Well, evidently you do. Evidently. You need to brush up on your,
|
|
|
|
01:02:09:19 - 01:02:20:04
|
|
Speaker 2
|
|
I actually don't remember the words I was asking about. Like, you need to brush up on your. And then just start. I just start singing the Tokyo Ghoul song, but I don't actually like it. No, it.
|
|
|
|
01:02:20:09 - 01:02:26:11
|
|
Speaker 4
|
|
It's the one that goes I could you. No, not three. So I follow any.
|
|
|
|
01:02:26:11 - 01:02:30:31
|
|
Speaker 2
|
|
Of the fucking words, What?
|
|
|
|
01:02:30:36 - 01:02:45:57
|
|
Speaker 4
|
|
Oh. Yeah. The woman. No no no. Oh! Whoa oh oh. Oh. Do you go ahead and run.
|
|
|
|
01:02:46:08 - 01:02:52:12
|
|
Unknown
|
|
Do your pop. Do you know? Well, do you go ahead.
|
|
|
|
01:02:52:17 - 01:02:55:48
|
|
Speaker 4
|
|
Bring girl.
|
|
|
|
01:02:55:53 - 01:03:06:36
|
|
Unknown
|
|
yeah. You know, like what? What? Tell all.
|
|
|
|
01:03:06:41 - 01:03:17:15
|
|
Speaker 4
|
|
Loves what what what what? That was weird. Did you see that shit?
|
|
|
|
01:03:17:20 - 01:03:18:43
|
|
Speaker 2
|
|
That was very strange.
|
|
|
|
01:03:18:48 - 01:03:22:37
|
|
Speaker 3
|
|
Oh.
|
|
|
|
01:03:22:42 - 01:03:44:42
|
|
Speaker 2
|
|
You know, I can't read. any Japanese. Well, I could read kanji because it's from China, and I did a little bit of that, but I can't really read it. I could just recognize some of the characters, like, oh, yeah, I know that. I know these radicals, but I don't know how they pronounced.
|
|
|
|
01:03:44:47 - 01:04:06:19
|
|
Speaker 2
|
|
That but I can recognize which writing system it is. This is a little bit of kanji and a little bit of, fuck. I actually, if you had hiragana in katakana, like right in front of me, then I could tell you the difference. But I actually don't know how to tell the difference. Like without. No well, no, I know how to tell the difference, but I actually don't recall which name is which.
|
|
|
|
01:04:06:19 - 01:04:08:31
|
|
Speaker 2
|
|
I think that is hiragana.
|
|
|
|
01:04:11:20 - 01:04:16:00
|
|
Speaker 2
|
|
Oh shit. Oh shit. They. Oh.
|
|
|
|
01:04:16:04 - 01:04:23:13
|
|
Speaker 2
|
|
Yeah. I don't know how to match it to the fucking,
|
|
|
|
01:04:23:18 - 01:04:28:30
|
|
Unknown
|
|
Yeah, yeah. Oh.
|
|
|
|
01:04:30:05 - 01:04:36:18
|
|
Unknown
|
|
I wonder your friend what.
|
|
|
|
01:04:36:23 - 01:04:42:13
|
|
Speaker 2
|
|
he didn't finish the move. I fuck. What? Oh, girl.
|
|
|
|
01:04:42:18 - 01:04:44:15
|
|
Speaker 4
|
|
The woman.
|
|
|
|
01:04:44:20 - 01:04:51:22
|
|
Speaker 2
|
|
I didn't realize he was doing that one.
|
|
|
|
01:04:51:27 - 01:04:59:49
|
|
Speaker 2
|
|
Oh, she they.
|
|
|
|
01:04:59:54 - 01:05:03:40
|
|
Unknown
|
|
Put.
|
|
|
|
01:05:03:45 - 01:05:08:28
|
|
Unknown
|
|
Oh.
|
|
|
|
01:05:08:33 - 01:05:13:35
|
|
Speaker 2
|
|
Block in. I can sing it. I believe you, Sullivan.
|
|
|
|
01:05:13:35 - 01:05:14:10
|
|
Speaker 4
|
|
Yeah.
|
|
|
|
01:05:14:15 - 01:05:37:25
|
|
Unknown
|
|
You know. Oh, totally. Fuck. What? Yeah, I know, and, render. Okay. Oh. And, Yeah, we'll,
|
|
|
|
01:05:37:30 - 01:05:37:55
|
|
Speaker 4
|
|
Yeah.
|
|
|
|
01:05:38:00 - 01:06:00:43
|
|
Unknown
|
|
Well, you. Yeah. I put under and the girl. Brenda. Oh. Oh, yeah.
|
|
|
|
01:06:00:48 - 01:06:12:49
|
|
Speaker 4
|
|
Woman. Your. Man. well. Oh, you see, what do you know? What do you know? Yeah.
|
|
|
|
01:06:12:54 - 01:06:17:46
|
|
Speaker 4
|
|
Woman. Your perfect. Yeah. You.
|
|
|
|
01:06:17:51 - 01:06:21:00
|
|
Speaker 2
|
|
Oh, yeah. Look, I've got the spacing down decently enough.
|
|
|
|
01:06:21:05 - 01:06:29:02
|
|
Unknown
|
|
You go up, Bundle up. Brenda. Oh. Oh yes.
|
|
|
|
01:06:31:21 - 01:06:40:34
|
|
Unknown
|
|
Woman. Your what? Like. Yeah.
|
|
|
|
01:06:40:39 - 01:06:56:24
|
|
Speaker 4
|
|
Oh I run. Can't do that TV. Fuck. Oh oh what are you gonna. Yeah. Run! Go! No, no.
|
|
|
|
01:06:56:29 - 01:07:01:41
|
|
Speaker 2
|
|
That was go. Pretty good for a moment, bro. Just copy and paste in real.
|
|
|
|
01:07:04:15 - 01:07:23:22
|
|
Speaker 2
|
|
No, I saying it, but it's definitely a lot. But, gee, that's embarrassing. What? You're laughing. Shut the fuck up, fan boy. I feel like every single one of you courageous could just just say that to each other. That's all that you'd ever need to say. Really? That that'd be the entire chorus.
|
|
|
|
01:07:24:59 - 01:07:31:48
|
|
Speaker 2
|
|
The pot calling the kettle black. We're both of the same boats. I tell Pot and Kettle, suck my dick.
|
|
|
|
01:07:33:34 - 01:07:48:56
|
|
Speaker 2
|
|
I don't know if they could do that, though. I suppose if it was truly a pot and a kettle and they also wouldn't be able to call each other black. I don't know why they think calling each other black is such a big, insult. Anyway, you know.
|
|
|
|
01:07:49:01 - 01:07:51:51
|
|
Speaker 3
|
|
so then you're.
|
|
|
|
01:07:51:55 - 01:08:08:15
|
|
Speaker 2
|
|
What's wrong with being black? Well, I suppose if you have know, I can think of pots of kettles like some parts of kettles founded in black, and, You know, they were just manufactured that way. Nothing wrong with it.
|
|
|
|
01:08:08:20 - 01:08:10:07
|
|
Speaker 3
|
|
So.
|
|
|
|
01:08:10:12 - 01:08:12:07
|
|
Speaker 4
|
|
green tea.
|
|
|
|
01:08:12:09 - 01:08:19:23
|
|
Unknown
|
|
Not hot girl like.
|
|
|
|
01:08:19:28 - 01:08:21:06
|
|
Speaker 4
|
|
no.
|
|
|
|
01:08:21:10 - 01:08:25:36
|
|
Unknown
|
|
It's not so good, old friend. Well.
|
|
|
|
01:08:25:40 - 01:08:35:37
|
|
Speaker 4
|
|
oh. Oh no no. You know, know, I feel.
|
|
|
|
01:08:35:42 - 01:08:41:30
|
|
Speaker 2
|
|
Like, you know, I, I that's the one I'm currently struggling with.
|
|
|
|
01:08:41:34 - 01:08:47:22
|
|
Speaker 4
|
|
Oh that's, that's all. Well. Oh our.
|
|
|
|
01:08:47:27 - 01:08:50:53
|
|
Unknown
|
|
Young lady. Come on. Put.
|
|
|
|
01:08:50:58 - 01:09:00:02
|
|
Speaker 4
|
|
Oh no. Oh we're the old fuck. Finally did the bad,
|
|
|
|
01:09:00:07 - 01:09:04:55
|
|
Speaker 2
|
|
The bad space again. I'm not even using.
|
|
|
|
01:09:05:00 - 01:09:07:48
|
|
Speaker 4
|
|
No, no.
|
|
|
|
01:09:07:53 - 01:09:11:04
|
|
Speaker 2
|
|
I'll come back later, then.
|
|
|
|
01:09:11:09 - 01:09:18:11
|
|
Speaker 4
|
|
I'll come back later. That.
|
|
|
|
01:09:18:16 - 01:09:30:13
|
|
Speaker 2
|
|
Do not the cookware. Yeah. Don't do well. Have you played Cuphead the boozer? Oh, I mean.
|
|
|
|
01:09:30:18 - 01:09:35:08
|
|
Speaker 4
|
|
What the hell? That's cringe. And you dodge the.
|
|
|
|
01:09:35:13 - 01:09:37:19
|
|
Speaker 2
|
|
Bloody attack as well.
|
|
|
|
01:09:37:24 - 01:09:39:42
|
|
Speaker 3
|
|
Oh, are you.
|
|
|
|
01:09:39:46 - 01:09:50:17
|
|
Speaker 2
|
|
Running? Oh, oh, he broke that. He's causing environmental damage. Get him sick, Gretta on his ass.
|
|
|
|
01:09:50:22 - 01:09:52:44
|
|
Speaker 3
|
|
But girl.
|
|
|
|
01:09:52:49 - 01:10:02:36
|
|
Speaker 2
|
|
You know what? Let's just take a breather for a moment. Just got to calm down, okay? I'll do the cookware if I want. Yeah, I'll do the cookware if I must.
|
|
|
|
01:10:02:51 - 01:10:05:44
|
|
Speaker 3
|
|
So. Well.
|
|
|
|
01:10:05:49 - 01:10:08:52
|
|
Speaker 4
|
|
We'll. I have no dick, and I must curry.
|
|
|
|
01:10:08:52 - 01:10:18:16
|
|
Speaker 2
|
|
You must do, Just kidding. I'm not a female. Fuck.
|
|
|
|
01:10:18:21 - 01:10:19:32
|
|
Speaker 3
|
|
Yeah.
|
|
|
|
01:10:19:37 - 01:10:26:15
|
|
Speaker 4
|
|
yeah, man, I. Oh. Oh, I have no.
|
|
|
|
01:10:26:15 - 01:10:31:21
|
|
Speaker 2
|
|
Personality. And I must love. That was a good little mod do the other day.
|
|
|
|
01:10:31:26 - 01:10:40:26
|
|
Speaker 4
|
|
Five. Oh, girl. Well, under. Oh, no.
|
|
|
|
01:10:40:26 - 01:10:46:52
|
|
Unknown
|
|
But drizzle. Gordo.
|
|
|
|
01:10:46:57 - 01:10:56:02
|
|
Speaker 4
|
|
Oh, you know, I'm what the woman. Yo, are you. Well, yeah. Well, that.
|
|
|
|
01:10:56:02 - 01:10:57:36
|
|
Speaker 2
|
|
Actually lags is friends.
|
|
|
|
01:10:57:36 - 01:11:04:03
|
|
Speaker 4
|
|
But the Lord. Oh, what?
