4321 lines
127 KiB
Plaintext
4321 lines
127 KiB
Plaintext
00:00:00:00 - 00:00:31:09
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Unknown
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Yeah.
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00:00:31:13 - 00:00:42:24
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Unknown
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We.
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00:02:35:12 - 00:03:01:39
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Unknown
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And.
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00:03:01:44 - 00:03:23:35
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Unknown
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We.
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00:03:55:30 - 00:04:06:31
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Unknown
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We.
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00:04:43:50 - 00:05:06:40
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Unknown
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We.
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00:05:06:45 - 00:05:17:15
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Speaker 2
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Gotto make a move toward, toward Ruby.
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00:05:17:20 - 00:05:41:04
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Speaker 3
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This feels odd. This feels very strange. I'm actually going to, remove the bloody. No filters, please. I could remove the, The output gain because it's a little bit too much output gain.
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00:05:41:09 - 00:05:57:02
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Speaker 2
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Right? For me. BA ba ba ba ba ba ba. Gotta keep on moving in this room. The energy. Fuck fuck fuck fuck fuck.
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00:05:57:07 - 00:05:59:37
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Speaker 3
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Anyway. Okay.
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00:06:00:17 - 00:06:38:11
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Speaker 3
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I think that's enough. There we go. We move. The day here is Azure. Fuck fucking around in a comfy UI and got a little bit of a interesting aura filled image from that. So that was neat. Anyhow anyhow. just got to finish setting up a couple of eggs because I hadn't finished previously. There we go.
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00:06:38:13 - 00:06:55:19
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Speaker 3
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I think we're all set up. Think we're ready.
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00:06:55:24 - 00:07:08:13
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Speaker 3
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Anyhow, scanning. We're going to be scanning soon. Skull. Skunk! Champ.
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00:07:08:18 - 00:07:33:58
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Speaker 3
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Yeah, this does feel weird. I had a bloody, I had my chicken pesto. I finished it off. I bloody really enjoy pesto. Apparently, I didn't realize I would, but it's quite nice. I rather enjoy it. Goodness, I think I think I forgot to, I forgot to fill my water. This is upsetting. This will affect the trout population negatively.
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00:07:37:24 - 00:07:39:35
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Speaker 3
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What was I going to say?
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00:07:42:03 - 00:08:04:01
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Speaker 3
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Goodness, I was considering. Yeah, I could, I could see that the contrast is noticeably higher on this. Thing here. Why must you behave this way? I can't just show the fucking video.
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00:08:04:06 - 00:08:28:27
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Speaker 3
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It's so annoying. And it's all because the fucking, The thing decided. Decided that it just. It just feels like fucking everything up. It's the capture card. Like, it's just rebellious. Fucking ridiculous.
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00:08:28:31 - 00:08:36:27
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Speaker 3
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Okay. So now I should be able to see.
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00:08:36:32 - 00:08:43:59
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Speaker 3
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That the question is. actually, it's all right. It's fine.
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00:08:45:00 - 00:08:53:54
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Speaker 3
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That's a perfectly fine amount of, of contrast. Perfectly fine.
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00:08:56:51 - 00:09:22:50
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Speaker 3
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We. Shall we put it up with it? It's only a little bit more contrast is it's not a terrible amount. It's just mostly my angle. But if I stand up and I look at it, it looks. It looks fine. It looks fine. It's not perfect. It's not 1 to 1. But it's fine. It is acceptable. I will tolerate it.
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00:09:22:55 - 00:09:28:14
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Speaker 3
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Because I hear tolerance is a virtue.
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00:09:28:19 - 00:09:37:07
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Speaker 3
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Goodness, it's still kind of dog thing. I'm going to turn the camera up even more.
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00:09:37:12 - 00:09:54:49
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Speaker 3
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There we go. Should be good. Should be good. Hopefully, that is the wrong way. I definitely need to turn my, audio down.
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00:09:54:54 - 00:09:57:39
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Speaker 3
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That's interesting that it played for just a moment.
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00:09:57:39 - 00:10:02:04
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Speaker 2
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That you.
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00:10:02:09 - 00:10:18:29
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Speaker 3
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Think my audio is at acceptable levels? I think it maybe it's just a loud area, but.
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00:10:18:34 - 00:10:28:21
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Speaker 3
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We're going to be immediately into fighting the mother again. But my what? I know.
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00:10:28:26 - 00:10:44:19
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Speaker 3
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I've been considering, What is it? Playing. Playing this game when I've not, just in my off time to grind up rosaries and whatnot.
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00:10:44:24 - 00:10:53:21
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Speaker 3
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Which I haven't done.
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00:10:53:25 - 00:10:58:55
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Speaker 3
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How?
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00:10:59:00 - 00:11:07:21
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Speaker 3
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So cost is interesting. How?
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00:11:11:15 - 00:11:15:51
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Speaker 3
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As difficult.
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00:11:15:55 - 00:11:21:16
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Speaker 3
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When?
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00:11:21:21 - 00:11:41:46
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Speaker 3
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I'm. Oh, yes. I have my chicken pesto, and I, I seared the bread in bacon grease. It's just like regular regular rolls. Like multigrain bread. I said it in my brother buy claims bacon grease. It's pretty fucking good. Honestly.
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00:11:42:54 - 00:11:55:36
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Speaker 3
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I didn't quite expect it to be so good, but it was. It was quite nice, though. In the future, I'd probably still prefer to use,
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00:11:55:40 - 00:12:02:19
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Speaker 3
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Just regular old,
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00:12:02:24 - 00:12:10:30
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Speaker 3
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Get us regular old butter.
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00:12:10:35 - 00:12:16:25
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Speaker 3
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Touch.
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00:12:16:30 - 00:12:20:51
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Speaker 3
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Too high.
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00:12:20:56 - 00:12:33:49
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Speaker 3
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Nah shite. No. Not good.
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00:12:33:54 - 00:12:43:10
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Speaker 3
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Goodness. Well. That's rough anyway.
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00:12:43:15 - 00:13:05:24
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Speaker 3
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So I need to recall to pull them out initially so that I can buffer my spending of, like, four fucking days. This is going to be good. This will be wonderful and excellent. A great. I didn't struggle too much on this one previously, so.
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00:13:05:29 - 00:13:33:38
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Speaker 3
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I suppose we'll see if it gets more difficult. Oh, I didn't realize it to do that. I quite like that actually. It's very useful. It's a matter of fact. And I could use this attack. Bug attack that just as magic things. Pyro. Hello. How do you do? I found a thing or two about Puro. Need a little guy?
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00:13:33:43 - 00:13:52:18
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Speaker 3
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I always, I never get like I've always getting just, like, literally poo poo, right? Himself. Friend. shite. That is not at all what I meant to do as a big waste.
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00:13:52:22 - 00:14:00:25
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Speaker 3
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Pot.
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00:14:00:30 - 00:14:19:10
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Speaker 3
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Wait, I thought I did not have enough to do a thing. Oh, fuck. I'm always jumping to high. I'm pretty damn tough.
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00:14:19:15 - 00:14:28:57
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Speaker 3
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Okay, let's do it. Have at the.
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00:14:29:02 - 00:14:33:25
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Speaker 3
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Oh!
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00:14:33:30 - 00:14:44:49
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Speaker 3
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I actually kind of enjoy this run up. It's kind of fun.
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00:14:44:54 - 00:15:05:06
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Speaker 3
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oh. Wait. It's because, I've got, like, a trinket that does, like, epic silk. cut them up in silk. Silk region. They said. I thought I just said it increased the rate of silk region, but.
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00:15:05:11 - 00:15:20:15
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Speaker 3
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It appears to be rejecting beyond what is normal, which I'm perfectly fine with. I like more silk, or silk is good, especially once I'm up against,
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00:15:20:20 - 00:15:26:19
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Speaker 3
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Fuck sake.
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00:15:44:06 - 00:15:49:21
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Speaker 3
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That was spooky.
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00:15:49:26 - 00:16:01:55
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Speaker 3
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I need to pay attention to when my down thing runs out. There it is.
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00:16:16:28 - 00:16:22:55
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Unknown
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Neat.
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00:16:23:00 - 00:16:24:25
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Unknown
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Catch!
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00:16:24:30 - 00:16:40:35
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Speaker 3
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I just got to have, like, loads of silk all the time.
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00:16:40:40 - 00:16:55:14
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Speaker 3
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Have my dudes attacker instead. Oh, is the trap in place? Yes. Needle in. I could just play it on top. Nice.
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00:16:55:19 - 00:16:58:46
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Speaker 2
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Blah blah blah blah.
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00:16:58:51 - 00:17:19:55
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Speaker 3
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Oh, we've summoned to the void. Is she going to get absorbed too? Oh, no. Yeah. Wait. I thought she was dead. You cut off your mother's arm. Oh, she's going to be absorbed to goodness. Well, that was really something.
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00:17:20:00 - 00:17:25:50
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Speaker 3
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I wonder what codec they used for this.
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00:17:25:55 - 00:17:34:43
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Speaker 3
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One. What?
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00:17:34:48 - 00:17:44:22
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Speaker 3
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Hey, yo. How you do dilutions? How do you do? Good name. Honestly?
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00:17:44:27 - 00:17:59:10
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Speaker 3
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Wow, that's pretty incredible. They've got some bloody texture in this. It's good stuff.
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00:17:59:15 - 00:18:25:53
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Speaker 3
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Okay, so yeah, I did defeat ground with a selected trapper with a. Yes. So we've been trapper, I suppose. so what was that void? We got void stuff. I didn't realize we could do that. Oh, thank you for the 49 roses. Goodness, that's a couple roses. Hope you have a nice day. Well, it's, it's going pretty well.
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00:18:25:53 - 00:18:34:55
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Speaker 3
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Thank you. Thank you for the well wishes. And thank you for the the the floral decorations.
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00:18:35:00 - 00:18:41:46
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Speaker 3
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I don't know how each rose is 49 roses. Seems pretty incredible.
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00:18:41:51 - 00:19:05:27
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Speaker 3
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I don't think I've ever had 49 roses before, so I appreciate that. I don't know if I could skip this. Can I skip? I've already seen the, We love Makoto. Koji? Yeah. I don't know if we could skip the, Like, I've already seen him before, so I guess we'll just sit through him. Really? You know, I've I've.
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00:19:05:27 - 00:19:24:06
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Speaker 3
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I've never had a to a, 49 roses before. Not a single time. I think I've only ever had maybe a couple, you know, like a bouquet or, just a single solitary one. I did that once.
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00:19:24:10 - 00:19:43:05
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Speaker 3
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You never had that many roses. I don't know if I'd have enough. enough, you know, vases to put them in. You didn't need quite a few, you know, to separate them off into multiple little, bouquets. Right?
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00:19:43:10 - 00:19:48:04
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Speaker 3
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Right. So I've got time. But it did, does it? It didn't say percentage.
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00:19:49:30 - 00:20:02:17
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Speaker 3
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So it's saved. So that must mean something. Or what does that mean? Precisely? Give me that. I can get off.
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00:20:02:22 - 00:20:09:06
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Speaker 3
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What does that what does this mean? Is this act three. Now?
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00:20:09:10 - 00:20:31:00
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Speaker 3
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Have we moved on? Progressed? Is this new game? Plus they didn't have this in the previous game. They just had like, well, you could just continue playing and do even more things. My restarting now this is pretty, pretty epic. I thought I was going to be playing a game, but instead I get to watch beautiful team Jerry animations.
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00:20:31:04 - 00:21:03:56
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Speaker 3
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Pretty incredible. Act three. There it is. A base. So what is this stun like? She's being, like, tossed down. Oh, right. Right into the abyss. That's where the void stuff came up. So I wonder if everywhere, like it's everywhere. Got an abyss like this doesn't connect into, hallownest abyss, right? Unless it does. Oh, goodness.