|
|
|
|
01:11:04:08 - 01:11:07:32
|
|
Unknown
|
|
Yeah.
|
|
|
|
01:11:07:37 - 01:11:10:00
|
|
Speaker 4
|
|
Man. Oh, okay.
|
|
|
|
01:11:10:04 - 01:11:16:17
|
|
Speaker 2
|
|
How classic team cherry, accidental enemy move moment.
|
|
|
|
01:11:17:20 - 01:11:34:02
|
|
Speaker 2
|
|
We're gonna do the the the, The boys give me the my boys. I'm with my boys. Yeah. Oh, right. I was also going to look at, because I got the weighted belt. I got the quickie, I got the. Oh, right. The silk region.
|
|
|
|
01:11:40:08 - 01:12:01:34
|
|
Speaker 2
|
|
I don't recall why I was using that word because I think I wanted to use. Oh, no, because this one. Oh, right, right. I haven't got the space for it. Because I'm using the belt. We love the warding belt. I definitely don't need this right now, but. Oh, right. It's literally the wrong fucking slot.
|
|
|
|
01:12:05:56 - 01:12:10:41
|
|
Speaker 4
|
|
The new monotony.
|
|
|
|
01:12:10:46 - 01:12:32:00
|
|
Speaker 2
|
|
yeah. Come back. We'll do that. Potted kettle bout to be sore freak. Somebody to take a low cortisol pill Yeah. Colloquially known as a chill pill.
|
|
|
|
01:12:32:05 - 01:12:33:09
|
|
Speaker 4
|
|
Hut.
|
|
|
|
01:12:33:14 - 01:12:49:23
|
|
Speaker 2
|
|
And this is where I would make some sort of a witty remark about, saris, but, No, saris are not low cortisol pills. They girl, they fuck you up. Yeah. Oh, don't take them.
|
|
|
|
01:12:49:28 - 01:12:51:18
|
|
Speaker 3
|
|
Oh, I know.
|
|
|
|
01:12:51:23 - 01:12:53:26
|
|
Speaker 4
|
|
But yeah, yeah.
|
|
|
|
01:12:53:31 - 01:13:01:41
|
|
Speaker 2
|
|
Oh saris of the people who literally have like, like a, an endocrine problem.
|
|
|
|
01:13:01:46 - 01:13:06:49
|
|
Speaker 4
|
|
What woman. Your sack of,
|
|
|
|
01:13:06:53 - 01:13:12:07
|
|
Speaker 3
|
|
Whoa. Okay. That's all I up.
|
|
|
|
01:13:12:12 - 01:13:26:53
|
|
Speaker 2
|
|
Friend. Whoa. Right. It doesn't even decrease stress, though. I'm thinking of, the other family. What is what is the the, what is the thing that the zanies whatever those,
|
|
|
|
01:13:26:58 - 01:13:37:28
|
|
Speaker 4
|
|
Why is it hot in here? Oh.
|
|
|
|
01:13:37:33 - 01:13:53:54
|
|
Speaker 2
|
|
Wow. This this mini fridge really is bad. I am going to go and get a get some more ice so I can actually drink. That's this. Crush. Crush grape. Crush my balls. Well, don't do that. Actually.
|
|
|
|
01:13:54:01 - 01:13:55:48
|
|
Speaker 4
|
|
Can I crush your balls?
|
|
|
|
01:13:55:53 - 01:14:07:16
|
|
Speaker 2
|
|
Hello, Adrian. How do you do Cloud Rain? Dagon. No, that is not my name. Has never been my name. Still not what? I'm gold. Believe it or not, I'm.
|
|
|
|
01:14:07:21 - 01:19:04:27
|
|
Speaker 3
|
|
I'm.
|
|
|
|
01:19:04:31 - 01:19:11:12
|
|
Speaker 2
|
|
I've retired with the ice.
|
|
|
|
01:19:11:16 - 01:19:16:07
|
|
Speaker 2
|
|
I come armed with ice.
|
|
|
|
01:19:16:12 - 01:19:23:06
|
|
Speaker 2
|
|
Now, what's all this, then?
|
|
|
|
01:19:24:48 - 01:19:40:01
|
|
Speaker 2
|
|
Do you ever just, like, smell your balls and you're like, That's nice, because I don't. I don't do that.
|
|
|
|
01:19:40:06 - 01:19:51:40
|
|
Speaker 2
|
|
Let me. When I get hired by Team Cherry to voice a character, and it's just random bullshit. What random bullshit. Okay, this may be on a very high pressure.
|
|
|
|
01:19:51:45 - 01:19:59:35
|
|
Speaker 4
|
|
Pressure? Yes, it's high pressure.
|
|
|
|
01:19:59:40 - 01:20:04:59
|
|
Speaker 2
|
|
I love low cortisol. It's my favorite snack.
|
|
|
|
01:20:05:04 - 01:20:16:57
|
|
Speaker 2
|
|
I'm not good. Yeah, you know, I I'm not going to try to challenge that.
|
|
|
|
01:20:17:02 - 01:20:24:33
|
|
Speaker 2
|
|
That was funny, right? I love your joke. I love your joke. Make me bored. Now we have. Okay. Going to have to do more than that. I record.
|
|
|
|
01:20:26:42 - 01:20:38:48
|
|
Speaker 2
|
|
Bro really wants to be mod. I was mod once. What happened though? This is. This is the tail. I stripped him of his pride and ego and he banished me to the peasantry for showing the world is true face.
|
|
|
|
01:20:40:13 - 01:20:43:35
|
|
Speaker 2
|
|
Sounds like something you would do. You probably deserved it. Real.
|
|
|
|
01:20:43:35 - 01:20:45:03
|
|
Speaker 4
|
|
I'm gonna touch.
|
|
|
|
01:20:45:03 - 01:21:08:45
|
|
Speaker 2
|
|
You. Yeah. Touches you instead and tickles your insides. Goodness I didn't, I don't know what kind of fanboy witchy magic you used to do that, but it sounds like quite the experience. That's right. Gulp, gulp. What? You heard me is. What does that say? I was about to be. You know, I've. I've got to ask the same thing.
|
|
|
|
01:21:08:45 - 01:21:35:00
|
|
Speaker 2
|
|
It means you have to gulp, gulp, gulp. Pros enjoying it, freak. It's an involuntary reaction. I don't actually like it. Baka. You know, I've. I've not got much more to say, honestly. I could just. I could just, let this carry on. The creatures are, copulating.
|
|
|
|
01:21:35:05 - 01:22:01:57
|
|
Speaker 2
|
|
That I why we've got. Wow. This is very foamy. Doesn't appear to be purple. It's like it's, I haven't got enough. it took a took a moment because the, the ice machine is not, Well, it's not doing so hot. It's dysfunctional, it's, overflowing. And then the overflowing causes it to jam and blow things up.
|
|
|
|
01:22:02:02 - 01:22:26:24
|
|
Speaker 2
|
|
So I haven't got infinite ice, unfortunately. I hope we have a sundra. Yes, we do. We'll just put on a show for the chat. I evidently this displeases me as what we do, we entertain, we're goofy goobers. The dude you are. It will also help you get more views of the jazz actor. Is that right? Show us your waist rein.
|
|
|
|
01:22:26:24 - 01:22:33:58
|
|
Speaker 2
|
|
Slutty waist. Super slutty. I want to grab onto those hips. Goodness sake. Absolute animals.
|
|
|
|
01:22:35:07 - 01:23:00:24
|
|
Speaker 2
|
|
It's like a minecraft animal farm. more. More. Orwell. References. Well, as an ice machine, I hope it's hope. It's not hard. Well, it's not doing too hot. Which you bitch does. Rain. Look, this right kind of look like the laughing cow. I will eliminate your bloodline. I will do it. I will eliminate your bloodline. And I will.
|
|
|
|
01:23:00:28 - 01:23:16:01
|
|
Speaker 2
|
|
Well, I'm not I'm not going to castrate you, but I'm going to. Kind of do things to you. Your bloodline will not be surviving this.
|
|
|
|
01:23:16:06 - 01:23:30:22
|
|
Speaker 2
|
|
You can see his crotch lines. Bloody hell. He does look like a laughing cow. Just barely. He's a tease. Little slutty tease. I don't know, I would go again.
|
|
|
|
01:23:30:27 - 01:23:38:42
|
|
Speaker 2
|
|
Why is this the destination that our journey has? Let us do?
|
|
|
|
01:23:38:47 - 01:23:53:21
|
|
Speaker 2
|
|
I just, how much is in this? Like grape soda? nice and purple.
|
|
|
|
01:23:53:25 - 01:24:09:09
|
|
Speaker 2
|
|
In earlier days, I would have said nice and purple, just like me. But, I'm a fucking adult. I'm over that shit.
|
|
|
|
01:24:09:14 - 01:24:14:49
|
|
Speaker 2
|
|
Well, evidently I don't get to fill up the entire. Thank goodness.
|
|
|
|
01:24:14:54 - 01:24:15:48
|
|
Speaker 2
|
|
I'm going to take.
|
|
|
|
01:24:15:57 - 01:24:19:55
|
|
Speaker 4
|
|
Okay.
|
|
|
|
01:24:20:00 - 01:24:21:29
|
|
Speaker 4
|
|
I didn't mean to.
|
|
|
|
01:24:21:34 - 01:24:29:46
|
|
Speaker 2
|
|
But I chug the the thing, but, My, options are clearly limited.
|
|
|
|
01:24:29:51 - 01:24:39:09
|
|
Speaker 4
|
|
You're going back in the fridge, get in my Xbox.
|
|
|
|
01:24:39:14 - 01:24:41:12
|
|
Speaker 4
|
|
gaming.
|
|
|
|
01:24:43:03 - 01:24:45:09
|
|
Speaker 2
|
|
The journey is freaky.
|
|
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|
01:24:45:14 - 01:24:50:58
|
|
Speaker 4
|
|
The creature is aggressive in nature.
|
|
|
|
01:24:51:03 - 01:25:04:10
|
|
Speaker 2
|
|
The other one I was showing at your inguinal folds, I think. I think that's how you say it. I don't remember, you know, fun anymore. Right? I remember when you used to take pictures of SpongeBob. Popsicles would be so happy. Sponge. Oh, when did I do that?
|
|
|
|
01:25:04:15 - 01:25:10:01
|
|
Unknown
|
|
Randy? Oh, no. that's all.
|
|
|
|
01:25:10:12 - 01:25:15:47
|
|
Speaker 4
|
|
I'm plenty of fun. Hello. So go. Woman here.
|
|
|
|
01:25:15:52 - 01:25:21:31
|
|
Unknown
|
|
Oh, yeah. will you fuck!
|
|
|
|
01:25:21:36 - 01:25:29:02
|
|
Speaker 4
|
|
Oh, yeah. Holy fuck. You know, I I.
|
|
|
|
01:25:29:07 - 01:25:34:08
|
|
Unknown
|
|
fellow? Yes.
|
|
|
|
01:25:34:13 - 01:25:37:03
|
|
Speaker 4
|
|
You know what? Oh, woman.
|
|
|
|
01:25:37:03 - 01:25:43:30
|
|
Unknown
|
|
You're, You mean.
|
|
|
|
01:25:43:35 - 01:25:47:55
|
|
Speaker 4
|
|
Yeah. You're.
|
|
|
|
01:25:48:00 - 01:25:54:15
|
|
Unknown
|
|
Oh, friend. You're. No no no no. Oh, yeah.
|
|
|
|
01:25:54:19 - 01:25:58:00
|
|
Speaker 4
|
|
I fucking hate this. Now stop with this shield, and you should.