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00:21:04:01 - 00:21:34:21
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Speaker 3
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One hit death. Yeah, let's. Yeah. Let's find. Let's find. Why don't we, Did my controller die now? Just turned off or something and bind. All right. Good. New objective. Okay. After the fall, discover the fate of volume. Okay, so that would be 100% completion. That. Oh, so is this just a mirror of that other place, or is this.
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00:21:34:26 - 00:22:02:01
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Speaker 3
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The. Oh, okay. Okay. Just kind of look like I restarted the game in a way. and I believe the the abyss is, like, here or something. Or here. It's deep down somewhere over there. have I not got. Oh, I've got a rest so I can put all my stuff away. Yeah, just. Just unbound. All of my stuff.
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00:22:02:06 - 00:22:17:37
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Speaker 3
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oh. Interesting. So. Wouldn't have, unbound. That's very interesting.
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00:22:17:42 - 00:22:34:30
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Speaker 3
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I like just being able to hit that every single time I get the chance to do something like this, where I could just make a sound, repeatedly trigger. I will do it. It's my favorite thing ever.
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00:22:47:56 - 00:23:17:33
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Speaker 3
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sorry. It's just too fun. It's too tempting for me to. So I don't have any way of knowing if I'm right here in the cradle. Or if I'm, well, not if I'm somewhere else. This appears to still be the cradle. Unless it's trying to say that the cradle fell into the abyss. Which would be kind of interesting.
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00:23:17:38 - 00:23:55:39
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Speaker 3
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what are we getting? Getting messed about with void stuff. Holy rhino. This sounds like a bloody. What's the language? I'm thinking of Haitian Creole. Oh, okay. She fell down a hole. Oh, no. Like, volume is just fucked. Why are you trolling? Why are you trolling? Azure? How do you do the, She can't even hit the hit anything.
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00:23:55:44 - 00:24:03:40
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Speaker 3
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This was the place where you put the songs in. She's she's.
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00:24:03:45 - 00:24:13:39
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Speaker 3
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She's not cool. She's not doing all right. I like a you can still hit that.
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00:24:13:44 - 00:24:49:27
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Speaker 3
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She's okay now. Oh, so the area's just, like, dead and gone because they relied on the power of the ground by the silk. so when the other ending, she just took the place because, like, that was the only choice in eliminating her. Also, it seems.
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00:24:49:31 - 00:25:21:07
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Speaker 3
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You got to beat a couple things up in order to make it through. But, you know, we're good with that. We're all good with that. Finally, get to act three. Yes, indeed. I've beat my meat 50 times since you've last played the silk ons 50 whole times. And I lost streamed on Thursday. So? So that's like 25 meat beatings in.
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00:25:21:12 - 00:25:29:15
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Speaker 3
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You know, two days. It's kind of incredible. Oh, so now they're reanimated by void?
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00:25:29:20 - 00:25:32:40
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Speaker 3
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That hardly seems necessary, actually.
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00:25:39:30 - 00:25:43:30
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Unknown
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Oh.
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00:25:43:35 - 00:25:51:04
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Speaker 3
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can I go past these? Okay. Yeah. It's just a full grand element, so we're good.
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00:25:51:09 - 00:25:52:25
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Speaker 3
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Oh.
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00:25:52:30 - 00:25:56:57
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Unknown
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Oh, no. Oh. Oh.
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00:25:57:01 - 00:26:18:15
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Speaker 3
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What did you see? The attack that I used. I hope you have a wonderful day at work. I will, thank you very much. Dilutions. Thank you very much for the 108 roses. That's a lot of roses. I don't know where I'm ever going to find the, the the vase. Like, I will never have enough vase to contain all the rose.
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00:26:18:19 - 00:26:28:05
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Speaker 3
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it's going to be quite difficult, but thank you regardless. It's a good problem to have, isn't it?
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00:26:28:10 - 00:26:48:58
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Speaker 3
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I have so many roses. I not I know not what to do with them, so thank you. okay. Well, just to do. Let's.
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00:26:49:03 - 00:27:20:03
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Speaker 3
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Yeah. On the fucking crazy double damage. Yes. Oh, goodness. I'd rather not have to be dealing with double damage, but this is silksong. Everything's got to do bloody double damage, Friend. High rain. Klaus, I like that variation. That's kind of funny. Looks.
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00:27:20:07 - 00:27:28:18
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Speaker 3
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Yeah. Oh! Bloody tentacles.
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00:27:28:23 - 00:27:41:48
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Speaker 3
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Look, I did the thing again. Fuck! Drain clot. This is cruel. That would be cruel.
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00:27:41:52 - 00:27:43:22
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Speaker 2
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Why did I do that?
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00:27:43:22 - 00:28:07:12
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Speaker 3
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That and I still have, like, all of my stuff that. My rosaries. Ouch. Yep. I'll get accustomed to this run up, for fuck's sake. Eventually I'll get accustomed to it.
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00:28:11:13 - 00:28:18:47
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Speaker 3
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Like, this is definitely the reason why people don't like a lot of souls. Likes.
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00:28:18:52 - 00:28:24:04
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Speaker 3
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All right, it's only 76. It's not that much.
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00:28:24:09 - 00:28:42:11
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Speaker 3
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It's because the battle also becomes the run up to the battle. So in order to complete the battle, you also need to complete up with the run up it like it just extends it. Oh, that was a good parry.
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00:28:42:16 - 00:28:47:10
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Speaker 3
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Fuck you.
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00:28:47:15 - 00:29:04:05
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Speaker 3
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I've recently started talking to the first FTM guy ever. What? What? The first one ever? no, actually, it's because they fucking suck the you you love, you love them. You love the souls. Likes.
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00:29:04:10 - 00:29:17:51
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Speaker 3
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What is this Azure you're breaking character here. You were like the resident souls. Like guy. What changed?
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00:29:17:56 - 00:29:21:47
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Speaker 3
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Oh, I can see a change in you.
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00:29:23:04 - 00:29:35:53
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Speaker 3
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Thank you. Hey. Like I getting better at it.
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00:29:35:58 - 00:29:48:49
|
|
Speaker 3
|
|
Wait. Oh, I forgot, I'm not in my.
|
|
|
|
00:29:48:54 - 00:29:57:04
|
|
Speaker 3
|
|
There we go. Look.
|
|
|
|
00:29:57:09 - 00:30:03:33
|
|
Speaker 3
|
|
Oh, fuck you. What was that?
|
|
|
|
00:30:03:37 - 00:30:16:55
|
|
Speaker 3
|
|
Not the run back the play is. Oh, I see, I mean, there's a couple of run back that is straight malignant, Dukie. Well, you got to be fair about this, right?
|
|
|
|
00:30:17:00 - 00:30:49:12
|
|
Speaker 3
|
|
There's plenty of them that are just rubbish, right? Hook. Like, I reckon they should put the the. You should put the place that you. What the actual fuck. How long does it go on for? They should put the place like the boss arena should be in close proximity to a place that you could heal at, so you don't have a massive fucking run back.
|
|
|
|
00:30:49:17 - 00:31:22:24
|
|
Speaker 3
|
|
Even if it's inconvenient, it should be like, now fuck you. How the fuck? What? Wait, that move is actually just broken. Oh, no, you fucking prick. I'm played with, like, ten pages. Something. Ten ping is not that bad, though, okay? Yeah. So the controller's like, dead. I'm presuming you to be dead then. Not you. Because if it's you, then I'm going to be upset to see you.
|
|
|
|
00:31:22:24 - 00:31:29:53
|
|
Speaker 2
|
|
Changing from how I've designed you.
|
|
|
|
00:31:29:58 - 00:31:34:43
|
|
Speaker 3
|
|
What? The actual shit.
|
|
|
|
00:31:34:48 - 00:31:43:18
|
|
Speaker 3
|
|
Start. God. For the fact that.
|
|
|
|
00:31:43:23 - 00:32:07:43
|
|
Speaker 3
|
|
I've actually got to pull out the test, or I was going to be quick about it because it going could be slick with it. My mistake. Yeah. So you're you dead? All of you with dead about you. The final. Oh, that is fucking. Oh that one's. Yeah. That one's definitely dead. I think I've got to pull out the others.
|
|
|
|
00:32:07:48 - 00:32:18:04
|
|
Speaker 3
|
|
Is that what exploded?
|
|
|
|
00:32:18:09 - 00:32:39:34
|
|
Speaker 2
|
|
Let me remind you. Goddess of wisdom. Master of all ten fingers. Snow bangers.
|
|
|
|
00:32:39:39 - 00:33:01:46
|
|
Speaker 3
|
|
There's a couple of roll back. Oh, I got my my, my vibration back. I forgot that the controller just eventually stops doing that. If you haven't got enough voltage, I forgot what it felt like. The Zote sword thing? Yes, indeed. That is kind of familiar, isn't it? Or is it the broken vessel sword swing? it's just the vessel sword swing.
|
|
|
|
00:33:01:46 - 00:33:08:06
|
|
Speaker 3
|
|
All the vessels do that to a certain degree. You know.
|
|
|
|
00:33:08:11 - 00:33:29:12
|
|
Speaker 3
|
|
What? It. It would be so fun to have Spider-Man's powers. Oh, I want to swing around a city naked. Anal plug. Got the vibration back? No, I'm still going about the controller. I suppose you could. Fuck. I suppose you could use, the controller in that way. That's just,
|
|
|
|
00:33:29:16 - 00:33:41:07
|
|
Speaker 3
|
|
Outward. It's, intended usages, so I wouldn't really recommend it. I don't think they could recommend it either, because, you know, it's out of scope. Obviously.
|
|
|
|
00:33:41:12 - 00:33:44:12
|
|
Unknown
|
|
But.
|
|
|
|
00:33:44:16 - 00:33:50:13
|
|
Unknown
|
|
Let us.
|
|
|
|
00:33:50:18 - 00:33:52:54
|
|
Unknown
|
|
Yeah.
|
|
|
|
00:33:52:58 - 00:33:59:08
|
|
Speaker 3
|
|
Fuck you.
|
|
|
|
00:33:59:13 - 00:34:03:13
|
|
Speaker 3
|
|
Oh, yeah.
|
|
|
|
00:34:03:18 - 00:34:32:28
|
|
Speaker 3
|
|
Die, prick. Oh, am I too big, am I? Take it up. Too much space on the screen. Pick up my be because I never want to be, like, impeding the actual gameplay. Get. That's fucking. What are you doing? Okay, just being silly. There we go. It's probably good.
|
|
|
|
00:34:32:33 - 00:34:51:48
|
|
Speaker 3
|
|
To do a challenge where every death you get a ten second max power vibration. Every time you get, every time you get hit is one second that would make you good at the game. I don't know if it would. I really don't think it would. Yeah.
|
|
|
|
00:34:51:52 - 00:35:25:28
|
|
Speaker 3
|
|
Ha. I think that would just like break twitches, toss is up. Probably. That's probably what that would do before it would make me good at the game. Oh shit. Can I pogo on these? Yes, I can they look like the made a shard. Could goodness have a thought about shard in a second?
|
|
|
|
00:35:25:33 - 00:35:31:09
|
|
Speaker 3
|
|
What the fuck? What are you talking about?
|
|
|
|
00:35:31:13 - 00:35:35:33
|
|
Speaker 2
|
|
Goddess of wisdom.
|
|
|
|
00:35:35:38 - 00:36:02:31
|
|
Speaker 3
|
|
But how could Twitch know? Because the only way that you would. Because, like, if the viewers know than Twitch knows. Unless the fuck TikTok would know. Or they wouldn't care. I don't know, okay? Twitch would only care if. Because I'm male. But.
|
|
|
|
00:36:02:36 - 00:36:18:51
|
|
Speaker 3
|
|
The moderators of the side, despite, Contrary to popular belief, are heterosexual and do not like,
|
|
|
|
00:36:18:55 - 00:36:23:04
|
|
Speaker 3
|
|
You know.
|
|
|
|
00:36:23:09 - 00:36:27:49
|
|
Speaker 3
|
|
They don't like the idea of males getting vibrated.
|
|
|
|
00:36:30:18 - 00:36:57:50
|
|
Speaker 3
|
|
I tend to vibrate pretty often, even on stream. Speaking of vibrating often. I've been off my meds for a week now, and I feel fine. I like, I don't feel like I'm falling behind or anything like that. I just kind of find, oh, this is the big courtyard area thing. Like, I just feel fine. So I don't know, maybe I'll just be able to stop taking Adderall, you know, once and for all.
|
|
|
|
00:36:57:50 - 00:37:02:15
|
|
Speaker 3
|
|
Now. Maybe.
|
|
|
|
00:37:02:20 - 00:37:27:25
|
|
Speaker 3
|
|
I guess we'll see how it goes. But I felt, like, pretty damn productive. So that was that. That was an interesting little, discovery. I was just going to be like, I've revived you. I got brick, did she steal his garb? Holy red maiden to suppress it, I didn't I don't like the pulsating in the corner over there, because it looks like there's bugs on my screen.
|
|
|
|
00:37:27:25 - 00:37:44:25
|
|
Speaker 3
|
|
Well, technically, there are bugs on my screen to spread around. So does he use a flea wake? Little Shurmur, what has happened here to us? Our safe haven, our home. This is what's left of it. After the great breaking began, there was that terrible noise from above. Everything shook and fell apart and the black threads sprung up from beneath my ear.
|
|
|
|
00:37:44:33 - 00:38:00:57
|
|
Speaker 3
|
|
Many a poor pilgrim has already been lost to the destruction. You might have. You might have been too, if not for some fleeting pilgrims who found you fallen and carried you back to us in the black threads. I may understand their source. I must speak with the old caretaker. Do you know what has become of him? I see he has left you his garb.
|
|
|
|
00:38:00:57 - 00:38:25:50
|
|
Speaker 3
|
|
He's dead. Oh, yes. He charged me with looking after. After those remaining he had said. He had said he had to confer with his family down below. Down below. Then they have slunk away to hide in the ruined chapel. I must pay them a visit. Thank you. Service. Stay safe and take care of your fellow pilgrims. Interesting. Surely we've bound to have loads of wishes coming up soon.
|
|
|
|
00:38:25:55 - 00:38:45:56
|
|
Speaker 3
|
|
What a calamity has befallen our holy citadel! I ain't never seen anything like it in my long life. Times like this, we must be sure to help each other. Dig deep, dear one. I'll be needing a lot of rosaries to survive what's coming? now. No, you. No you won't. No, you won't, because, you don't need that shit.
|
|
|
|
00:38:46:01 - 00:38:53:04
|
|
Speaker 3
|
|
I'm going to not use this for now. We've got to go back. To what? What I was using previously.
|
|
|
|
00:38:56:29 - 00:39:00:13
|
|
Speaker 3
|
|
What's good?
|
|
|
|
00:39:00:18 - 00:39:23:55
|
|
Speaker 3
|
|
I think I've got to go with this. Or at least a bit. Yeah. I never even got to repair them all. Okay, so I haven't got fast travel, at least at some locations. They've been, destroyed, so this is good to know. Ooh, what new horror. Now, besets us is this fresh punishment. Punishment for our sins. Or yet another test to prove our fate.
|
|
|
|
00:39:24:00 - 00:39:41:40
|
|
Speaker 3
|
|
It is neither good bug. In this disaster. You better not blame. Hold close to your companions and I will work swift to see this madness stilled man. Oh, if we're no longer pilgrims, what are we? Yes, this is the question. And this is why they probably should have been thinking about this beforehand. What defines you? It's a good question.
|
|
|
|
00:39:41:45 - 00:40:06:49
|
|
Speaker 3
|
|
It's now my charge to care for those who stay here, including yourself. If I can aid you in any way, please let me know. You know, I think Shermer would do a fantastic little, you know, bearer of of the, place and so on. Glaive here. So it's still there. It's still marked. It's just not accessible for some reason.
|
|
|
|
00:40:06:54 - 00:40:20:46
|
|
Speaker 3
|
|
Oh, I wonder, if void. Yeah, I see we've just. Yeah. More like under new management. That's what's happened here.
|
|
|
|
00:40:20:51 - 00:40:31:07
|
|
Speaker 3
|
|
Because, like, the void has just, I mean, it's just void is in charge now. Oh, fuck you.
|
|
|
|
00:40:31:12 - 00:40:37:01
|
|
Unknown
|
|
Oh. Oh oh. Have more.
|
|
|
|
00:40:37:06 - 00:40:41:44
|
|
Speaker 3
|
|
Interesting.
|
|
|
|
00:40:41:49 - 00:40:59:24
|
|
Speaker 3
|
|
what was that? I thought there was something still here. It's okay. So we've had a decrease in the amount of enemies. Like, due to the fact that they've that this stuff has collapsed and whatnot.
|
|
|
|
00:40:59:29 - 00:41:31:00
|
|
Speaker 3
|
|
Hey what's up guys. It scares here. Discord announcement. Yes! We love announcing our discord. True Morgan Freeman excuse me. Raven, what am I doing? You take a guess. Dexter. Amphetamine. Adderall. What does Adderall do? it basically decreases the dopamine threshold in your brain. Well, no, just generally in your endocrine system, though, it's it's mainly its effects are mainly neurological.
|
|
|
|
00:41:31:04 - 00:42:13:26
|
|
Speaker 3
|
|
It's. He actually. Yeah. Okay. Thank you. Jerma. Yes. That's his name. Jerma. Jeremy, would you be interested in a drug that improves breast growth and body fat redistribution to get thick? Why would I? What would I want with breasts, though? Like, why would that be of any use to me whatsoever? Like, breasts just seem inconvenient if you're, also, like, not capable of directly reproducing, directly.
|
|
|
|
00:42:13:26 - 00:42:18:38
|
|
Speaker 3
|
|
What does that mean? If you're not capable of, like.
|
|
|
|
00:42:18:43 - 00:42:45:02
|
|
Speaker 3
|
|
Nursing a child? That's what I mean. I suppose if you had breasts, you could nurse a child like. I don't know, that just seems, grim. Seems like something that doesn't really, It's not very pertinent to me. Or it has little pertinence, to me, at least.
|
|
|
|
00:42:45:07 - 00:42:49:12
|
|
Speaker 3
|
|
But.
|
|
|
|
00:42:49:17 - 00:42:57:43
|
|
Speaker 3
|
|
You. Had us so interesting that, like, everything has gone great.
|
|
|
|
00:43:01:58 - 00:43:15:18
|
|
Speaker 3
|
|
Hornet and the ink machine, as it were. Oh, fuck off!
|
|
|
|
00:43:15:23 - 00:43:45:31
|
|
Speaker 3
|
|
It's that way. Yeah, that's that's that's where I need to go. So, as well go directly for the bubble. Bubble? Who's, who's preaching down there now? The chatter. Hip hip hip hooray! Even.
|
|
|
|
00:43:45:36 - 00:44:01:32
|
|
Speaker 3
|
|
They're cool. You can, like, touch them. Esthetics, aura intents and purposes. Hornet and the cum extractor. Okay. I don't know why you had to say that. That's a a shame. We are so back.
|
|
|
|
00:44:01:37 - 00:44:13:18
|
|
Speaker 3
|
|
Milk extractor, thread extractor. I don't know, I suppose they could be fun. Yeah, but I don't know if they'd necessarily be worth the trouble.
|
|
|
|
00:44:13:22 - 00:44:20:57
|
|
Speaker 3
|
|
I suppose, like, well, how big would they be?
|
|
|
|
00:44:21:01 - 00:44:30:33
|
|
Speaker 3
|
|
How?
|
|
|
|
00:44:30:38 - 00:44:34:14
|
|
Speaker 3
|
|
Just like all of them have been enhanced by it.
|
|
|
|
00:44:34:19 - 00:44:37:45
|
|
Unknown
|
|
Yeah.
|
|
|
|
00:44:37:49 - 00:44:43:52
|
|
Unknown
|
|
Look.
|
|
|
|
00:44:43:57 - 00:44:48:01
|
|
Speaker 3
|
|
Thank you for dying. Do do do.
|
|
|
|
00:44:48:03 - 00:44:50:06
|
|
Speaker 2
|
|
Do do do do do do.
|
|
|
|
00:44:50:11 - 00:45:25:46
|
|
Speaker 3
|
|
Either. She she around? Yes, please. She cool. Why? That's not my ala. That's not my ala. What do you mean? The objective. What is this? What is this divided? What is what? Yes. Objectives. Look at this. Beast of the bells descended to the beltway. Defeat the hostile creature with had no. Give me back my Ada! What the fuck?
|
|
|
|
00:45:25:51 - 00:45:51:34
|
|
Speaker 3
|
|
This is not okay. The beast at the bells. You give me back my Ada right now! What the fuck? Is this going to be quite the arena, bro? Fell into. Oh, right. I saw, Hey.
|
|
|
|
00:45:51:39 - 00:46:12:47
|
|
Speaker 3
|
|
I saw it, yeah, a little fella. Fucking butthole. Prolapsed anus. That. Whoa! They were out of shit. Goodness. Well, that's pretty intense. They reuse the fucking, Oh. That's interesting.
|
|
|
|
00:46:12:52 - 00:46:28:53
|
|
Speaker 3
|
|
They were used the sprites. they just colored it red. Who has that sprite? But I think Norsk uses that. a couple of other creatures use that attack.
|
|
|
|
00:46:28:58 - 00:46:41:26
|
|
Speaker 3
|
|
Just gotta learn the attack patterns here. okay. Cool bombs.
|
|
|
|
00:46:41:31 - 00:46:45:38
|
|
Speaker 3
|
|
Shut.
|
|
|
|
00:46:45:43 - 00:47:05:13
|
|
Speaker 3
|
|
Ye.
|
|
|
|
00:47:05:18 - 00:47:09:02
|
|
Speaker 3
|
|
Okay.
|
|
|
|
00:47:09:07 - 00:47:13:39
|
|
Speaker 3
|
|
Not certain. I like that.
|
|
|
|
00:47:13:44 - 00:47:18:54
|
|
Speaker 3
|
|
Well, telegraphed moves, though.
|
|
|
|
00:47:22:04 - 00:47:26:28
|
|
Speaker 3
|
|
Oh, shit.
|
|
|
|
00:47:30:23 - 00:47:44:58
|
|
Speaker 3
|
|
Oh, fuck.
|
|
|
|
00:47:45:03 - 00:47:53:42
|
|
Speaker 3
|
|
Oh, shit. That's quite a lot, though. Quite a lot.
|
|
|
|
00:47:53:47 - 00:48:09:51
|
|
Speaker 3
|
|
As big as your mum's. How big is that? you know, I'm not going to say. I don't reckon that's. That's all right. So me and Ryan, we're ahead of the curve.
|
|
|
|
00:48:09:55 - 00:48:22:54
|
|
Speaker 3
|
|
I'm just flooded. The attack patterns. No need. hate being, you know, unnecessarily.
|
|
|
|
00:48:22:58 - 00:48:29:22
|
|
Speaker 3
|
|
Impatient about it.
|
|
|
|
00:48:29:27 - 00:48:47:22
|
|
Speaker 3
|
|
Oh, okay. So I need to stay aware of how close to those I can get. Oh. So it's like, Yeah. Wait, no, this is very similar to the, that that, the optional boss, that one.