|
|
|
|
01:25:58:04 - 01:26:07:52
|
|
Unknown
|
|
Feel an Gordo, So. Oh, you up?
|
|
|
|
01:26:07:57 - 01:26:13:01
|
|
Speaker 2
|
|
You calm down. I'll get to you later. We're busy. Girl, I've got a previous engagement.
|
|
|
|
01:26:13:01 - 01:26:15:15
|
|
Speaker 4
|
|
With a fellow.
|
|
|
|
01:26:15:19 - 01:26:23:00
|
|
Unknown
|
|
Oh, yeah? Yeah. See you. We'll, well.
|
|
|
|
01:26:23:04 - 01:26:24:30
|
|
Speaker 4
|
|
Live in your.
|
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|
|
01:26:24:34 - 01:26:38:25
|
|
Speaker 2
|
|
I really don't like that move too much, girl, I didn't even wait. I didn't even use a oh, no. Yeah, I didn't even use the the bugs. The bug is, oh.
|
|
|
|
01:26:38:30 - 01:26:47:37
|
|
Speaker 4
|
|
You go. Yeah. That's probably a good place to start. Shit. Go.
|
|
|
|
01:26:49:39 - 01:27:12:02
|
|
Speaker 2
|
|
And be so happy now you're a jaded adult. Okay, well. Life changes. Yeah. So does it. Got shit? to do, right? You got a responsibility and and, something, you know, you got things going on, going for you. I need to go here.
|
|
|
|
01:27:12:07 - 01:27:23:31
|
|
Speaker 2
|
|
Excuse me. I actually can't get straight back on it because of the,
|
|
|
|
01:27:23:36 - 01:27:35:51
|
|
Speaker 2
|
|
The. You know that the people, the people they got, like, the funny hats and everything. So people with funny hats are preventing me to do, what must be done,
|
|
|
|
01:27:35:56 - 01:27:38:22
|
|
Speaker 4
|
|
Oh, get them!
|
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|
|
01:27:38:27 - 01:27:46:25
|
|
Unknown
|
|
So, Oh, yeah. Zero one. Yeah. Oh, yeah.
|
|
|
|
01:27:46:30 - 01:27:49:41
|
|
Speaker 2
|
|
This is actually quite distracting.
|
|
|
|
01:27:49:46 - 01:27:54:16
|
|
Unknown
|
|
Yeah. Look here. Oh, Mundo.
|
|
|
|
01:27:54:21 - 01:27:56:25
|
|
Speaker 2
|
|
And wait, did it just.
|
|
|
|
01:27:56:34 - 01:27:58:34
|
|
Speaker 4
|
|
Kill all of them?
|
|
|
|
01:27:58:39 - 01:28:18:32
|
|
Unknown
|
|
You know, and I, told you, you know, what? oh, I know it's not all, but I know you love. Yeah.
|
|
|
|
01:28:18:37 - 01:28:25:41
|
|
Speaker 3
|
|
I. Oh, no. Oh.
|
|
|
|
01:28:25:46 - 01:28:30:07
|
|
Unknown
|
|
Well. Yeah. You bundle.
|
|
|
|
01:28:33:12 - 01:28:45:06
|
|
Unknown
|
|
Oh. Yeah. Oh, I mean, what do you love? Oh, I put so.
|
|
|
|
01:28:45:10 - 01:29:00:36
|
|
Speaker 2
|
|
Oh, interesting. I didn't realize you could stagger into that. Oh. Sorry. I got itchy.
|
|
|
|
01:29:00:41 - 01:29:31:34
|
|
Speaker 2
|
|
Yeah. Spider-Man says something about responsibility. Yeah, yeah. Uncle, uncle. But Ben Benjamin, uncle Ben Hur. It's censored. Perhaps we have censored chat settings. I don't know, but next. Next to chat and then filter. I think I said that say something slutty. I want to suckle your nipples. Is that slutty? I don't know why that is. Got to say harder, daddy, but sure.
|
|
|
|
01:29:31:39 - 01:29:35:44
|
|
Speaker 2
|
|
I don't think that that's, you know.
|
|
|
|
01:29:35:49 - 01:29:40:00
|
|
Speaker 3
|
|
oh. Run! The old.
|
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|
|
01:29:40:04 - 01:29:43:09
|
|
Speaker 4
|
|
Woman. You,
|
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|
|
01:29:43:14 - 01:29:58:27
|
|
Unknown
|
|
Woman. Your friend. All. Under the old calm down window. Okay. I.
|
|
|
|
01:29:58:32 - 01:30:01:46
|
|
Speaker 4
|
|
I feel.
|
|
|
|
01:30:01:51 - 01:30:04:55
|
|
Unknown
|
|
Young girl. Then,
|
|
|
|
01:30:05:00 - 01:30:07:31
|
|
Speaker 2
|
|
I was facing the wrong way. Hey.
|
|
|
|
01:30:07:36 - 01:30:08:44
|
|
Speaker 4
|
|
Oh.
|
|
|
|
01:30:09:46 - 01:30:18:07
|
|
Unknown
|
|
They bring you up? Oh.
|
|
|
|
01:30:18:12 - 01:30:20:28
|
|
Unknown
|
|
Bundle three.
|
|
|
|
01:30:20:33 - 01:30:25:40
|
|
Speaker 4
|
|
Damage. No. So let's let's let's.
|
|
|
|
01:30:25:40 - 01:30:46:05
|
|
Speaker 2
|
|
Let's let twink to enjoy doing tweet tweet tweet tweet. Why why are we doing this? Did we fix the censorship? Have we defeated Big Brother and the party?
|
|
|
|
01:30:46:10 - 01:30:52:49
|
|
Speaker 2
|
|
Sometimes I wish I could just stick my fingers into my own back and manipulate my disks manually.
|
|
|
|
01:30:52:52 - 01:31:00:43
|
|
Speaker 4
|
|
Oh, like I run goal. Well, you know what?
|
|
|
|
01:31:00:48 - 01:31:03:34
|
|
Speaker 2
|
|
Oh, yeah, he got hit this time.
|
|
|
|
01:31:03:39 - 01:31:05:37
|
|
Speaker 4
|
|
Oh my gosh.
|
|
|
|
01:31:05:42 - 01:31:13:21
|
|
Unknown
|
|
Ha ha ha ha! Whoa, whoa. Oh!
|
|
|
|
01:31:14:15 - 01:31:23:22
|
|
Unknown
|
|
Yeah. Oh, yeah. Woman. no. When the Lord.
|
|
|
|
01:31:23:27 - 01:31:27:17
|
|
Speaker 4
|
|
Damn it, shut you up!
|
|
|
|
01:31:27:22 - 01:31:50:12
|
|
Unknown
|
|
Ha ha! I know you. Oh, well. Hey. Yeah. You know, oh, I know. Oh, no. Gordo. Gordo.
|
|
|
|
01:31:50:16 - 01:32:01:13
|
|
Unknown
|
|
Yeah, I put you up for you. oh.
|
|
|
|
01:32:01:18 - 01:32:15:25
|
|
Unknown
|
|
Oh, you, oh. Hot puzzle. Oh, I feel under your what?
|
|
|
|
01:32:15:30 - 01:32:17:34
|
|
Speaker 4
|
|
And actually expected to do it.
|
|
|
|
01:32:17:39 - 01:32:26:47
|
|
Unknown
|
|
Yeah, yeah, under. Yeah. I,
|
|
|
|
01:32:26:52 - 01:32:42:22
|
|
Unknown
|
|
For one. Do y'all, You love. I feel you're hot, Gordo. Hello.
|
|
|
|
01:32:42:27 - 01:32:45:56
|
|
Speaker 4
|
|
feel no bad shirt.
|
|
|
|
01:32:46:01 - 01:33:18:40
|
|
Unknown
|
|
Cramp, friend. Oh. Whoa. Okay. Go ahead. Run through your, mama. So, what? Little girl? Yeah. Randall Mundo, you love fellow real friendly. Go ahead.
|
|
|
|
01:33:18:45 - 01:33:23:12
|
|
Speaker 4
|
|
He keeps doing this.
|
|
|
|
01:33:24:50 - 01:33:37:45
|
|
Speaker 2
|
|
What did you just say? Stick your fingers in you behind a manipulate your dick manually, son. Yeah, yeah, you could just schizophrenics as much as you like, but I didn't say that. Shit.
|
|
|
|
01:33:37:49 - 01:33:53:01
|
|
Speaker 2
|
|
Process. Try to find his G-spot. Leave him alone. No, I did, I did not say that. That was not a thing I said. You're putting words in my mouth because you haven't got any dick in yours. Quit playing.
|
|
|
|
01:33:55:31 - 01:34:02:26
|
|
Speaker 2
|
|
So I can do the thing. This will give me a bit of a boost.
|
|
|
|
01:34:02:31 - 01:34:06:15
|
|
Speaker 2
|
|
I feel for the ball. Fella called. He got located.
|
|
|
|
01:34:06:19 - 01:34:09:16
|
|
Speaker 4
|
|
Closer. Oh let's help.
|
|
|
|
01:34:09:16 - 01:34:13:41
|
|
Speaker 2
|
|
Him. Yeah I don't know about that.
|
|
|
|
01:34:13:46 - 01:34:15:10
|
|
Speaker 4
|
|
No runs.
|
|
|
|
01:34:15:18 - 01:34:24:04
|
|
Unknown
|
|
Oh yeah. no. Oh you know what do you. Yeah.
|
|
|
|
01:34:24:09 - 01:34:26:15
|
|
Speaker 4
|
|
Do you love.
|
|
|
|
01:34:26:19 - 01:34:34:19
|
|
Unknown
|
|
Oh. Hey, yo, you got hot stove. Oh.
|
|
|
|
01:34:34:24 - 01:34:39:54
|
|
Speaker 4
|
|
Yeah. We'll, drop one. Stop.
|
|
|
|
01:34:39:59 - 01:34:49:14
|
|
Unknown
|
|
You know, when you're Gordo. Whoa, whoa oh.
|
|
|
|
01:34:49:19 - 01:34:50:14
|
|
Speaker 4
|
|
Right.
|
|
|
|
01:34:50:19 - 01:34:55:35
|
|
Unknown
|
|
You know. Hey, do you know what.
|
|
|
|
01:34:55:40 - 01:34:56:58
|
|
Speaker 4
|
|
That's that's all.
|
|
|
|
01:34:57:03 - 01:35:13:31
|
|
Unknown
|
|
Girl. Hello? I'm no corriendo. Well, fill me up, Gordo. Now, that's all,
|
|
|
|
01:35:13:36 - 01:35:22:36
|
|
Speaker 4
|
|
You love. oh. Come on, every fucking time.
|
|
|
|
01:35:22:40 - 01:35:29:33
|
|
Speaker 2
|
|
Sad music starts playing for the poor soul,
|
|
|
|
01:35:29:38 - 01:35:39:20
|
|
Speaker 2
|
|
Out of the government. Really? Any need of. Oh, sad music. I'm not such a poor soul.
|
|
|
|
01:35:39:25 - 01:35:45:40
|
|
Speaker 3
|
|
I'm.
|
|
|
|
01:35:45:45 - 01:35:50:24
|
|
Speaker 2
|
|
Lettuce. Yeah. I don't know about that.
|
|
|
|
01:35:50:29 - 01:35:56:37
|
|
Speaker 4
|
|
What? No. You got bugs in your face,
|
|
|
|
01:35:56:42 - 01:35:59:01
|
|
Speaker 3
|
|
Man, I'm.