|
|
|
|
00:48:47:27 - 00:48:55:28
|
|
Speaker 3
|
|
Be. So I don't know if this is a separate phase or another attack.
|
|
|
|
00:48:55:33 - 00:48:59:39
|
|
Speaker 3
|
|
Oh, fuck.
|
|
|
|
00:48:59:43 - 00:49:13:16
|
|
Speaker 3
|
|
I forgot about this fella. He read. Indeed. What would it feel to stick in his orifice?
|
|
|
|
00:49:13:21 - 00:49:21:42
|
|
Speaker 3
|
|
Why? You know, you really didn't need to say that. That was highly,
|
|
|
|
00:49:21:46 - 00:49:41:58
|
|
Speaker 3
|
|
Unnecessary. Let's say.
|
|
|
|
00:49:42:03 - 00:49:59:24
|
|
Speaker 3
|
|
A zigzag, I like the waves. now should. I just have him just go straight for me.
|
|
|
|
00:49:59:29 - 00:50:15:09
|
|
Speaker 3
|
|
Do they. Do they hit the, The bells? That shit. Fuck. That was the wrong way to do that.
|
|
|
|
00:50:15:14 - 00:50:48:45
|
|
Speaker 3
|
|
Fuck. This is rough, Ryan. This is. This is. I do promise you I will see you in person. One of these days is what I do. these threats. What's all this? The first thing I'm going to do is test you. I don't know what you mean. Fuck fuck fuck fuck fuck.
|
|
|
|
00:50:48:50 - 00:50:51:49
|
|
Speaker 3
|
|
Fuck! Fuck you.
|
|
|
|
00:50:51:54 - 00:51:07:00
|
|
Unknown
|
|
Ready?
|
|
|
|
00:51:07:05 - 00:51:08:03
|
|
Unknown
|
|
And,
|
|
|
|
00:51:08:07 - 00:51:18:36
|
|
Speaker 3
|
|
Stop at, You always got to do that,
|
|
|
|
00:51:18:41 - 00:51:25:19
|
|
Speaker 3
|
|
I like that animation. It's pretty good. Pretty neat.
|
|
|
|
00:51:25:24 - 00:51:36:06
|
|
Speaker 3
|
|
I feel like it would have been fine if they released Silksong in acts like. I feel like they could have released act one in act two. Then act three.
|
|
|
|
00:51:36:10 - 00:51:45:38
|
|
Speaker 3
|
|
I wonder if they intended on doing that before, but they wanted to give it more polish entirely.
|
|
|
|
00:51:45:43 - 00:51:51:11
|
|
Speaker 3
|
|
How?
|
|
|
|
00:51:51:16 - 00:52:14:26
|
|
Speaker 3
|
|
I need to figure out how to, how to dodge those properly. Fuck you. How? I wanted to see what would happen. like how I need to muck about with how those, how those trigger how they function.
|
|
|
|
00:52:14:31 - 00:52:17:44
|
|
Speaker 2
|
|
Oh, Curry.
|
|
|
|
00:52:17:49 - 00:52:24:18
|
|
Speaker 3
|
|
How about you go to test me? Azure.
|
|
|
|
00:52:44:02 - 00:52:52:41
|
|
Unknown
|
|
Well.
|
|
|
|
00:52:52:46 - 00:53:13:37
|
|
Speaker 3
|
|
Why did I do that? That was clearly a mistake. Black. You.
|
|
|
|
00:53:13:42 - 00:53:18:51
|
|
Speaker 3
|
|
So bouncy.
|
|
|
|
00:53:18:55 - 00:53:33:42
|
|
Speaker 3
|
|
Fuck you!
|
|
|
|
00:53:33:46 - 00:53:37:30
|
|
Speaker 3
|
|
That shit.
|
|
|
|
00:53:37:35 - 00:53:41:53
|
|
Speaker 3
|
|
I've forgotten how this works.
|
|
|
|
00:53:41:58 - 00:53:43:43
|
|
Speaker 2
|
|
I'm.
|
|
|
|
00:53:43:48 - 00:54:09:20
|
|
Speaker 3
|
|
Well, we shall see. It's heterosexuals. Suddenly you shake. I don't know if I've ever seen the bot have the name, like, begin with a heterosexual. This is very interesting.
|
|
|
|
00:54:09:25 - 00:54:19:34
|
|
Speaker 3
|
|
Fuck off! Shut up!
|
|
|
|
00:54:19:39 - 00:54:29:03
|
|
Speaker 3
|
|
Fuck. I thought I had enough stuff to do this thing.
|
|
|
|
00:54:29:07 - 00:54:49:32
|
|
Speaker 3
|
|
Always with the little fucking thing. I'm always struggling with that. I've been struggling with that since the very first I got this thing. That little, my inches slightly downwards.
|
|
|
|
00:54:49:37 - 00:55:06:37
|
|
Speaker 3
|
|
I just haven't taught myself the proper spacing for it. Is sometimes I account for it, but mostly I account for poorly.
|
|
|
|
00:55:06:42 - 00:55:17:51
|
|
Speaker 3
|
|
I.
|
|
|
|
00:55:17:55 - 00:55:42:13
|
|
Speaker 3
|
|
Just.
|
|
|
|
00:55:42:18 - 00:55:54:42
|
|
Speaker 3
|
|
That's fucked. What is the proper, protocol for this? Fucking fuck you!
|
|
|
|
00:55:54:46 - 00:56:08:18
|
|
Speaker 3
|
|
I like a wide area. Like this is kind of neat.
|
|
|
|
00:56:08:23 - 00:56:15:11
|
|
Unknown
|
|
I hate.
|
|
|
|
00:56:15:16 - 00:56:24:18
|
|
Speaker 3
|
|
Okay. What the fuck, though? What? The actual.
|
|
|
|
00:56:24:23 - 00:56:27:45
|
|
Speaker 3
|
|
Goodness.
|
|
|
|
00:56:27:50 - 00:56:40:55
|
|
Speaker 3
|
|
This is going to be a rough one, isn't it?
|
|
|
|
00:56:41:00 - 00:56:46:12
|
|
Speaker 3
|
|
Oh, fuck. You.
|
|
|
|
00:56:46:16 - 00:57:07:19
|
|
Speaker 3
|
|
What?
|
|
|
|
00:57:07:24 - 00:57:11:10
|
|
Speaker 3
|
|
Friend.
|
|
|
|
00:57:11:15 - 00:57:31:39
|
|
Speaker 3
|
|
I really want to see if I can hit. Oh, it came too fast. I'm just going to suppose that she is, He she it. I'm thinking she. Because of the fact.
|
|
|
|
00:57:31:44 - 00:57:37:28
|
|
Speaker 3
|
|
Schlong.
|
|
|
|
00:57:37:33 - 00:57:57:25
|
|
Speaker 2
|
|
Stop behaving.
|
|
|
|
00:57:57:30 - 00:58:25:05
|
|
Speaker 3
|
|
Oh, fuck you!
|
|
|
|
00:58:30:28 - 00:58:46:19
|
|
Speaker 3
|
|
So there were some of these spaces that just seemed so utterly shat. But I'm not certain if it's possible to do anything to avoid them.
|
|
|
|
00:58:46:24 - 00:59:04:54
|
|
Speaker 3
|
|
Fuck you. Oh, okay. So I can hit a back. I was considering experimenting with something like that.
|
|
|
|
00:59:04:58 - 00:59:15:15
|
|
Speaker 3
|
|
the fucking space saying. I just had to choose to put it at a slightly different angle.
|
|
|
|
00:59:15:19 - 00:59:24:34
|
|
Speaker 3
|
|
Better. Obnoxious. Come off it. But.
|
|
|
|
00:59:24:39 - 00:59:28:32
|
|
Speaker 3
|
|
No way of avoiding it.
|
|
|
|
00:59:28:37 - 00:59:35:06
|
|
Speaker 3
|
|
Okay. Complete waste.
|
|
|
|
00:59:43:39 - 00:59:51:43
|
|
Speaker 3
|
|
What?
|
|
|
|
00:59:51:48 - 01:00:14:10
|
|
Speaker 3
|
|
Fuck you. You can never buffer that move because it'll just get you fucking killed if you space it. Pinpoint. Perfect piece of prick piss. Come out of it.
|
|
|
|
01:00:14:15 - 01:00:37:43
|
|
Speaker 3
|
|
This.
|
|
|
|
01:00:37:48 - 01:00:47:37
|
|
Speaker 3
|
|
oh.
|
|
|
|
01:00:47:42 - 01:00:56:47
|
|
Speaker 3
|
|
I don't like moves like this that just require me to stand around and wait until it. The hitboxes go away. Fuck that fucking.
|
|
|
|
01:00:56:47 - 01:01:00:40
|
|
Speaker 2
|
|
Move!
|
|
|
|
01:01:00:45 - 01:01:10:33
|
|
Speaker 3
|
|
Is there any way to hit it? Okay, there we go. I got it.
|
|
|
|
01:01:10:37 - 01:01:24:43
|
|
Speaker 3
|
|
Oh, shit. I forgot that there's little, little lights that point down that indicate what a thing is going to happen. Bonk!
|
|
|
|
01:01:24:48 - 01:01:30:29
|
|
Speaker 3
|
|
now.
|
|
|
|
01:01:30:34 - 01:01:38:21
|
|
Speaker 3
|
|
You.
|
|
|
|
01:01:38:25 - 01:01:46:59
|
|
Speaker 3
|
|
Fuck you!
|
|
|
|
01:02:01:39 - 01:02:16:42
|
|
Unknown
|
|
Yeah.
|
|
|
|
01:02:16:46 - 01:02:21:04
|
|
Speaker 3
|
|
It. Does it damage it? When I do that?
|
|
|
|
01:02:21:09 - 01:02:26:53
|
|
Unknown
|
|
Let's.
|
|
|
|
01:02:26:58 - 01:02:41:06
|
|
Speaker 3
|
|
Fuck off.
|
|
|
|
01:02:41:11 - 01:02:53:17
|
|
Speaker 3
|
|
What? No. I didn't fuck you, but that.
|
|
|
|
01:02:53:22 - 01:03:05:12
|
|
Speaker 3
|
|
I definitely feel like I'm not making progress here, so.
|
|
|
|
01:03:05:16 - 01:03:25:36
|
|
Speaker 3
|
|
Fuck off.
|
|
|
|
01:03:25:40 - 01:03:46:28
|
|
Speaker 3
|
|
Let's. Fuck all of it.
|
|
|
|
01:03:49:40 - 01:04:01:27
|
|
Speaker 3
|
|
This is, like, the worst fucking place to be. Us. Fuck off!
|
|
|
|
01:04:01:31 - 01:04:16:09
|
|
Speaker 3
|
|
What do you actually mean? I didn't realize that was what it was going to explode. Hey! Stop it!
|
|
|
|
01:04:16:13 - 01:04:30:54
|
|
Speaker 3
|
|
Hey!
|
|
|
|
01:04:30:59 - 01:04:39:07
|
|
Speaker 3
|
|
why does it detect those entities?
|
|
|
|
01:04:39:12 - 01:04:52:32
|
|
Speaker 3
|
|
Hey!
|
|
|
|
01:04:52:37 - 01:05:13:52
|
|
Speaker 3
|
|
Oh, it burned it. I didn't know you could do that.
|
|
|
|
01:05:13:57 - 01:05:21:33
|
|
Speaker 3
|
|
This is bad. what the fuck?
|
|
|
|
01:05:21:37 - 01:05:28:23
|
|
Speaker 3
|
|
Oh, shit. Fuck off!
|
|
|
|
01:05:28:28 - 01:05:58:09
|
|
Speaker 3
|
|
If they feel like they bounce around for so bloody long. Fucking Banjo-Kazooie move.