|
|
|
|
01:35:59:06 - 01:36:08:42
|
|
Unknown
|
|
Not what I love. What are you still.
|
|
|
|
01:36:08:47 - 01:36:14:17
|
|
Unknown
|
|
Running through your room door? Oh, oh, so.
|
|
|
|
01:36:14:22 - 01:36:14:48
|
|
Speaker 3
|
|
Yeah.
|
|
|
|
01:36:14:52 - 01:36:26:48
|
|
Speaker 4
|
|
Oh, yeah. That door. See, the ran run, though I hope not. Under the woman.
|
|
|
|
01:36:26:58 - 01:36:52:55
|
|
Unknown
|
|
Your inner run, the. Oh, Oh, man. Oh, yeah. Gordo. So that's all. Oh, yeah. Yeah, girl. Run! Do! Oh, Gina!
|
|
|
|
01:36:56:43 - 01:37:01:09
|
|
Speaker 4
|
|
Foreign muscle. Oh.
|
|
|
|
01:37:01:13 - 01:37:04:23
|
|
Unknown
|
|
yeah! Go! Oh! Run through.
|
|
|
|
01:37:04:23 - 01:37:05:39
|
|
Speaker 4
|
|
Old.
|
|
|
|
01:37:05:43 - 01:37:11:57
|
|
Unknown
|
|
You're under.
|
|
|
|
01:37:12:01 - 01:37:36:34
|
|
Unknown
|
|
So, I guess that's all for real. Well, then, we'll run through old. What? Girl? 000, you're. Oh, you all.
|
|
|
|
01:37:36:39 - 01:37:37:46
|
|
Speaker 4
|
|
Been,
|
|
|
|
01:37:37:51 - 01:37:48:20
|
|
Unknown
|
|
Whoa! Brindle. But run through your.
|
|
|
|
01:37:48:25 - 01:38:00:15
|
|
Unknown
|
|
Yeah, friend under some old brindle poodle. Oh, woman. Y'all. You know.
|
|
|
|
01:38:00:19 - 01:38:11:29
|
|
Speaker 4
|
|
Then, look. Oh, there we go. so I just had to lock it a bit.
|
|
|
|
01:38:12:52 - 01:38:19:30
|
|
Speaker 4
|
|
Oh.
|
|
|
|
01:38:19:35 - 01:38:21:11
|
|
Speaker 2
|
|
So what happened?
|
|
|
|
01:38:21:16 - 01:38:23:51
|
|
Speaker 4
|
|
But was that entirely necessary?
|
|
|
|
01:38:23:56 - 01:38:31:30
|
|
Speaker 2
|
|
Did he need to, like, die? What's happened?
|
|
|
|
01:38:31:35 - 01:38:33:07
|
|
Speaker 2
|
|
Well, that's upsetting.
|
|
|
|
01:38:35:33 - 01:38:47:12
|
|
Speaker 2
|
|
That seems highly unnecessary. Ooh. Little enter through entrance place,
|
|
|
|
01:38:47:16 - 01:38:50:30
|
|
Speaker 3
|
|
Okay, okay. Oh.
|
|
|
|
01:38:50:34 - 01:38:58:43
|
|
Speaker 2
|
|
You had to get past him. Well, yeah, but I don't think he had to die. It could have been like the the other thing. The other thing where he. Where he's forgotten, you know?
|
|
|
|
01:39:00:27 - 01:39:23:24
|
|
Speaker 2
|
|
Whatever it like the clockwork little creature, the female clock thing that was like, I will do my duty or whatever. And then. Then we spar a bit, and then it's like, yeah, so we can be friends. Now. She's like, yeah, I'll be friends. We could have done that.
|
|
|
|
01:39:23:29 - 01:39:35:28
|
|
Speaker 2
|
|
I stick my dick in lettuce. I'd use mustard as lube when I'm making a sandwich. I like mustard. Mustard is pretty good. I'm on the dick, though. I don't know about that. I feel like if you get it in the hole, it'll burn a bit.
|
|
|
|
01:39:35:33 - 01:39:37:21
|
|
Speaker 3
|
|
Oh.
|
|
|
|
01:39:37:26 - 01:40:02:01
|
|
Speaker 2
|
|
That's disgusting. Where could I find this sandwich, you would ask? That wouldn't. Do I? I make them fanboy sandwiches, 20 bucks. Fanboy sandwiches, I think is something different. When. When do you say that? 20 bucks seems kind of scammy. How could I know there was fanboy cock inside the sandwich? You can watch? Well, starting to sound worth 20 bucks.
|
|
|
|
01:40:02:06 - 01:40:04:07
|
|
Speaker 2
|
|
He might not have died. He fell into the river and.
|
|
|
|
01:40:04:12 - 01:40:10:34
|
|
Speaker 4
|
|
A man has fallen into the river in Lego City.
|
|
|
|
01:40:10:39 - 01:40:13:36
|
|
Speaker 4
|
|
A man hey.
|
|
|
|
01:40:13:40 - 01:40:29:53
|
|
Speaker 2
|
|
Here we are. The seed that sprung the wood by her grace. May all bugs pass safe to join us. And our song. The nice. But that is clearly. That is clearly like sheet music, right?
|
|
|
|
01:40:29:58 - 01:40:34:45
|
|
Speaker 2
|
|
That's cool.
|
|
|
|
01:40:34:49 - 01:40:38:26
|
|
Speaker 2
|
|
Hey!
|
|
|
|
01:40:38:31 - 01:40:52:54
|
|
Speaker 2
|
|
Do I play music here? Evidently. Oh, it's so cool. When the silk just appears.
|
|
|
|
01:40:52:58 - 01:41:00:49
|
|
Speaker 2
|
|
What am I to do?
|
|
|
|
01:41:00:54 - 01:41:22:26
|
|
Speaker 2
|
|
Reference, indeed. Indubitably. I love that joke brain. I really did make me mod. Please post begging now. Yeah, see, it's kind of pathetic. Just a little bit pathetic. Honestly. I also set it up so you got to give me props. Go put on some cat ears and come back. That kind of.
|
|
|
|
01:41:22:26 - 01:41:23:28
|
|
Speaker 4
|
|
Props.
|
|
|
|
01:41:31:28 - 01:41:43:01
|
|
Speaker 2
|
|
Well, this is interesting. What if I do this? Nothing happens.
|
|
|
|
01:41:43:06 - 01:41:50:10
|
|
Speaker 2
|
|
I feel as if there's something I'm to do here.
|
|
|
|
01:41:50:15 - 01:42:00:49
|
|
Speaker 2
|
|
I wonder if I need to bind. Like I was just sitting here waiting until I can bind. But like, it did get anything. I'm like SpongeBob to Squidward when he had no job.
|
|
|
|
01:42:00:54 - 01:42:02:37
|
|
Speaker 3
|
|
I don't.
|
|
|
|
01:42:02:42 - 01:42:09:06
|
|
Speaker 2
|
|
I don't recall the the plot of this episode.
|
|
|
|
01:42:09:10 - 01:42:15:25
|
|
Speaker 4
|
|
Where they're boop boop boop boop boop boop boop.
|
|
|
|
01:42:15:30 - 01:42:24:38
|
|
Speaker 2
|
|
well, I've got to find. Bro. What? Actually, just die.
|
|
|
|
01:42:24:43 - 01:42:27:16
|
|
Speaker 4
|
|
Can you let me die?
|
|
|
|
01:42:36:01 - 01:42:39:51
|
|
Speaker 2
|
|
Well.
|
|
|
|
01:42:39:55 - 01:43:02:03
|
|
Speaker 2
|
|
In a maid outfit, you don't remember? No, I don't, I don't recall that. I didn't watch it. I don't remember there being any maid outfits in that. That's a little show. We do indeed love maid outfits, though. Which you bitch? No.
|
|
|
|
01:43:02:08 - 01:43:11:58
|
|
Speaker 2
|
|
I, I kind of got actual. I don't need to. Highly unnecessary.
|
|
|
|
01:43:12:03 - 01:43:20:21
|
|
Speaker 4
|
|
But,
|
|
|
|
01:43:20:25 - 01:43:21:14
|
|
Speaker 2
|
|
When he was like, what?
|
|
|
|
01:43:21:14 - 01:43:26:58
|
|
Speaker 4
|
|
I need a job I've done. I got a job to do. That job?
|
|
|
|
01:43:27:03 - 01:43:51:06
|
|
Speaker 2
|
|
Yeah, he did say that. Pretty iconic scene. One of the greatest unhinged, unhinged job. That's that's one of the one of the points where Robert just really sponge. Robert. You know, I do. Oh, wait wait, wait, I do a different needle in song.
|
|
|
|
01:43:51:10 - 01:44:05:19
|
|
Speaker 2
|
|
I should have no. Oh, wait. Not this song, for fuck's sake. It's the. It's a fucking different one, isn't it?
|
|
|
|
01:44:05:24 - 01:44:10:34
|
|
Speaker 2
|
|
Yeah. Elegy of the deep.
|
|
|
|
01:44:10:39 - 01:44:15:07
|
|
Speaker 2
|
|
Shite.
|
|
|
|
01:44:15:12 - 01:44:19:03
|
|
Speaker 2
|
|
Job. It has to be censored. It's triggering. My apologies.
|
|
|
|
01:44:19:03 - 01:44:33:45
|
|
Speaker 4
|
|
Original gangster. for what purpose?
|
|
|
|
01:44:41:00 - 01:44:45:13
|
|
Speaker 2
|
|
normally quite good at this.
|
|
|
|
01:44:45:18 - 01:44:48:58
|
|
Speaker 2
|
|
I gotta run all the way back.
|
|
|
|
01:44:51:01 - 01:44:59:17
|
|
Speaker 2
|
|
Very unnecessary, but.
|
|
|
|
01:44:59:22 - 01:45:07:23
|
|
Speaker 2
|
|
Oh, and I can. I can just skip that room with the with the. This thing I was going down before.
|
|
|
|
01:45:07:28 - 01:45:15:16
|
|
Speaker 4
|
|
My one.
|
|
|
|
01:45:15:21 - 01:45:30:34
|
|
Speaker 2
|
|
Oh, I didn't actually expect them to have some sort of an interaction when you did that. But. I don't I don't need the bench. I don't need it. if I die, I'll come back to it anyway.
|
|
|
|
01:45:31:26 - 01:45:37:50
|
|
Speaker 2
|
|
It's not the up. It's the down.
|
|
|
|
01:45:37:55 - 01:45:45:36
|
|
Speaker 2
|
|
Minus spelling error. Going to.
|
|
|
|
01:45:45:41 - 01:45:51:02
|
|
Speaker 2
|
|
Hampden.
|
|
|
|
01:45:51:07 - 01:46:08:55
|
|
Speaker 2
|
|
Okay, give me. There we go. See? That's doing something. I'm learning a song or something. I'm absorbing all the down.
|
|
|
|
01:46:09:00 - 01:46:18:21
|
|
Speaker 2
|
|
I'm absorbing dust, all the gooch fumes. Come on.
|
|
|
|
01:46:18:26 - 01:46:26:40
|
|
Speaker 4
|
|
I didn't mean to do that. Fuck this shit.
|
|
|
|
01:46:26:45 - 01:46:43:12
|
|
Speaker 2
|
|
Fall asleep immediately. Wake up immediately. Begin, playing song on needle. And again. Oh. Oh.
|
|
|
|
01:46:43:17 - 01:46:49:54
|
|
Speaker 2
|
|
Rain put on a maid outfit to the stream. One of these days. Yes. Maid outfits. I think about them every day.