|
|
|
|
01:05:58:13 - 01:06:03:40
|
|
Unknown
|
|
Look.
|
|
|
|
01:06:03:45 - 01:06:26:33
|
|
Unknown
|
|
Up!
|
|
|
|
01:06:26:38 - 01:06:42:22
|
|
Speaker 3
|
|
Let's fuck!
|
|
|
|
01:06:42:27 - 01:07:13:28
|
|
Speaker 3
|
|
Me.
|
|
|
|
01:07:13:33 - 01:07:33:18
|
|
Speaker 3
|
|
Is it becoming more intense? Or is it just me?
|
|
|
|
01:07:33:23 - 01:07:41:10
|
|
Speaker 3
|
|
Fuck you!
|
|
|
|
01:07:41:15 - 01:07:55:34
|
|
Speaker 3
|
|
It's.
|
|
|
|
01:07:55:39 - 01:08:01:09
|
|
Speaker 3
|
|
Oh! Fuck off!
|
|
|
|
01:08:01:13 - 01:08:17:58
|
|
Speaker 3
|
|
That seemed a little bit like progress, but I don't know if I was actually making progress, because I don't know how much I'd like damage. I was dealing.
|
|
|
|
01:08:18:03 - 01:08:28:39
|
|
Speaker 3
|
|
Let's start. Let's start going all out, shall we?
|
|
|
|
01:08:28:44 - 01:08:35:46
|
|
Speaker 3
|
|
Look. Fuck!
|
|
|
|
01:09:08:20 - 01:09:18:04
|
|
Speaker 3
|
|
Oh, wait. This actually seems perfect for this one.
|
|
|
|
01:09:18:08 - 01:09:25:07
|
|
Speaker 3
|
|
Ouch!
|
|
|
|
01:09:25:12 - 01:09:27:40
|
|
Speaker 3
|
|
Okay.
|
|
|
|
01:09:27:45 - 01:09:33:34
|
|
Speaker 3
|
|
Fuck!
|
|
|
|
01:09:33:39 - 01:09:45:00
|
|
Speaker 3
|
|
Come on. Why does it put it out so quickly? I hate it, it.
|
|
|
|
01:09:45:05 - 01:09:50:19
|
|
Speaker 3
|
|
Lets go for decently long. There.
|
|
|
|
01:09:50:23 - 01:10:05:19
|
|
Speaker 3
|
|
I could really use chakras help at this point. Oh, they have, like, a little follow through the ceiling. Can they attack while she's, No. It doesn't count as a hitbox yet.
|
|
|
|
01:10:46:19 - 01:11:06:07
|
|
Speaker 3
|
|
Fuck you!
|
|
|
|
01:11:06:12 - 01:11:11:51
|
|
Unknown
|
|
Let's.
|
|
|
|
01:11:11:56 - 01:11:17:15
|
|
Speaker 3
|
|
Fuck off!
|
|
|
|
01:11:17:20 - 01:11:32:06
|
|
Speaker 3
|
|
Taxi! Dragon just joined up. Oh, I didn't realize you could do that. creature is tired of being,
|
|
|
|
01:11:32:11 - 01:11:59:51
|
|
Speaker 3
|
|
Being hailed all the reason I was gonna mention it. Because I don't normally, like, just say, every single person who is joined. But when? When they're interesting, like Dragon. I must mean you may be a cousin of mine.
|
|
|
|
01:11:59:56 - 01:12:14:28
|
|
Speaker 3
|
|
Fuck you.
|
|
|
|
01:12:14:33 - 01:12:22:43
|
|
Unknown
|
|
But.
|
|
|
|
01:12:22:48 - 01:12:32:49
|
|
Unknown
|
|
When,
|
|
|
|
01:12:32:54 - 01:12:40:26
|
|
Speaker 3
|
|
What the fuck? Actually just happened.
|
|
|
|
01:12:40:31 - 01:12:50:55
|
|
Speaker 3
|
|
I.
|
|
|
|
01:12:51:00 - 01:13:00:11
|
|
Speaker 3
|
|
why the fuck am I here? What? The bag. that is not what I wanted.
|
|
|
|
01:13:00:16 - 01:13:12:29
|
|
Speaker 3
|
|
Oh, right. I've got a bloody, Pull out some of these.
|
|
|
|
01:13:12:34 - 01:13:18:24
|
|
Speaker 3
|
|
I've got to run out now. Shite!
|
|
|
|
01:13:18:28 - 01:13:24:05
|
|
Speaker 3
|
|
But. I just need to be more careful.
|
|
|
|
01:13:29:54 - 01:13:50:49
|
|
Speaker 3
|
|
To can be more aware and careful of my resources here.
|
|
|
|
01:13:50:54 - 01:14:08:40
|
|
Speaker 3
|
|
I just she's always got bloody attacks going. This got a boss that never even makes you feel like you could make it a, Any progress? Because you're always shitting.
|
|
|
|
01:14:08:45 - 01:14:12:45
|
|
Speaker 3
|
|
Fog of,
|
|
|
|
01:14:20:27 - 01:14:44:03
|
|
Speaker 3
|
|
What the fuck you.
|
|
|
|
01:14:44:07 - 01:14:52:41
|
|
Speaker 3
|
|
Fuck off!
|
|
|
|
01:14:52:46 - 01:14:55:32
|
|
Speaker 2
|
|
Yeah.
|
|
|
|
01:14:55:37 - 01:15:00:40
|
|
Speaker 3
|
|
It bounces just fucking once.
|
|
|
|
01:15:00:45 - 01:15:14:04
|
|
Speaker 3
|
|
But the timing is so rough.
|
|
|
|
01:15:14:09 - 01:15:49:30
|
|
Speaker 2
|
|
he, He. Hey, you.
|
|
|
|
01:15:49:35 - 01:15:50:28
|
|
Speaker 3
|
|
Fuck off!
|
|
|
|
01:16:20:45 - 01:16:22:45
|
|
Unknown
|
|
What's.
|
|
|
|
01:16:22:50 - 01:16:34:25
|
|
Speaker 3
|
|
Oh. Is this progress? Gillis. Thank you. Thank you for killing it.
|
|
|
|
01:16:34:30 - 01:16:45:42
|
|
Speaker 3
|
|
Now they're fighting together. I don't know why. It seemed like there was, like, one frame there. This is my friend.
|
|
|
|
01:16:45:46 - 01:16:53:53
|
|
Speaker 3
|
|
I can speak with either of my.
|
|
|
|
01:16:53:58 - 01:17:05:48
|
|
Speaker 3
|
|
I could sing, we could do a song with, her. Him. It's a chubby boy.
|
|
|
|
01:17:05:52 - 01:17:19:36
|
|
Speaker 3
|
|
Wait, so am I learning a melody now?
|
|
|
|
01:17:19:40 - 01:17:27:22
|
|
Speaker 3
|
|
The baby. Let's go.
|
|
|
|
01:17:27:27 - 01:17:53:42
|
|
Speaker 3
|
|
For a little victory saga. So female. Let the beast link call up. And why mimic the song of the bell. Be some of the beast lings and return together to their mother. Okay. Interesting. Bonded. Let the beastly cold need, need not started. What this will do for me. I've said it like this. Surely this will be good. Completed the objective.
|
|
|
|
01:17:53:42 - 01:18:03:09
|
|
Speaker 3
|
|
That's wonderful. Oh, look at the little beast legs, the Beastie Boys. I could hit him around.
|
|
|
|
01:18:03:14 - 01:18:12:04
|
|
Unknown
|
|
Hook!
|
|
|
|
01:18:12:09 - 01:18:15:56
|
|
Unknown
|
|
DVD,
|
|
|
|
01:18:16:01 - 01:18:25:16
|
|
Speaker 3
|
|
I beat children,
|
|
|
|
01:18:25:21 - 01:18:30:18
|
|
Speaker 3
|
|
I like, I like how she just watches.
|
|
|
|
01:18:30:22 - 01:18:43:21
|
|
Speaker 3
|
|
Okay, so what happens when I try to go back to the first shrine? What happens? Do I blow up?
|
|
|
|
01:18:43:25 - 01:19:03:24
|
|
Speaker 3
|
|
Okay, so I can break it. Break it down. Let me break it down for you. Yes. Wonderful. So that's back now. That'll be good. I wonder if certain areas have opened up now. This would be great news.
|
|
|
|
01:19:03:28 - 01:19:28:05
|
|
Speaker 3
|
|
I'm surprised that the, ventricle stations still work. Oh. They're sleeping. Wake up, wake up, wake, baby. Up. Let's see how hearts doing. Has it reached this far?
|
|
|
|
01:19:30:41 - 01:19:49:37
|
|
Speaker 3
|
|
Oh, no. He can't even sing and dance anymore. Do you resorted to see you return alive? Is is such a glimmer of light. Even in the darkness. Even as the dark descends upon us all, all these pilgrims gathered here. I had not expected so many to survive the destruction to be all these bells suggested worse indeed, things should be worse would be worse.
|
|
|
|
01:19:49:37 - 01:20:05:49
|
|
Speaker 3
|
|
But for your tall warrior friend. Her are those her of those shining rings. It's unfortunately just our town to cap. That brave bug now acts alone to guard our town of those pilgrims to flee for it. For her efforts. I wish I have stayed safe, though. How long she can remain at that task? I do not dead. Consider me.
|
|
|
|
01:20:05:49 - 01:20:27:07
|
|
Speaker 3
|
|
Okay. Stay safe. Bravo! Keep those poor bugs closing their spirits from sorrow. None shall leave these walls, dear resident. And all are still welcome. And either can be saved better. We bugs be together here at the end of it all to dusk. Oh, yes, that's good. He's depressed so?
|
|
|
|
01:20:27:12 - 01:20:40:19
|
|
Speaker 3
|
|
No, no. Fellow resident. Welcome home. The world may quake and crumble and threaten its end. But while my shell stays safe, my shop stays open based. And I now have a couple of those. Honestly.
|
|
|
|
01:20:40:24 - 01:20:47:13
|
|
Speaker 3
|
|
So productive.
|
|
|
|
01:20:47:18 - 01:20:57:40
|
|
Speaker 3
|
|
So unalike from the second hand. Its handlers. So something screaming out there. Don't know if I like that.
|
|
|
|
01:20:57:45 - 01:21:07:43
|
|
Speaker 3
|
|
Maybe we should take a bit of a rest here. Pretty neat, pretty neat.
|
|
|
|
01:21:07:48 - 01:21:11:58
|
|
Speaker 3
|
|
Okay.
|
|
|
|
01:21:12:03 - 01:21:35:22
|
|
Speaker 3
|
|
Should definitely nab some of this. My own personal spa. Very worthwhile. So I bet deliveries are all over now. Wake up, miss Korea. What horror! Hear these cave shake, shake. Crying pain of hurt most savage. And see all our poor friends below. Newly found. Crowded inside this home of bells. Hearts far so fast. For fear. But what? What for you.
|
|
|
|
01:21:35:22 - 01:21:49:46
|
|
Speaker 3
|
|
You were here to help? Yes. The delivering zest are needed now. At most, when caves turned dark. The deliveries are essential, mode essential. More than something fucking Plato is still has a thing. This going to be even more difficult now.
|
|
|
|
01:21:49:51 - 01:21:52:54
|
|
Speaker 2
|
|
You don't notice. What am I.
|
|
|
|
01:21:52:58 - 01:22:16:25
|
|
Speaker 3
|
|
Suffer much earlier? Much? Okay. well, we're going to get ready. We will. I'm going to go see if I could visit the funny man, because he's probably down with his siblings as well. But I want to see what, if anything, he has left. Thank.
|
|
|
|
01:22:16:30 - 01:22:32:17
|
|
Speaker 3
|
|
Was it, it was down here. Shite. Yeah. No. That thing didn't appear to be affected by this hut.