|
|
|
|
01:46:52:40 - 01:46:57:54
|
|
Speaker 2
|
|
If you going to bring me the jacket back, may as well be a maid jacket back.
|
|
|
|
01:46:57:58 - 01:46:58:37
|
|
Speaker 4
|
|
Oh, well.
|
|
|
|
01:46:58:42 - 01:47:16:50
|
|
Speaker 2
|
|
I haven't had that jacket. It's like fucking ancient. It's in the closet. It's too hot in here for that anyway. Oh, like cow lingerie. sorry, sorry. I've got to say it. Probably Lynn Gray. That's how you say it.
|
|
|
|
01:47:18:03 - 01:47:26:10
|
|
Speaker 2
|
|
You know, because of the resemblance. No, no, I don't know.
|
|
|
|
01:47:26:15 - 01:47:30:47
|
|
Speaker 2
|
|
I deny this entirely.
|
|
|
|
01:47:30:52 - 01:47:36:18
|
|
Speaker 2
|
|
Yeah. I didn't even go anywhere.
|
|
|
|
01:47:36:23 - 01:47:44:48
|
|
Speaker 2
|
|
Oh, it was alleged there. Didn't expect that. This looks vaguely familiar. Oh. Hello there.
|
|
|
|
01:47:44:52 - 01:47:48:27
|
|
Speaker 4
|
|
I'm nihilist, do you?
|
|
|
|
01:47:48:36 - 01:47:52:03
|
|
Speaker 2
|
|
Do we need to do this?
|
|
|
|
01:48:01:12 - 01:48:07:12
|
|
Speaker 2
|
|
I don't like it. She's boring.
|
|
|
|
01:48:07:17 - 01:48:08:21
|
|
Speaker 4
|
|
Cuphead! Move!
|
|
|
|
01:48:08:25 - 01:48:16:11
|
|
Speaker 2
|
|
Shit! That's rough.
|
|
|
|
01:48:17:56 - 01:48:20:35
|
|
Speaker 2
|
|
You know, that's what. That's what cows sound like. Actually.
|
|
|
|
01:48:20:40 - 01:48:25:12
|
|
Speaker 4
|
|
They don't move. They go more,
|
|
|
|
01:48:35:42 - 01:48:46:13
|
|
Speaker 2
|
|
Metroid. Our boss. I don't know if it is.
|
|
|
|
01:48:46:18 - 01:48:50:44
|
|
Speaker 4
|
|
Do with your mom.
|
|
|
|
01:48:50:49 - 01:48:57:22
|
|
Speaker 2
|
|
Why she got to do that? I wonder what happens if I play music for a day.
|
|
|
|
01:48:57:27 - 01:49:02:15
|
|
Speaker 4
|
|
Oh, it's very good.
|
|
|
|
01:49:13:04 - 01:49:18:24
|
|
Unknown
|
|
Hey.
|
|
|
|
01:49:18:28 - 01:49:21:27
|
|
Speaker 4
|
|
Listen.
|
|
|
|
01:49:21:32 - 01:49:27:33
|
|
Speaker 2
|
|
Oh, wait, that's actually quite good, because all of these count as entities.
|
|
|
|
01:49:30:39 - 01:49:42:32
|
|
Speaker 3
|
|
Oh, friends.
|
|
|
|
01:49:42:37 - 01:49:50:01
|
|
Speaker 4
|
|
No, don't do that.
|
|
|
|
01:49:53:07 - 01:49:58:19
|
|
Speaker 4
|
|
How much? No. Oh, wow.
|
|
|
|
01:50:04:01 - 01:50:04:44
|
|
Speaker 4
|
|
Oh, they did the thing.
|
|
|
|
01:50:04:44 - 01:50:09:22
|
|
Speaker 2
|
|
Where they give you a little temporary platform.
|
|
|
|
01:50:09:27 - 01:50:24:15
|
|
Speaker 4
|
|
But. no.
|
|
|
|
01:50:24:20 - 01:50:29:30
|
|
Speaker 4
|
|
See?
|
|
|
|
01:50:29:34 - 01:50:32:28
|
|
Speaker 4
|
|
That's cheating.
|
|
|
|
01:50:32:33 - 01:50:40:05
|
|
Speaker 2
|
|
That's so such a cheat. Cheating, beating.
|
|
|
|
01:50:40:10 - 01:51:07:30
|
|
Speaker 2
|
|
Doing your mom and I'm doing yours. What about it? Why did you trade mom's? That's not cool. Milk. Yummy. Based, Witchy bitch. What do you think of vole? Yummy, yummy, yummy in my tummy, bro. Ryan's dreams do come true. You see what dreams? What dreams?
|
|
|
|
01:51:07:35 - 01:51:14:46
|
|
Speaker 2
|
|
Oh, wait. They get repaired because it's an dream town.
|
|
|
|
01:51:14:51 - 01:51:21:33
|
|
Speaker 2
|
|
Oh, wait. I wanted to see what would happen if I played the song.
|
|
|
|
01:51:21:37 - 01:51:26:46
|
|
Unknown
|
|
No.
|
|
|
|
01:51:26:51 - 01:51:42:09
|
|
Unknown
|
|
That's. That's how.
|
|
|
|
01:51:42:14 - 01:51:52:18
|
|
Speaker 2
|
|
that does not warrant double hit. What do you mean?
|
|
|
|
01:51:52:22 - 01:51:54:24
|
|
Speaker 2
|
|
Why is she so angry.
|
|
|
|
01:52:12:57 - 01:52:18:25
|
|
Speaker 2
|
|
Why did you have to go there?
|
|
|
|
01:52:18:30 - 01:52:23:01
|
|
Speaker 2
|
|
Okay.
|
|
|
|
01:52:23:06 - 01:52:30:00
|
|
Speaker 2
|
|
For dreams. Since when have I had dreams? What do you think about necrophilia?
|
|
|
|
01:52:30:05 - 01:52:33:43
|
|
Speaker 4
|
|
Necrophilia?
|
|
|
|
01:52:33:48 - 01:52:37:52
|
|
Speaker 2
|
|
That's timing. Yeah.
|
|
|
|
01:52:37:57 - 01:52:38:28
|
|
Speaker 3
|
|
Yeah.
|
|
|
|
01:52:38:33 - 01:52:55:16
|
|
Speaker 2
|
|
Goodness. Oh. You go from for Ophelia to necrophilia. Goodness sake.
|
|
|
|
01:52:59:09 - 01:53:09:54
|
|
Speaker 2
|
|
Are they. Zombies are, like, just dead bodies. So, I don't know about that. Be all cold and shit. You know?
|
|
|
|
01:53:09:59 - 01:53:13:41
|
|
Speaker 4
|
|
Sing up. She does not like that shit.
|
|
|
|
01:53:13:46 - 01:53:21:22
|
|
Speaker 2
|
|
She does not like my song.
|
|
|
|
01:53:45:27 - 01:53:58:23
|
|
Speaker 2
|
|
this hardly seems fair.
|
|
|
|
01:54:12:12 - 01:54:15:40
|
|
Unknown
|
|
No.
|
|
|
|
01:54:16:13 - 01:54:22:46
|
|
Speaker 2
|
|
That is not even close to fair. What the hell?
|
|
|
|
01:54:22:51 - 01:54:28:48
|
|
Speaker 4
|
|
If they're fresh, what the fuck?
|
|
|
|
01:54:28:53 - 01:54:31:18
|
|
Speaker 2
|
|
Well, your next. Hope you're ready.
|
|
|
|
01:54:31:22 - 01:54:32:30
|
|
Speaker 4
|
|
What?
|
|
|
|
01:54:32:34 - 01:54:36:12
|
|
Speaker 2
|
|
Do not kill the me, I will the killed. No.
|
|
|
|
01:54:36:16 - 01:54:38:39
|
|
Speaker 3
|
|
Oh.
|
|
|
|
01:54:38:43 - 01:54:40:55
|
|
Speaker 2
|
|
What do you think of necromancy?
|
|
|
|
01:54:47:04 - 01:54:51:20
|
|
Speaker 2
|
|
That's the weirdest thing.
|
|
|
|
01:54:51:25 - 01:55:00:52
|
|
Speaker 2
|
|
Very kinky. Like someone kills you just so that they can revive you.
|
|
|
|
01:55:00:57 - 01:55:02:26
|
|
Speaker 4
|
|
Auto necrophilia.
|
|
|
|
01:55:02:31 - 01:55:13:44
|
|
Unknown
|
|
Fuck!
|
|
|
|
01:55:13:49 - 01:55:22:23
|
|
Unknown
|
|
You.
|
|
|
|
01:55:23:15 - 01:55:35:17
|
|
Speaker 4
|
|
No. Okay. I had my friends.
|
|
|
|
01:55:35:22 - 01:55:40:59
|
|
Speaker 4
|
|
What the fuck?
|
|
|
|
01:55:41:04 - 01:56:04:43
|
|
Speaker 2
|
|
I have done necromancy, fanboy. Witchcraft. Yeah, it sounds like. Sounds like something you do. I'm getting a picture here. Autoerotic asphyxiation. Goodness, we just got to fit it all the desired way. Chokes and comes PogChamp.
|
|
|
|
01:56:04:48 - 01:56:14:10
|
|
Speaker 2
|
|
Anything else or anything else?
|
|
|
|
01:56:14:15 - 01:56:16:10
|
|
Speaker 2
|
|
Swallow, bitch.
|
|
|
|
01:56:16:15 - 01:56:21:38
|
|
Speaker 4
|
|
goodness.
|
|
|
|
01:56:21:43 - 01:56:27:34
|
|
Speaker 2
|
|
There's a cable in my way. Well, okay.
|
|
|
|
01:56:27:39 - 01:56:34:32
|
|
Unknown
|
|
Cut, cut. Yeah.
|
|
|
|
01:56:41:55 - 01:56:57:13
|
|
Speaker 2
|
|
I fucking hate this thing.
|
|
|
|
01:56:57:18 - 01:57:03:29
|
|
Speaker 2
|
|
oh. Wow. That's such bullshit.
|
|
|
|
01:57:03:34 - 01:57:10:05
|
|
Speaker 2
|
|
I, yeah, you.
|
|
|
|
01:57:10:10 - 01:57:20:34
|
|
Speaker 2
|
|
You're crazy. You've out. Freaked me. Yeah, that's very surprising that that's even possible. I'm the freakiest of all freaks of Lord of freaks. Evidently.
|
|
|
|
01:57:20:39 - 01:57:54:16
|
|
Speaker 2
|
|
He crowned the king of the freaks. King of Lord. One of the other. Morally questionable freak as I prefer. Ethical. Ethical. Freaked. Freedom. Yeah.
|
|
|
|
01:58:04:30 - 01:58:10:54
|
|
Unknown
|
|
What the fuck, man? That's.
|
|
|
|
01:58:15:43 - 01:58:22:57
|
|
Speaker 4
|
|
Why did it do that?
|
|
|
|
01:58:23:02 - 01:58:32:21
|
|
Speaker 4
|
|
Fuck off!
|
|
|
|
01:58:32:25 - 01:58:35:44
|
|
Speaker 4
|
|
Yeah. Yeah.
|
|
|
|
01:58:35:49 - 01:58:55:52
|
|
Speaker 2
|
|
What's a freak? Freak without being a little questionable, I mean, philosophically speaking, nothing is not questionable. Conforming freak is no freak at all. You're wise beyond your years. Would you better hesitantly.