|
|
|
|
01:22:32:22 - 01:22:41:06
|
|
Speaker 3
|
|
Where was it?
|
|
|
|
01:22:41:11 - 01:22:53:30
|
|
Unknown
|
|
That's. Ha ha ha ha!
|
|
|
|
01:22:53:34 - 01:23:02:37
|
|
Speaker 3
|
|
Oh! It didn't. It knocked it back. Very interesting.
|
|
|
|
01:23:02:42 - 01:23:17:30
|
|
Speaker 3
|
|
Oh, well, that this is significantly more difficult now, so that's cool. That's.
|
|
|
|
01:23:17:34 - 01:23:45:04
|
|
Speaker 3
|
|
That's good as well. Was it? It's not here. It's not bloody corner somewhere. So they after a certain period of time, they get, well reinvigorated by the, the, the, the, the darkness, the void. It something like that.
|
|
|
|
01:23:45:09 - 01:23:51:37
|
|
Speaker 3
|
|
Oh, yeah. So he got voided.
|
|
|
|
01:23:51:42 - 01:23:58:59
|
|
Unknown
|
|
But.
|
|
|
|
01:23:59:04 - 01:24:01:43
|
|
Unknown
|
|
He's,
|
|
|
|
01:24:01:48 - 01:24:21:09
|
|
Speaker 3
|
|
I think it just used to be here, but him and the shell are gone now. Gone down? I just expected maybe something to be left behind. Other than just his nonexistence.
|
|
|
|
01:24:21:14 - 01:24:30:40
|
|
Speaker 3
|
|
But I.
|
|
|
|
01:24:30:45 - 01:24:39:49
|
|
Speaker 3
|
|
Oh, hello. Hello again. Oh. Like I she brings the children with her everywhere.
|
|
|
|
01:24:39:54 - 01:24:58:54
|
|
Speaker 3
|
|
They leave, not her side. Wait a minute. Is there a new. Yes. All three of them traveling to behind with four of them. Sometimes, I swear, it seems as if. Okay. Yeah, there's only two of them here.
|
|
|
|
01:24:58:58 - 01:25:19:27
|
|
Speaker 3
|
|
I love the beast lings. excuse me. Hey, so there's going to be multiple of these that I've just got to, Oh, no. Oh, shit. Boom! Bone bottom is fucked.
|
|
|
|
01:25:19:31 - 01:25:29:22
|
|
Speaker 3
|
|
Oh. That sucks.
|
|
|
|
01:25:29:27 - 01:25:39:47
|
|
Speaker 3
|
|
Well, the darkness has really overtaken everything as it it,
|
|
|
|
01:25:39:52 - 01:25:54:52
|
|
Speaker 3
|
|
But it's strange that it's still, like, sunny in some areas, but clearly, clearly not doing so well.
|
|
|
|
01:25:54:57 - 01:26:00:35
|
|
Speaker 3
|
|
This isn't the cathedral, right? Like.
|
|
|
|
01:26:00:40 - 01:26:10:15
|
|
Speaker 3
|
|
Oh. Oh, hello? Hello. What the fuck was that?
|
|
|
|
01:26:10:19 - 01:26:16:25
|
|
Speaker 3
|
|
Okay.
|
|
|
|
01:26:16:30 - 01:26:23:28
|
|
Speaker 3
|
|
Hey, can they get to the spa with me?
|
|
|
|
01:26:27:30 - 01:26:34:39
|
|
Speaker 3
|
|
Do.
|
|
|
|
01:26:34:44 - 01:26:46:01
|
|
Speaker 3
|
|
Come on. Ada, we've got work to do. I can't help but think that I've made things worse.
|
|
|
|
01:26:46:06 - 01:27:10:34
|
|
Speaker 3
|
|
perhaps I just revealed the true nature of, of everything. In a sense of, I don't know, suddenly seems to be pretty shit. Oh, fuck. It wasted those, hot. I should have realized. Hey, I got to go fight that thing, though.
|
|
|
|
01:27:15:08 - 01:27:19:54
|
|
Speaker 3
|
|
Let's head it.
|
|
|
|
01:27:19:58 - 01:27:23:35
|
|
Speaker 3
|
|
Oh.
|
|
|
|
01:27:23:40 - 01:27:35:15
|
|
Speaker 3
|
|
Where the fuck did you get all of them? Yeah, that's for me. Thank you very much. Only 60 of them. Greedy bastard.
|
|
|
|
01:27:35:20 - 01:27:44:03
|
|
Speaker 3
|
|
did I just never go in this direction? But, hey, what's this?
|
|
|
|
01:27:44:07 - 01:27:47:33
|
|
Unknown
|
|
Hey.
|
|
|
|
01:27:47:38 - 01:27:54:13
|
|
Speaker 3
|
|
Oh, yeah. A little epic little,
|
|
|
|
01:27:54:18 - 01:28:10:00
|
|
Speaker 3
|
|
Interesting. What I did, I never go over here. Could I never go over here? Because I swear, I swear this didn't exist before.
|
|
|
|
01:28:10:04 - 01:28:16:43
|
|
Unknown
|
|
But.
|
|
|
|
01:28:16:48 - 01:28:23:49
|
|
Unknown
|
|
Oh. But.
|
|
|
|
01:28:23:54 - 01:28:38:53
|
|
Speaker 3
|
|
Because this goes into the worm ways. Did map, please. Did this exist before? I swear it didn't.
|
|
|
|
01:28:38:58 - 01:28:46:28
|
|
Speaker 3
|
|
It's hardly makes any sense.
|
|
|
|
01:28:46:33 - 01:28:54:22
|
|
Speaker 3
|
|
Oh, hello. Don't mind if I do. Shit.
|
|
|
|
01:28:54:27 - 01:28:58:54
|
|
Speaker 3
|
|
What's happening?
|
|
|
|
01:28:58:58 - 01:29:07:27
|
|
Speaker 3
|
|
Okay, well, that's somewhat concerning to.
|
|
|
|
01:29:11:04 - 01:29:24:51
|
|
Speaker 3
|
|
Hey, I like the echoing. I think it's funny.
|
|
|
|
01:29:24:55 - 01:29:28:48
|
|
Speaker 3
|
|
But.
|
|
|
|
01:29:28:53 - 01:29:33:29
|
|
Speaker 3
|
|
Has it. So is this change, then? What the fuck is that?
|
|
|
|
01:29:33:34 - 01:29:43:16
|
|
Unknown
|
|
Ha ha ha ha!
|
|
|
|
01:29:43:21 - 01:29:49:50
|
|
Unknown
|
|
Oh!
|
|
|
|
01:29:51:23 - 01:29:57:10
|
|
Speaker 3
|
|
Starting act three. Yes, indeed I am. Agate.
|
|
|
|
01:29:57:15 - 01:30:04:14
|
|
Speaker 3
|
|
Hey, things aren't, making much sense. Frankly.
|
|
|
|
01:30:04:19 - 01:30:08:06
|
|
Speaker 3
|
|
I swear there wasn't this much stuff in here before.
|
|
|
|
01:30:12:12 - 01:30:18:15
|
|
Speaker 3
|
|
God, it's it's so difficult for me to get enough silk,
|
|
|
|
01:30:18:19 - 01:30:25:32
|
|
Speaker 3
|
|
To.
|
|
|
|
01:30:25:37 - 01:30:36:07
|
|
Speaker 3
|
|
Just give me a heel plasma fight. Zango.
|
|
|
|
01:30:36:12 - 01:30:41:08
|
|
Speaker 3
|
|
I was just going to walk towards me. Goodness.
|
|
|
|
01:30:41:13 - 01:30:45:18
|
|
Speaker 3
|
|
Shit!
|
|
|
|
01:30:45:23 - 01:31:00:59
|
|
Speaker 3
|
|
Okay, I need a bench. Can I commission that guy to build me a bench? Things change a good bit also hurt more. Everything hurts more. Is that kind of sucks. I need better healing.
|
|
|
|
01:31:00:59 - 01:31:06:09
|
|
Speaker 2
|
|
Then failure.
|
|
|
|
01:31:06:14 - 01:31:11:19
|
|
Speaker 3
|
|
I love the children.
|
|
|
|
01:31:11:24 - 01:31:16:14
|
|
Speaker 3
|
|
Yes. Sometimes it's three, sometimes it's four cargo. I tell.
|
|
|
|
01:31:16:19 - 01:31:19:16
|
|
Speaker 2
|
|
Them.
|
|
|
|
01:31:19:21 - 01:31:25:05
|
|
Speaker 3
|
|
Okay, so it just shows that the bench is gone.
|
|
|
|
01:31:25:10 - 01:31:30:00
|
|
Speaker 3
|
|
I like fair enough. I suppose.
|
|
|
|
01:31:30:05 - 01:31:38:30
|
|
Speaker 3
|
|
I wonder if I should travel to every single, What do you call it?
|
|
|
|
01:31:38:34 - 01:32:02:03
|
|
Speaker 3
|
|
Tram. Tramway. It's not tram and it's not staggered. Right. Every single bells. Bell way. Just a it sure that I've, actually got the ability to travel to all those locations, so I never get stuck or anything.
|
|
|
|
01:32:02:07 - 01:32:10:14
|
|
Speaker 3
|
|
Let's say most things hurt more. I think being a bit.
|
|
|
|
01:32:10:19 - 01:32:35:46
|
|
Speaker 3
|
|
Being a bit of gameplay for you. Frankly, I believe 100% did it like a pretty decent amount of time ago. Well, was it a decent amount of time of what I'm trying to say is that 100% did it? Very quickly. Okay. So that was that was a one time little beast that I swear this area did not exist before.
|
|
|
|
01:32:35:51 - 01:32:52:28
|
|
Speaker 3
|
|
like like it just. Yeah, I, I don't remember these this area here. I don't remember these either. But I'm.
|
|
|
|
01:32:52:33 - 01:33:04:37
|
|
Speaker 3
|
|
he was little flying. lifeblood creatures. They're not plasma. it's not what we call it.
|
|
|
|
01:33:04:42 - 01:33:07:25
|
|
Speaker 3
|
|
In this household,
|
|
|
|
01:33:07:30 - 01:33:17:58
|
|
Unknown
|
|
Fuck yes. Oh.
|
|
|
|
01:33:18:03 - 01:33:27:15
|
|
Speaker 3
|
|
Fuck that.
|
|
|
|
01:33:27:19 - 01:33:35:17
|
|
Speaker 3
|
|
You do return the fuck you.
|
|
|
|
01:33:35:22 - 01:33:37:46
|
|
Unknown
|
|
He had put.
|
|
|
|
01:33:37:51 - 01:33:54:40
|
|
Speaker 3
|
|
Can't even be as kind as to give me the plasma. its lifeblood. Its still lifeblood. Nothing's changed about that. Hey. Fuck off.
|
|
|
|
01:33:54:45 - 01:33:59:15
|
|
Unknown
|
|
You,
|
|
|
|
01:33:59:20 - 01:34:06:42
|
|
Unknown
|
|
Oh. oh. You quit.
|
|
|
|
01:34:06:46 - 01:34:10:58
|
|
Unknown
|
|
The fucking.
|
|
|
|
01:34:11:03 - 01:34:28:14
|
|
Unknown
|
|
You put it in. Oh! Oh, good.
|
|
|
|
01:34:28:19 - 01:34:36:51
|
|
Speaker 3
|
|
Just vomiting it all over the place.
|
|
|
|
01:34:36:55 - 01:34:44:10
|
|
Unknown
|
|
Oh. Oh.
|
|
|
|
01:34:44:15 - 01:34:48:18
|
|
Unknown
|
|
Oh, come on. Oh.
|
|
|
|
01:34:48:23 - 01:34:49:34
|
|
Speaker 3
|
|
Shit.