|
|
|
|
01:58:55:57 - 01:59:05:49
|
|
Speaker 2
|
|
What if it's more freaky to someone else?
|
|
|
|
01:59:05:54 - 01:59:09:52
|
|
Speaker 2
|
|
these are good questions.
|
|
|
|
01:59:15:50 - 01:59:26:17
|
|
Speaker 2
|
|
Like it's supposed to be freaky to someone else.
|
|
|
|
01:59:34:04 - 01:59:36:24
|
|
Unknown
|
|
when?
|
|
|
|
01:59:36:28 - 01:59:38:28
|
|
Speaker 4
|
|
There's another one.
|
|
|
|
01:59:43:49 - 01:59:51:38
|
|
Unknown
|
|
Yeah.
|
|
|
|
01:59:51:43 - 01:59:53:22
|
|
Unknown
|
|
No.
|
|
|
|
01:59:53:27 - 01:59:54:23
|
|
Speaker 4
|
|
Why does everything.
|
|
|
|
01:59:54:23 - 01:59:57:52
|
|
Speaker 2
|
|
Need to double hit?
|
|
|
|
01:59:57:57 - 02:00:06:51
|
|
Speaker 2
|
|
Friend.
|
|
|
|
02:00:06:55 - 02:00:14:12
|
|
Speaker 4
|
|
Fuck!
|
|
|
|
02:00:23:11 - 02:00:25:19
|
|
Unknown
|
|
What's.
|
|
|
|
02:00:25:24 - 02:00:32:31
|
|
Speaker 4
|
|
You son of a bitch!
|
|
|
|
02:00:32:36 - 02:00:38:16
|
|
Speaker 2
|
|
We are now getting philosophical. Philosophical freaks. Yes, indeed. Who is the arbiter of freak? Me?
|
|
|
|
02:00:38:16 - 02:00:39:38
|
|
Speaker 4
|
|
Yeah, yeah. You.
|
|
|
|
02:00:39:43 - 02:00:51:02
|
|
Speaker 2
|
|
You'll take it. We'll give it to you. There's probably a yellow girl on Twitter.
|
|
|
|
02:00:51:07 - 02:00:57:31
|
|
Speaker 2
|
|
I don't know why.
|
|
|
|
02:00:57:36 - 02:01:03:04
|
|
Speaker 2
|
|
Did I do. No. No, I don't think I did. I thought that maybe I included it for the.
|
|
|
|
02:01:03:05 - 02:01:08:26
|
|
Speaker 4
|
|
Total discourse, but I didn't.
|
|
|
|
02:01:08:31 - 02:01:11:48
|
|
Speaker 2
|
|
If freaky becomes the norm for someone, is it still freaky?
|
|
|
|
02:01:11:52 - 02:01:19:27
|
|
Speaker 4
|
|
No. No.
|
|
|
|
02:01:19:31 - 02:01:27:27
|
|
Speaker 4
|
|
Fuck off.
|
|
|
|
02:01:33:36 - 02:01:34:12
|
|
Speaker 4
|
|
Why the fuck did.
|
|
|
|
02:01:34:12 - 02:01:42:09
|
|
Speaker 2
|
|
I do that? Deep, deep thoughts with the deep. Yeah, that does kind of sound like a deep thought with the deep.
|
|
|
|
02:01:45:54 - 02:01:50:19
|
|
Speaker 2
|
|
Fuck that guy.
|
|
|
|
02:01:50:24 - 02:02:27:11
|
|
Speaker 2
|
|
But if it's the norm, then there will always be someone who out freaks because freaking. This will always be infinite. No, I think, don't you think there's a freaking a ceiling? Surely that surely there's a level of freak that, that actually is capped out by your, dimensionality, right? Like, if if you're a mortal being. Like, there's only so much that you could do before you, like, actually reach the constraints of.
|
|
|
|
02:02:27:16 - 02:02:36:42
|
|
Speaker 2
|
|
Java. Something like that. Right.
|
|
|
|
02:02:42:07 - 02:02:52:34
|
|
Speaker 4
|
|
Yeah. And it still manages to hatch.
|
|
|
|
02:02:52:39 - 02:03:12:18
|
|
Speaker 4
|
|
It still manages to hatch.
|
|
|
|
02:03:12:23 - 02:03:19:12
|
|
Speaker 4
|
|
If I could say I wasn't even,
|
|
|
|
02:03:19:17 - 02:03:22:31
|
|
Speaker 4
|
|
Wasn't even done getting off the fucking platform.
|
|
|
|
02:03:22:36 - 02:03:40:55
|
|
Speaker 2
|
|
You just got to hit me with that shit. I didn't even see it. That fuckers vide. We still get infinite tools. You.
|
|
|
|
02:03:41:00 - 02:03:57:44
|
|
Speaker 2
|
|
Go fuck with face huggers. Goodness. Does that mean the freak is free? Can only be considered a freak by everyone else? Yeah. See, I, I think the value of your freak is not contingent on society. Okay?
|
|
|
|
02:03:57:49 - 02:04:19:46
|
|
Speaker 2
|
|
I see what what's the bit here? Like? He who is willing to freak does so of his own volition, and through his his own values. Only a man of high self-esteem.
|
|
|
|
02:04:19:51 - 02:04:25:39
|
|
Speaker 2
|
|
Well, this is nice. You.
|
|
|
|
02:04:25:44 - 02:04:30:33
|
|
Speaker 2
|
|
Yeah. She's not cool with it.
|
|
|
|
02:04:30:38 - 02:04:41:17
|
|
Speaker 2
|
|
But.
|
|
|
|
02:04:45:46 - 02:04:46:21
|
|
Speaker 2
|
|
I hate this.
|
|
|
|
02:04:46:21 - 02:04:49:16
|
|
Speaker 4
|
|
Move.
|
|
|
|
02:04:49:21 - 02:05:00:42
|
|
Speaker 4
|
|
Get the fuck off with that move.
|
|
|
|
02:05:00:46 - 02:05:09:40
|
|
Speaker 4
|
|
Yeah. Bro.
|
|
|
|
02:05:09:45 - 02:05:19:41
|
|
Speaker 2
|
|
Well, yeah, I just it immediately comes back.
|
|
|
|
02:05:19:46 - 02:05:22:19
|
|
Speaker 2
|
|
Fuck sake.
|
|
|
|
02:05:22:24 - 02:05:28:34
|
|
Speaker 4
|
|
How the fuck am I to do,
|
|
|
|
02:05:28:39 - 02:05:36:42
|
|
Speaker 3
|
|
Hey.
|
|
|
|
02:05:36:46 - 02:05:58:54
|
|
Speaker 2
|
|
the freakiest of freaks will be enlightened. And that's the only way we will ever be truly free. Freak. The truth. Light men see? No, the. Because in order to truly freak properly, you must integrate your freak.
|
|
|
|
02:05:58:58 - 02:06:02:19
|
|
Speaker 2
|
|
Someone after the after the likes of Buddha.
|
|
|
|
02:06:02:24 - 02:06:04:12
|
|
Speaker 4
|
|
Is just going to invade. Like.
|
|
|
|
02:06:04:12 - 02:06:18:20
|
|
Speaker 2
|
|
Like Buddhism is like enlightenment was seen as like, you know, just kind of not existing is kind of an anti-life.
|
|
|
|
02:06:18:25 - 02:06:31:25
|
|
Speaker 4
|
|
Sort of, fuck.
|
|
|
|
02:06:41:15 - 02:06:48:31
|
|
Speaker 4
|
|
Oh, fuck. Sake.
|
|
|
|
02:06:48:36 - 02:06:57:51
|
|
Speaker 4
|
|
This fucking move. I can't do anything.
|
|
|
|
02:06:57:55 - 02:07:03:27
|
|
Speaker 4
|
|
Fuck you!
|
|
|
|
02:07:03:32 - 02:07:12:04
|
|
Speaker 2
|
|
Use other tools. I don't know what other tools would be useful for this.
|
|
|
|
02:07:19:10 - 02:07:25:12
|
|
Speaker 2
|
|
Maybe that could be good.
|
|
|
|
02:07:25:17 - 02:07:31:12
|
|
Speaker 2
|
|
I'm not sure what else would be good, though.
|
|
|
|
02:07:31:17 - 02:07:50:42
|
|
Speaker 2
|
|
These are. These aren't tools, but I'm not going to use any other tool than this because, like. Like, I don't know what is more useful than this. like something I've got to manually, like, trigger. I don't know.
|
|
|
|
02:07:50:47 - 02:07:55:37
|
|
Speaker 4
|
|
Boop boop boop boop.
|
|
|
|
02:07:58:12 - 02:08:22:01
|
|
Speaker 2
|
|
Why is there silk in here? This thing is a weaver. Yeah, it doesn't look like one. There's a sound somewhere in that little sequence. There that. Well, just sounds like, the steam achievement sound effect.
|
|
|
|
02:08:22:06 - 02:08:26:33
|
|
Speaker 2
|
|
Fuck you.
|
|
|
|
02:08:26:38 - 02:08:38:04
|
|
Unknown
|
|
Hey.
|
|
|
|
02:08:47:34 - 02:08:52:20
|
|
Speaker 4
|
|
Fuck you!
|
|
|
|
02:08:52:25 - 02:09:02:22
|
|
Speaker 4
|
|
But why so? Because you moved her fucking head.
|
|
|
|
02:09:02:27 - 02:09:10:25
|
|
Speaker 4
|
|
Up!
|
|
|
|
02:09:10:30 - 02:09:14:10
|
|
Speaker 4
|
|
Fog of,
|
|
|
|
02:09:14:15 - 02:09:14:56
|
|
Speaker 4
|
|
Just can't even get.
|
|
|
|
02:09:14:56 - 02:09:17:19
|
|
Speaker 2
|
|
Any damage in.
|
|
|
|
02:09:17:24 - 02:09:24:24
|
|
Speaker 4
|
|
Yeah.
|
|
|
|
02:09:24:28 - 02:09:43:09
|
|
Speaker 2
|
|
Give me money. That's quite who starts a conversation like that. Oh, greed will be a downfall. You would right into that one, right?
|
|
|
|
02:09:43:13 - 02:09:54:36
|
|
Speaker 2
|
|
Yeah, but, like, The fight is kind of shit, though.
|
|
|
|
02:09:54:41 - 02:09:54:59
|
|
Speaker 4
|
|
And you'll.
|
|
|
|
02:09:54:59 - 02:10:10:04
|
|
Speaker 2
|
|
Selfishness will be yours. Selfishness is based, though.
|
|
|
|
02:10:10:09 - 02:10:23:17
|
|
Unknown
|
|
Covet.
|
|
|
|
02:10:23:22 - 02:10:28:36
|
|
Unknown
|
|
Rent.
|
|
|
|
02:10:49:19 - 02:10:52:08
|
|
Speaker 4
|
|
Whoa! I don't know if you.
|
|
|
|
02:10:52:08 - 02:10:54:43
|
|
Speaker 2
|
|
Meant to hit it that many times.
|
|
|
|
02:10:54:48 - 02:10:57:40
|
|
Speaker 4
|
|
I'll fuck you.
|
|
|
|
02:10:57:45 - 02:11:10:01
|
|
Speaker 2
|
|
I hate this fucking move so much.
|
|
|
|
02:11:10:06 - 02:11:11:24
|
|
Speaker 2
|
|
Okay.
|
|
|
|
02:11:11:29 - 02:11:17:21
|
|
Speaker 4
|
|
Spacing moment. Fuck.
|
|
|
|
02:11:17:25 - 02:11:25:58
|
|
Speaker 2
|
|
Hate these things. Please.