|
|
|
|
01:34:49:39 - 01:34:54:49
|
|
Unknown
|
|
Oh!
|
|
|
|
01:34:54:54 - 01:35:00:59
|
|
Unknown
|
|
Oh! Oh. Hey.
|
|
|
|
01:35:01:04 - 01:35:02:28
|
|
Speaker 3
|
|
Let's just go on forever.
|
|
|
|
01:35:02:33 - 01:35:08:49
|
|
Unknown
|
|
Oh!
|
|
|
|
01:35:08:54 - 01:35:14:47
|
|
Unknown
|
|
000.
|
|
|
|
01:35:14:52 - 01:35:20:03
|
|
Unknown
|
|
Oh oh.
|
|
|
|
01:35:20:07 - 01:35:29:35
|
|
Speaker 3
|
|
How long can we play this game for?
|
|
|
|
01:35:29:40 - 01:35:55:07
|
|
Unknown
|
|
You. Oh. Hey. Friends, you. Oh! Hey. oh. Friend. Oh!
|
|
|
|
01:35:55:12 - 01:36:01:37
|
|
Unknown
|
|
Oh! Oh!
|
|
|
|
01:36:01:42 - 01:36:04:09
|
|
Unknown
|
|
Oh!
|
|
|
|
01:36:04:13 - 01:36:07:55
|
|
Speaker 3
|
|
Oh, what the fuck?
|
|
|
|
01:36:08:00 - 01:36:11:33
|
|
Unknown
|
|
Oh!
|
|
|
|
01:36:11:38 - 01:36:13:39
|
|
Unknown
|
|
Oh, man.
|
|
|
|
01:36:13:43 - 01:36:26:57
|
|
Speaker 3
|
|
000, I got set it. Fucking Sakura angle. Oh. So, what's the deal here?
|
|
|
|
01:36:27:01 - 01:36:47:12
|
|
Speaker 3
|
|
Fuck you! Very tanky. That thing is mostly just tanky. Very tanky, really. So I can actually defeat it. I need to get a closer bench.
|
|
|
|
01:36:47:16 - 01:36:55:05
|
|
Speaker 3
|
|
I should probably nab that one. what if we cloak closer?
|
|
|
|
01:36:55:10 - 01:37:03:41
|
|
Speaker 3
|
|
I like I thought it was just bloody infinite. Oh.
|
|
|
|
01:37:03:46 - 01:37:30:36
|
|
Speaker 3
|
|
I suppose bow bottom is just dead weight, so I suppose I should have actually busted that statue because it's gone now. Didn't look like me anyway. So this is the ruined chapel. Wait a minute. Oh, so they was. They where I was trying to go was right here all along.
|
|
|
|
01:37:30:41 - 01:37:38:28
|
|
Speaker 3
|
|
Oh, okay. Just let me get my stuff back.
|
|
|
|
01:37:38:33 - 01:37:57:57
|
|
Unknown
|
|
Oh, hey. and the other. yeah. I don't,
|
|
|
|
01:38:02:02 - 01:38:13:55
|
|
Unknown
|
|
Hey, put him.
|
|
|
|
01:38:14:00 - 01:38:25:06
|
|
Speaker 3
|
|
My damn thing keeps absorbing myself.
|
|
|
|
01:38:29:30 - 01:38:44:48
|
|
Unknown
|
|
Hey, hey!
|
|
|
|
01:38:44:52 - 01:38:55:21
|
|
Speaker 3
|
|
oh. You. From what I call. I think the lifeblood he has makes him regenerate health. I think you got to deal damage fast enough.
|
|
|
|
01:38:55:25 - 01:39:00:48
|
|
Speaker 3
|
|
An interesting.
|
|
|
|
01:39:00:52 - 01:39:04:17
|
|
Unknown
|
|
oh.
|
|
|
|
01:39:04:22 - 01:39:10:49
|
|
Unknown
|
|
Oh, wait.
|
|
|
|
01:39:10:54 - 01:39:15:06
|
|
Speaker 3
|
|
Hey, chef.
|
|
|
|
01:39:15:10 - 01:39:36:09
|
|
Unknown
|
|
Oh! Bring, 0000. Oh.
|
|
|
|
01:39:38:49 - 01:39:46:23
|
|
Speaker 3
|
|
Let's fuck you!
|
|
|
|
01:39:46:28 - 01:39:49:10
|
|
Speaker 3
|
|
Oh!
|
|
|
|
01:39:49:15 - 01:39:59:49
|
|
Speaker 3
|
|
So the more you damage him, the faster he does it. So is it, like, every single time he does the little lifeblood thing, he heals. And so he does it less often when he doesn't need to heal.
|
|
|
|
01:40:05:43 - 01:40:15:31
|
|
Unknown
|
|
You. Oh. You. Oh.
|
|
|
|
01:40:15:36 - 01:40:21:56
|
|
Speaker 3
|
|
Yeah, I think that's what it is. It's like you'll just do it more and more often.
|
|
|
|
01:40:22:01 - 01:40:42:22
|
|
Unknown
|
|
Oh. I assume a grin. Oh.
|
|
|
|
01:40:42:27 - 01:40:45:54
|
|
Unknown
|
|
Oh. Oh! What the.
|
|
|
|
01:40:45:54 - 01:40:54:38
|
|
Speaker 3
|
|
Fuck? Wait. What? You just did something you've never done before. What the fuck? Good.
|
|
|
|
01:40:54:43 - 01:41:01:37
|
|
Speaker 3
|
|
I think you basically got an overwhelming with DPS. Okay.
|
|
|
|
01:41:01:42 - 01:41:12:04
|
|
Speaker 3
|
|
That's what seems correct. But,
|
|
|
|
01:41:15:43 - 01:41:21:13
|
|
Unknown
|
|
Oh.
|
|
|
|
01:41:21:18 - 01:41:27:14
|
|
Unknown
|
|
Yeah. Oh. You. 00000, goodness.
|
|
|
|
01:41:27:14 - 01:41:49:25
|
|
Speaker 3
|
|
Okay. I may as well wait until after I've gone through that area to put out all the boys. Oh is there got to end up, attacking things that are not necessary.
|
|
|
|
01:41:49:30 - 01:41:56:51
|
|
Unknown
|
|
Oh, good.
|
|
|
|
01:41:56:55 - 01:41:58:57
|
|
Unknown
|
|
Oh, okay.
|
|
|
|
01:41:59:02 - 01:42:11:28
|
|
Speaker 3
|
|
Fuck. I was trying. I fucking hate the turnaround animation, so cringe, Ha ha.
|
|
|
|
01:42:11:33 - 01:42:13:23
|
|
Speaker 3
|
|
Fuck you.
|
|
|
|
01:42:13:28 - 01:42:21:49
|
|
Unknown
|
|
Ha ha ha ha ha.
|
|
|
|
01:42:21:54 - 01:42:25:46
|
|
Unknown
|
|
Put your grin.
|
|
|
|
01:42:25:51 - 01:42:30:24
|
|
Unknown
|
|
Up!
|
|
|
|
01:42:33:57 - 01:42:38:06
|
|
Unknown
|
|
Come.
|
|
|
|
01:42:38:11 - 01:42:43:39
|
|
Unknown
|
|
Oh!
|
|
|
|
01:42:43:44 - 01:42:53:46
|
|
Unknown
|
|
Oh! You.
|
|
|
|
01:42:53:51 - 01:43:05:26
|
|
Unknown
|
|
Oh! Prince! Oh! Oh!
|
|
|
|
01:43:05:31 - 01:43:12:15
|
|
Unknown
|
|
Cut that! You.
|
|
|
|
01:43:18:01 - 01:43:24:09
|
|
Unknown
|
|
You cringe. At the top!
|
|
|
|
01:43:24:14 - 01:43:28:18
|
|
Speaker 3
|
|
Fuck you!
|
|
|
|
01:43:28:22 - 01:43:50:28
|
|
Unknown
|
|
Oh! Ha ha ha ha ha! Oh, man. Oh! Oh! Oh! Oh oh! Oh!
|
|
|
|
01:43:50:33 - 01:43:52:27
|
|
Unknown
|
|
Oh!
|
|
|
|
01:43:52:31 - 01:43:55:07
|
|
Speaker 2
|
|
Unlimited power.
|
|
|
|
01:43:55:12 - 01:44:08:28
|
|
Unknown
|
|
oh! Cut! Ha ha ha ha! 000. Oh!
|
|
|
|
01:44:08:33 - 01:44:14:37
|
|
Unknown
|
|
Oh!
|
|
|
|
01:44:14:42 - 01:44:24:06
|
|
Unknown
|
|
Oh!
|
|
|
|
01:44:24:10 - 01:44:49:03
|
|
Speaker 3
|
|
Fuck you! That's. Oh, shit. I think he heals when he flashes blue. That's what it appears to be. This is tough to be able to actually get the get the fucking DBS in. And here's what we gotta do. Here's what we gotta do. Don't waste any time with them. Just use these. Also, what the fuck am I doing not using my,
|
|
|
|
01:44:49:08 - 01:45:11:10
|
|
Speaker 3
|
|
That thing I did realize. Yeah, yeah, because it's, it it. And then, Wait, what was I using? Bell. We always use bell. Then,
|
|
|
|
01:45:11:15 - 01:45:22:30
|
|
Speaker 3
|
|
I generally don't even like these like that. There's only a couple of them that that are terribly, good.
|
|
|
|
01:45:22:35 - 01:45:26:54
|
|
Speaker 3
|
|
Hello. How do you do, Adrian?
|
|
|
|
01:45:26:59 - 01:45:32:31
|
|
Unknown
|
|
Who?
|
|
|
|
01:45:32:36 - 01:45:37:54
|
|
Unknown
|
|
Are, Yeah, I oh.
|
|
|
|
01:45:37:58 - 01:45:43:01
|
|
Speaker 3
|
|
Here we go.
|
|
|
|
01:45:43:06 - 01:45:49:43
|
|
Unknown
|
|
Okay. Hey.
|
|
|
|
01:45:49:48 - 01:45:53:51
|
|
Unknown
|
|
We're.
|
|
|
|
01:45:58:15 - 01:46:10:03
|
|
Speaker 3
|
|
Could try wanderers, Chris. That's what I used. I don't remember Wanda.
|
|
|
|
01:46:10:08 - 01:46:23:52
|
|
Speaker 3
|
|
I don't remember how that one plays. I really enjoy Reaper.
|
|
|
|
01:46:23:57 - 01:46:33:20
|
|
Speaker 3
|
|
Ha! Fuck you. Good to sake. Hey, those fucking things.
|
|
|
|
01:46:33:25 - 01:46:43:05
|
|
Speaker 3
|
|
Well, the nice part about always spending your rosaries is that I didn't lose anything that I'm truly.
|
|
|
|
01:46:43:10 - 01:46:54:56
|
|
Speaker 3
|
|
Lost fast. A close ranged strikes. I should give that a go. Actually. That's not a bad idea.
|
|
|
|
01:46:55:01 - 01:47:10:46
|
|
Speaker 3
|
|
I think earlier I just went, like, straight by this area without a care in the world. Under, wide eyed, even.
|
|
|
|
01:47:10:51 - 01:47:19:43
|
|
Speaker 3
|
|
Oh, yeah. Because that's in. Whoa. I gotta have another one.
|
|
|
|
01:47:19:48 - 01:47:32:46
|
|
Speaker 3
|
|
So as you could two damage. I might actually give that a go. more silk.
|
|
|
|
01:47:32:51 - 01:47:36:09
|
|
Speaker 3
|
|
I actually like speed binding better.
|
|
|
|
01:47:37:15 - 01:47:41:26
|
|
Speaker 3
|
|
Oh, there's only one thing. Let's do that.