|
|
|
|
02:11:45:48 - 02:11:56:33
|
|
Speaker 4
|
|
Okay.
|
|
|
|
02:11:56:38 - 02:12:16:19
|
|
Speaker 4
|
|
Rent.
|
|
|
|
02:12:16:24 - 02:12:23:08
|
|
Speaker 4
|
|
Fucking button got stuck.
|
|
|
|
02:12:23:13 - 02:12:30:34
|
|
Speaker 4
|
|
For fuck's sake! Hey, hey.
|
|
|
|
02:12:30:39 - 02:12:39:24
|
|
Speaker 2
|
|
No. I sent you nudes. That was real nice of me. I already. Did you meet today?
|
|
|
|
02:12:39:28 - 02:12:42:54
|
|
Speaker 3
|
|
Hey,
|
|
|
|
02:12:42:59 - 02:12:51:34
|
|
Speaker 2
|
|
Going to say. Oh, wasn't money, though. Yeah, true.
|
|
|
|
02:12:51:39 - 02:13:04:27
|
|
Speaker 2
|
|
They could perhaps be used as a form of currency, though. Well, if there's value to be gained of them.
|
|
|
|
02:13:04:31 - 02:13:29:40
|
|
Speaker 2
|
|
maybe I could sell them on Reddit. The discord. I don't I don't know if you necessarily like, like who would want that, though. Like, like not saying that is like, hey, hey, you know, I'm more saying that, like. You'd have to, like, be I don't know, you'd have to be something to somebody in order for them to value the nudes there.
|
|
|
|
02:13:29:45 - 02:13:45:43
|
|
Speaker 2
|
|
some people become valuable to other people simply because they share nudes. But, like, I don't know, I feel like you kind of have to be the source of the nudes in order to sell them in a way. Otherwise you just kind of like, hey, I got some, like, nudes of a random person. It's like, what the why are you going to sell them?
|
|
|
|
02:13:45:48 - 02:13:50:17
|
|
Speaker 4
|
|
What? Who would buy them? Just like random person?
|
|
|
|
02:13:50:22 - 02:13:54:42
|
|
Speaker 2
|
|
Maybe some people would, though.
|
|
|
|
02:13:54:46 - 02:14:08:48
|
|
Speaker 2
|
|
I.
|
|
|
|
02:14:08:52 - 02:14:15:53
|
|
Speaker 4
|
|
Oh.
|
|
|
|
02:14:15:58 - 02:14:21:51
|
|
Unknown
|
|
I.
|
|
|
|
02:14:21:55 - 02:14:34:01
|
|
Unknown
|
|
friend.
|
|
|
|
02:14:34:06 - 02:14:47:53
|
|
Speaker 2
|
|
Why?
|
|
|
|
02:14:47:58 - 02:14:58:18
|
|
Speaker 4
|
|
why did I do that?
|
|
|
|
02:14:58:22 - 02:15:08:33
|
|
Speaker 2
|
|
That was terrible. Spacing.
|
|
|
|
02:15:08:38 - 02:15:12:07
|
|
Speaker 4
|
|
What am I doing?
|
|
|
|
02:15:12:12 - 02:15:14:31
|
|
Speaker 4
|
|
Fucking.
|
|
|
|
02:15:14:36 - 02:15:19:14
|
|
Speaker 2
|
|
That was bad.
|
|
|
|
02:15:19:19 - 02:15:49:30
|
|
Speaker 2
|
|
Will I get any royalties? No. You did give me money. Fucked up. You signed the contract. I didn't realize it was a contract. Yeah, they're very. They are very specific fetish vids. Well, I suppose you could, but like you, you probably wouldn't want to be, committing fraud, like. Because if you say to somebody, oh, well, I got, I can give you this video if you give me this amount of money, then they'd assume that it's you doing it.
|
|
|
|
02:15:49:30 - 02:16:07:51
|
|
Speaker 2
|
|
So as long as you were clear. But I don't know, kind of difficult. Difficult to be, a little bit criminal. That they are puppy play. Why are you putting me on B+? Because you were a bad puppy, boy. You didn't give me money. Don't call me a puppy, boy. I'll become a rekt. Good. Then maybe you could go out and make me money.
|
|
|
|
02:16:07:51 - 02:16:09:15
|
|
Speaker 2
|
|
Puppy boy.
|
|
|
|
02:16:09:19 - 02:16:15:06
|
|
Speaker 4
|
|
Hey, why is that gay ERP going on?
|
|
|
|
02:16:15:10 - 02:16:21:16
|
|
Speaker 2
|
|
Why have the creatures homosexual?
|
|
|
|
02:16:21:21 - 02:16:28:28
|
|
Speaker 2
|
|
I asked that genuinely, though I'm not psychological like.
|
|
|
|
02:16:28:33 - 02:16:33:45
|
|
Speaker 4
|
|
Oh shit. Miss input. Fuck!
|
|
|
|
02:16:33:50 - 02:16:34:45
|
|
Speaker 2
|
|
Goodness sake.
|
|
|
|
02:16:34:49 - 02:16:39:27
|
|
Speaker 4
|
|
Yeah, this fucking move.
|
|
|
|
02:17:02:18 - 02:17:02:45
|
|
Speaker 4
|
|
What in the.
|
|
|
|
02:17:02:45 - 02:17:08:08
|
|
Speaker 2
|
|
Richard Rich is this music?
|
|
|
|
02:17:08:13 - 02:17:17:33
|
|
Speaker 2
|
|
What in the like as a video?
|
|
|
|
02:17:17:38 - 02:17:21:45
|
|
Speaker 2
|
|
See, that's the best timing for that.
|
|
|
|
02:17:21:50 - 02:17:29:52
|
|
Speaker 4
|
|
What the fuck? Wait, what the actual fuck was that? I would have been fine. I get joy it in.
|
|
|
|
02:17:29:58 - 02:17:49:10
|
|
Speaker 2
|
|
Yeah, I don't know about that. Yeah. Join. Join him. I need more money. I like my money. Yes, money is nice. Oh. Oh! Hans Agata, contract.
|
|
|
|
02:17:49:15 - 02:18:05:28
|
|
Speaker 4
|
|
I promised you a contract. I checked the word doge about the blood.
|
|
|
|
02:18:05:32 - 02:18:18:20
|
|
Speaker 4
|
|
Oh. Promises a contract that is. Just keep.
|
|
|
|
02:18:18:25 - 02:18:25:34
|
|
Speaker 4
|
|
oh, yeah. Fuck of,
|
|
|
|
02:18:25:39 - 02:18:29:51
|
|
Speaker 4
|
|
No, no.
|
|
|
|
02:18:29:56 - 02:18:33:33
|
|
Unknown
|
|
All right.
|
|
|
|
02:18:33:37 - 02:18:35:31
|
|
Unknown
|
|
Come on.
|
|
|
|
02:18:35:36 - 02:18:44:19
|
|
Speaker 4
|
|
Bugger off then.
|
|
|
|
02:18:44:24 - 02:18:52:01
|
|
Speaker 4
|
|
I.
|
|
|
|
02:18:52:06 - 02:19:02:33
|
|
Speaker 4
|
|
Yes, yes.
|
|
|
|
02:19:02:38 - 02:19:35:01
|
|
Speaker 4
|
|
No. Rent. No. I don't want to see this move ever again. To buy life. No no, no, not not no no no. oh. That was scary. Fog of no. Why did I do that?
|
|
|
|
02:19:35:06 - 02:19:47:15
|
|
Speaker 4
|
|
It's fucking move. Okay. What? The actual shit? Oh, give me money.
|
|
|
|
02:19:47:15 - 02:19:53:12
|
|
Speaker 2
|
|
I love eat Burger. That's my favorite thing.
|
|
|
|
02:19:53:16 - 02:20:11:03
|
|
Speaker 2
|
|
I need money, though. Give me money a conundrum. Print money, launder money. You. I was just talking about many ways of theft and, What the fuck is it?
|
|
|
|
02:20:11:07 - 02:20:16:35
|
|
Speaker 2
|
|
Theft and fraud. Criminal behavior.
|
|
|
|
02:20:19:08 - 02:20:27:51
|
|
Speaker 2
|
|
Side business, perhaps. I don't know if it's a business. If you're committing theft and fraud.
|
|
|
|
02:20:27:55 - 02:20:49:49
|
|
Speaker 2
|
|
Ryan, keep making those noises. I'm almost done. You always do this. Film it when you come. Why do I attract this kind of behavior? I just find this fascinating. I mean, it's funny. It's agitating, but. Yeah. That's right.
|
|
|
|
02:20:49:49 - 02:20:53:12
|
|
Speaker 4
|
|
Come on camera, puppy boy.
|
|
|
|
02:20:53:16 - 02:20:58:28
|
|
Speaker 2
|
|
Son.
|
|
|
|
02:21:09:46 - 02:21:27:02
|
|
Speaker 4
|
|
chef Rick.
|
|
|
|
02:21:27:07 - 02:21:32:10
|
|
Speaker 4
|
|
Fuck you!
|
|
|
|
02:21:42:16 - 02:21:50:56
|
|
Speaker 4
|
|
Again.
|
|
|
|
02:21:51:01 - 02:22:13:14
|
|
Unknown
|
|
I'm. Back, for fuck's sake. Okay. rent.
|
|
|
|
02:22:13:19 - 02:22:17:26
|
|
Speaker 4
|
|
yes. Just keep doing that, please.
|
|
|
|
02:22:17:31 - 02:22:25:28
|
|
Unknown
|
|
rent.
|
|
|
|
02:22:30:46 - 02:22:34:34
|
|
Speaker 2
|
|
wasn't high enough. Evidently showy.
|
|
|
|
02:22:48:12 - 02:22:48:27
|
|
Unknown
|
|
You know.
|
|
|
|
02:22:52:51 - 02:23:08:04
|
|
Speaker 2
|
|
One thing in a public server is kind of insane. But you mean, I look at. I look at the tick tock. Buddy Dolan is a twink joined.
|
|
|
|
02:23:08:09 - 02:23:09:40
|
|
Speaker 3
|
|
oh.
|
|
|
|
02:23:09:45 - 02:23:17:26
|
|
Speaker 2
|
|
I'm a fanboy magnet. What is this?
|
|
|
|
02:23:17:31 - 02:23:24:52
|
|
Speaker 2
|
|
Danger. Dolan. I don't know. How about safety? Dolan? But shake things up a bit.
|
|
|
|
02:23:24:57 - 02:23:30:16
|
|
Speaker 4
|
|
But the nihilists.
|
|
|
|
02:23:39:21 - 02:23:51:51
|
|
Unknown
|
|
Yeah.
|
|
|
|
02:23:51:55 - 02:23:58:01
|
|
Unknown
|
|
Like you.
|
|
|
|
02:23:58:06 - 02:23:59:42
|
|
Unknown
|
|
Could.
|
|
|
|
02:23:59:47 - 02:24:07:43
|
|
Speaker 2
|
|
Why? Why would you actually do that?
|
|
|
|
02:24:07:48 - 02:24:14:35
|
|
Speaker 4
|
|
But let's move.
|
|
|
|
02:24:14:40 - 02:24:20:53
|
|
Speaker 4
|
|
Let's move. You can't.
|
|
|
|
02:24:20:58 - 02:24:33:33
|
|
Speaker 2
|
|
I was doing really well there, too. Good. More recruits. I think I may have already read that. Nihilist me. Fanboys. Smells.
|
|
|
|
02:24:33:37 - 02:24:36:54
|
|
Speaker 3
|
|
Is that a boy I smell? Oh.
|
|
|
|
02:24:36:59 - 02:24:53:57
|
|
Speaker 4
|
|
Give me. Is that a boy? I smell? I was it going for that? Fuck's sake started just. It's his attitude. I smell.
|
|
|
|
02:24:54:01 - 02:25:06:38
|
|
Speaker 4
|
|
What?
|
|
|
|
02:25:06:43 - 02:25:11:31
|
|
Speaker 4
|
|
You. Oh, you should have seen me go.
|
|
|
|
02:25:11:36 - 02:25:23:53
|
|
Speaker 4
|
|
I. Good.
|
|
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02:25:40:28 - 02:25:42:09
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Speaker 4
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What are you.
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02:25:49:44 - 02:25:58:48
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Speaker 2
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So upsetting.
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02:25:58:53 - 02:26:04:48
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Unknown
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When.
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02:26:27:34 - 02:26:33:04
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Unknown
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Oh!
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02:26:33:09 - 02:26:45:25
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Speaker 2
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I should I should have just hit the hit the B button. I should have just. Immediately I had the bell. That could have could. Yeah, that could have been good, couldn't it? Fanboy feet. Why?
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02:26:45:30 - 02:26:52:12
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Speaker 2
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I don't get the feet thing. If I had Tarantino over here, de Tarantino.
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02:26:52:17 - 02:27:01:03
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Speaker 4
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What's what? I was seven years old. I said it a banana. And of course it changed my life.
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02:27:01:08 - 02:27:14:11
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Speaker 2
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Bro still us is coming out story. That is the reference. Just check it in. About a shower the day off. Well, you're like covered in day right now. I didn't know you could do that.
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02:27:14:20 - 02:27:22:45
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Speaker 4
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In the shower is off.
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02:27:22:49 - 02:27:24:40
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Speaker 4
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Why did I do that?
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02:27:24:45 - 02:27:28:37
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Speaker 2
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Okay.
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02:27:28:42 - 02:27:35:15
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Speaker 2
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iFrames really don't do shit.
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02:27:35:20 - 02:27:42:24
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Speaker 4
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All right. I.
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02:27:53:02 - 02:27:56:53
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Unknown
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Hey!
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02:27:56:58 - 02:28:00:34
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Unknown
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Hey!
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02:28:00:39 - 02:28:04:10
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Unknown
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Whoa whoa whoa.
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02:28:04:15 - 02:28:14:10
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Speaker 4
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Oh, right. You can't do that. You can't do that. It's disgusting.
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02:28:14:15 - 02:28:28:09
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Speaker 4
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oh. I'm a friend.
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02:28:28:13 - 02:28:40:27
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Speaker 4
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Nope. Nope.
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02:28:40:31 - 02:28:46:03
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Speaker 4
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Let's move again.
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02:28:46:08 - 02:28:53:03
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Unknown
|
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Hey. Let's.
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02:28:57:37 - 02:29:21:56
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Speaker 4
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Yeah. Yeah. Yeah.
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02:29:22:01 - 02:29:30:58
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Speaker 4
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Lock in. Fuck.
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02:29:31:03 - 02:29:41:57
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Speaker 4
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No.
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02:29:42:01 - 02:29:46:25
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Speaker 2
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I was very nearly screwed that.
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02:29:46:30 - 02:29:58:10
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Speaker 4
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There we go. Good, good good good. I'm going to bind you, bitch.
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02:29:58:15 - 02:30:18:22
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Speaker 2
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We are life. We are gross. What world? Without us. pretty. Didn't you on. I reckon. There it is. Seed defeating Lilith. She's the seed. Evidently.
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02:30:18:27 - 02:30:34:52
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Speaker 2
|
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Give me. Obtained the pollen. Heart beats faint and fast. If it's pollen and she's the seed, doesn't that make her male?
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02:30:34:57 - 02:30:42:58
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Speaker 2
|
|
That we are the same page about this because, It's what it seems like to me.
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02:30:43:48 - 02:31:10:50
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Speaker 2
|
|
You. Your viewers used to be normal. Rooster in a tree don't seem as deranged. Rooster used to come in and just shout. Rooster was, quite the boisterous little literal, creature. At one point. I'm too busy. I reckon. Give me a seed. Yeah. No, I don't know. As who who's deranged. It's us. I'm not that deranged. I'm pretty normal.
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02:31:10:55 - 02:31:18:39
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Speaker 2
|
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You literally said you're the Lord of the freaks. I don't know about that. I can.
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02:31:18:39 - 02:31:32:31
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Speaker 4
|
|
Leave, I can finally leave. Bleep bleep bleep bleep.
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02:31:32:36 - 02:31:34:46
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Speaker 2
|
|
Is there a little frame drop there?
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02:31:34:51 - 02:31:37:41
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Speaker 4
|
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I not that.
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02:31:37:46 - 02:31:40:09
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Speaker 2
|
|
I got a.
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02:31:40:13 - 02:31:44:39
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Speaker 3
|
|
Name.
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02:31:44:43 - 02:31:50:44
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Speaker 4
|
|
Down up.
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02:31:50:49 - 02:32:02:12
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Speaker 4
|
|
Baby Peppa Peppa Peppa pig.
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02:32:02:16 - 02:32:12:07
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Speaker 4
|
|
I love my bird. Bugs.
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02:32:12:12 - 02:32:16:36
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Speaker 4
|
|
Hey.
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02:32:16:40 - 02:32:20:51
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Speaker 4
|
|
Oh, leave him alone.
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02:32:20:56 - 02:32:26:33
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Speaker 2
|
|
I'm just rushing all the way back.
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02:32:26:38 - 02:32:30:25
|
|
Unknown
|
|
There, Yeah.
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02:32:30:30 - 02:32:33:23
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Speaker 2
|
|
I love the echoes. Echoes? It's a nice.
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02:32:33:28 - 02:32:40:27
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Speaker 4
|
|
Yeah, it's fucking 954.
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02:32:40:31 - 02:32:48:51
|
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Speaker 2
|
|
I didn't realize it was this this time.
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02:32:48:55 - 02:32:54:42
|
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Speaker 2
|
|
Let's kick some bugs.
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|
02:32:54:46 - 02:32:56:07
|
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Speaker 2
|
|
Where is this other bug?
|
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|
02:32:56:07 - 02:33:03:45
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Speaker 4
|
|
This one? Yes. oh. Oh.
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|
02:33:03:50 - 02:33:09:16
|
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Speaker 2
|
|
Very, questionable frame data that.
|
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|
|
02:33:09:21 - 02:33:13:28
|
|
Speaker 2
|
|
Were all LGBTQ.
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|
02:33:13:33 - 02:33:19:41
|
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Speaker 4
|
|
We're all queers here.
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02:33:19:46 - 02:33:24:07
|
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Speaker 4
|
|
You are cringe. You support LGBTQ.
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|
02:33:24:12 - 02:33:32:57
|
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Speaker 2
|
|
Whatever he says. Oh, Megan Fox is by Megan Fox has bilateral bracket. Actually type D.
|
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|
02:33:34:17 - 02:34:06:02
|
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Speaker 2
|
|
Fun fact. Yeah. Because LGBTQ IP seven is the hardest and funniest group of individuals. You know, not so much. Honestly. They could be they could be far hotter. They've got some hot ones but they could be far hotter as an average. but they also could be funny. Most of them are pretty painfully unfunny, honestly. The fucken,
|
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|
02:34:06:07 - 02:34:30:46
|
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Speaker 2
|
|
Bunch of pathetic bitches. I think I think like in the 90s, you know, in the 90s, there used to be a day where like the 90s, 80s, some point, there was bravado, you know, like, what example is it? My thinking of, like, the Al Pacino movie Dog Day Afternoon? There was some bravado in that.
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|
|
02:34:30:46 - 02:34:35:42
|
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Speaker 2
|
|
Like, there wasn't any, like, weird fucking like, ooh.
|
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|
02:34:35:47 - 02:34:39:06
|
|
Speaker 4
|
|
My experience. Yeah.
|
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|
02:34:39:10 - 02:34:55:06
|
|
Speaker 2
|
|
You know, there wasn't any of that. It was just fucking like. Yeah, I like Dick. Like it was just kind of based. It was like, you know, this is just. This is the thing I do. Then I. You give a shit, you know? whereas now it's like.
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|
|
02:34:55:15 - 02:35:04:25
|
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Speaker 3
|
|
I can't believe there are people who I can't believe. There are people who who don't don't like me.
|
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|
02:35:04:30 - 02:35:05:39
|
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Speaker 2
|
|
It's like.
|
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|
02:35:06:39 - 02:35:11:57
|
|
Speaker 2
|
|
Egoistic love is based, you know?
|
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|
02:35:15:45 - 02:35:17:01
|
|
Speaker 4
|
|
She is.
|
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|
02:35:17:06 - 02:35:23:08
|
|
Speaker 2
|
|
I've got to come. What?
|
|
|
|
02:35:23:13 - 02:35:29:24
|
|
Speaker 2
|
|
See, that's the thing. Like, if if you ever think of, like.
|
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|
|
02:35:31:55 - 02:35:46:07
|
|
Speaker 2
|
|
I have to think about what I'm actually trying to communicate. Because I'm not certain if I've got an idea here. Yeah. Not yet. If there was an idea, it's not yet.
|
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|
02:35:46:12 - 02:36:12:00
|
|
Speaker 2
|
|
Yeah. One day we'll get to it. But who's the woman in the pic? That is Ayn Rand? That's like, bloody, like, deep faked on to. I show speed. Can I, can I make that face? She's going like. Is that pretty good? Then I do the thing.
|
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|
|
02:36:12:05 - 02:36:21:15
|
|
Speaker 4
|
|
met my mama.
|
|
|
|
02:36:21:19 - 02:36:48:12
|
|
Speaker 2
|
|
Yeah. No, I haven't got anything else to say. I was gonna I was going to say something. I was going to think of saying something, but, no. But good. Sounds like a pro tag name. It is. She's the protagonist of fucking, the reality is, they got it out. Anyway, they think if you do it again, this is a pretty, pretty good time.
|
|
|
|
02:36:48:12 - 02:37:12:06
|
|
Speaker 2
|
|
We had to some new creatures. We had some new, new, little grab plans. Well, not gremlins. We had a we had a which. There we go. You had some spookiness going on. So that was pretty fun. Made a little bit of progress. Not too bad. we'll be continuing on, on Saturday. That'll be good.
|
|
|
|
02:37:12:45 - 02:37:41:21
|
|
Speaker 2
|
|
Me? Yes. You fanboy. Which, yeah. See how I didn't really know that was a thing, but maybe I didn't know it was a thing. Maybe it was a thing. I never knew that I knew that I. Okay. It's over. It's fucking over because it guys are. I forgot where buttons are. There's a button here, a switch switched. We love switches.
|
|
|
|
02:37:41:25 - 02:37:43:28
|
|
Speaker 2
|
|
Oh, I've got it.
|
|
|
|
02:37:45:39 - 02:37:48:36
|
|
Speaker 2
|
|
Descended into the rot.
|
|
|
|
02:37:48:41 - 02:37:54:18
|
|
Speaker 4
|
|
We'll see you later. We'll see you later.
|
|
|
|
02:37:54:23 - 02:38:05:03
|
|
Speaker 2
|
|
There's a button in my anus. Press it. Pinochet! We got one. We got one.
|
|
|
|
02:38:05:08 - 02:47:17:25
|
|
Speaker 4
|
|
Beep!
|
|
|