|
|
|
|
01:47:42:14 - 01:47:44:48
|
|
Speaker 3
|
|
That might not be a good idea.
|
|
|
|
01:47:49:33 - 01:47:53:12
|
|
Unknown
|
|
But.
|
|
|
|
01:47:53:16 - 01:47:55:21
|
|
Unknown
|
|
Yeah.
|
|
|
|
01:47:55:26 - 01:47:56:28
|
|
Speaker 2
|
|
Yeah.
|
|
|
|
01:47:56:33 - 01:48:01:48
|
|
Speaker 3
|
|
Yeah.
|
|
|
|
01:48:01:53 - 01:48:07:52
|
|
Speaker 3
|
|
Yeah, that.
|
|
|
|
01:48:07:57 - 01:48:08:44
|
|
Speaker 2
|
|
Oh!
|
|
|
|
01:48:08:49 - 01:48:12:40
|
|
Unknown
|
|
Oh.
|
|
|
|
01:48:12:45 - 01:48:17:21
|
|
Unknown
|
|
But.
|
|
|
|
01:48:17:25 - 01:48:23:48
|
|
Speaker 3
|
|
I like how he's just the skinny version of that other one.
|
|
|
|
01:48:23:52 - 01:48:33:58
|
|
Speaker 3
|
|
Oh, right. What's the, Oh, yeah. It's just, quick little.
|
|
|
|
01:48:34:03 - 01:48:45:38
|
|
Speaker 3
|
|
Okay. Interesting. Nice and quick hook.
|
|
|
|
01:48:45:43 - 01:48:47:22
|
|
Speaker 3
|
|
Oh, I like that.
|
|
|
|
01:48:48:46 - 01:49:17:22
|
|
Speaker 3
|
|
I like being able to do things quickly, like that. I think I forgot, like what? My special move. Is it? Oh, wait. It. I don't even know what what I'm using it for. Oh. Oh, interesting.
|
|
|
|
01:49:17:27 - 01:49:22:10
|
|
Speaker 2
|
|
let's.
|
|
|
|
01:49:22:15 - 01:49:26:37
|
|
Speaker 2
|
|
fuck him.
|
|
|
|
01:49:26:42 - 01:49:33:16
|
|
Speaker 3
|
|
I power is still awakening. Every second I grow beyond what this world could contain.
|
|
|
|
01:49:33:21 - 01:49:46:55
|
|
Speaker 3
|
|
It's abiding quote. Seriously, why is he a fucking Kingdom Hearts character? Why did he decide on, you know, doing that?
|
|
|
|
01:49:47:00 - 01:49:57:25
|
|
Speaker 3
|
|
That's what everybody could hope for. Where they become senile is that they all just like they just started speaking in seminars. Quotes like the fucking.
|
|
|
|
01:49:57:30 - 01:50:05:15
|
|
Speaker 3
|
|
Hello? The darkness, gotta be contained.
|
|
|
|
01:50:05:20 - 01:50:14:01
|
|
Speaker 3
|
|
I think I said a little bit more like fucking Biden Obama than it did just Biden on his own.
|
|
|
|
01:50:14:06 - 01:50:19:01
|
|
Speaker 3
|
|
Like getting my water.
|
|
|
|
01:50:19:06 - 01:50:46:49
|
|
Speaker 3
|
|
All right. I was going to vote for him. 2028. You know, I'm not going to spoil your fun. He's going to be fucking dead. There we go. Fun. Spoiled. Thank you for the rose, Adrian. The one solitary rose, though I do, I can tell the difference between emoji rose. The fucking epic lei. Epic TikTok rose. out of fear.
|
|
|
|
01:50:46:49 - 01:51:04:12
|
|
Speaker 3
|
|
Yes. But Biden is just secretly Rocco's basilisk. He is here. There is no escaping him.
|
|
|
|
01:51:04:17 - 01:51:12:07
|
|
Unknown
|
|
Yeah. Artful.
|
|
|
|
01:51:12:12 - 01:51:13:09
|
|
Speaker 2
|
|
Oh.
|
|
|
|
01:51:13:13 - 01:51:17:46
|
|
Speaker 3
|
|
This MF thought he was going to sit on me.
|
|
|
|
01:51:17:51 - 01:51:23:22
|
|
Unknown
|
|
And.
|
|
|
|
01:51:23:27 - 01:51:32:17
|
|
Unknown
|
|
He's.
|
|
|
|
01:51:32:22 - 01:51:35:22
|
|
Unknown
|
|
Oh.
|
|
|
|
01:51:37:57 - 01:51:40:33
|
|
Speaker 2
|
|
Foreign. Oh.
|
|
|
|
01:51:40:33 - 01:51:51:47
|
|
Speaker 3
|
|
That's fast. Heal, I rather like that.
|
|
|
|
01:51:51:52 - 01:51:58:12
|
|
Speaker 3
|
|
That is pretty dangerous.
|
|
|
|
01:51:58:17 - 01:52:05:39
|
|
Speaker 3
|
|
it's pretty sick.
|
|
|
|
01:52:05:43 - 01:52:10:00
|
|
Unknown
|
|
Oh, friend. Yeah.
|
|
|
|
01:52:10:04 - 01:52:14:13
|
|
Speaker 3
|
|
Oh.
|
|
|
|
01:52:14:18 - 01:52:18:17
|
|
Unknown
|
|
I.
|
|
|
|
01:52:18:22 - 01:52:19:37
|
|
Unknown
|
|
Oh.
|
|
|
|
01:52:19:42 - 01:52:24:13
|
|
Speaker 3
|
|
Shit.
|
|
|
|
01:52:24:18 - 01:52:29:37
|
|
Speaker 3
|
|
This will be difficult to.
|
|
|
|
01:52:29:42 - 01:52:34:37
|
|
Speaker 3
|
|
I just need to be not sloppy with it.
|
|
|
|
01:52:34:42 - 01:52:46:03
|
|
Speaker 3
|
|
But.
|
|
|
|
01:52:46:08 - 01:52:50:24
|
|
Speaker 3
|
|
And spiky bracelets going to be.
|
|
|
|
01:52:50:29 - 01:52:52:54
|
|
Speaker 3
|
|
May not be worth it, but.
|
|
|
|
01:52:52:59 - 01:52:57:25
|
|
Unknown
|
|
I don't want friend.
|
|
|
|
01:52:57:30 - 01:52:59:46
|
|
Speaker 3
|
|
Who,
|
|
|
|
01:52:59:51 - 01:53:06:29
|
|
Unknown
|
|
he's, put.
|
|
|
|
01:53:06:34 - 01:53:13:09
|
|
Unknown
|
|
Put, put put.
|
|
|
|
01:53:13:13 - 01:53:22:36
|
|
Speaker 3
|
|
Back.
|
|
|
|
01:53:22:40 - 01:53:36:56
|
|
Speaker 3
|
|
It's always that one that ends up getting, ensnared. Okay. What's the. Yeah. Oh, the attack is okay. It's that attack.
|
|
|
|
01:53:37:01 - 01:53:41:42
|
|
Unknown
|
|
Okay.
|
|
|
|
01:53:41:47 - 01:53:50:48
|
|
Unknown
|
|
Yes.
|
|
|
|
01:53:50:52 - 01:53:51:36
|
|
Unknown
|
|
oh.
|
|
|
|
01:53:51:41 - 01:53:52:46
|
|
Speaker 3
|
|
Ready? If I could go.
|
|
|
|
01:53:56:28 - 01:54:07:39
|
|
Unknown
|
|
Ha ha.
|
|
|
|
01:54:07:44 - 01:54:12:01
|
|
Unknown
|
|
Oh!
|
|
|
|
01:54:12:06 - 01:54:13:18
|
|
Unknown
|
|
Ha!
|
|
|
|
01:54:13:22 - 01:54:48:39
|
|
Speaker 3
|
|
Oh, shit. Oh, I'm definitely doing DPS. That's a Z. Why don't they make furry oxes of ancient animals? I mean, they're less common, but I said it. People have done it. Fucking, ancient arthropods or something. The ram moth. Ozzy. Those are pretty neat. Oh. I want my Ozzy to be an Andrews saurus. What does that exactly explain it.
|
|
|
|
01:54:48:48 - 01:54:55:00
|
|
Unknown
|
|
Yeah. Got.
|
|
|
|
01:55:02:11 - 01:55:05:37
|
|
Unknown
|
|
Hey.
|
|
|
|
01:55:05:42 - 01:55:12:15
|
|
Unknown
|
|
A me, Oh.
|
|
|
|
01:55:12:19 - 01:55:20:17
|
|
Speaker 3
|
|
What hit from these guys that I threw?
|
|
|
|
01:55:20:22 - 01:55:29:08
|
|
Speaker 3
|
|
Ought to be careful with that.
|
|
|
|
01:55:41:27 - 01:55:49:23
|
|
Unknown
|
|
Oh, you friend.
|
|
|
|
01:55:49:28 - 01:55:51:32
|
|
Speaker 3
|
|
Oh. Okay. I see the blue flash now.
|
|
|
|
01:55:51:45 - 01:55:57:20
|
|
Unknown
|
|
Yeah.
|
|
|
|
01:56:03:10 - 01:56:07:41
|
|
Unknown
|
|
Oh!
|
|
|
|
01:56:07:46 - 01:56:18:07
|
|
Unknown
|
|
You. Oh, yeah. You friend. Oh oh.
|
|
|
|
01:56:18:12 - 01:56:19:54
|
|
Speaker 2
|
|
Oh.
|
|
|
|
01:56:19:58 - 01:56:29:24
|
|
Speaker 3
|
|
Stop! Fucking nothing. I.
|
|
|
|
01:56:29:29 - 01:56:34:36
|
|
Speaker 2
|
|
000.
|
|
|
|
01:56:34:40 - 01:56:36:43
|
|
Speaker 3
|
|
Here's fucking nothing.
|
|
|
|
01:56:36:48 - 01:56:47:49
|
|
Unknown
|
|
oh.
|
|
|
|
01:56:47:54 - 01:56:52:16
|
|
Unknown
|
|
0000.
|
|
|
|
01:56:52:21 - 01:56:56:28
|
|
Speaker 3
|
|
Fucking.
|
|
|
|
01:56:56:33 - 01:57:11:44
|
|
Speaker 3
|
|
I look it up. It looks like a ball with an elongated jaw, snout and face. Like a wolf. It's not pretty. The spa sounds so aroused. Yeah, it kind of does, but, like, put. Or else it just sounds like he's fucking suffering. He's.
|
|
|
|
01:57:11:49 - 01:57:23:03
|
|
Speaker 3
|
|
Guy, you could just do that. Is it quick or not? That's the question.
|
|
|
|
01:57:23:07 - 01:57:27:13
|
|
Unknown
|
|
But. Oh.
|
|
|
|
01:57:27:18 - 01:57:38:21
|
|
Speaker 3
|
|
This is even a boss, though, I feel like I'm kind of just turning it into a boss.
|
|
|
|
01:57:38:25 - 01:57:54:24
|
|
Unknown
|
|
Hey. Hey, look. look. Who's.
|
|
|
|
01:57:54:28 - 01:57:57:40
|
|
Unknown
|
|
Back. Yeah.
|
|
|
|
01:57:57:45 - 01:58:06:04
|
|
Speaker 3
|
|
I why am I always so sloppy?
|
|
|
|
01:58:06:09 - 01:58:11:35
|
|
Unknown
|
|
This.
|
|
|
|
01:58:11:40 - 01:58:16:10
|
|
Unknown
|
|
Seems.
|
|
|
|
01:58:16:15 - 01:58:25:18
|
|
Unknown
|
|
Oh.
|
|
|
|
01:58:25:22 - 01:58:28:05
|
|
Unknown
|
|
Oh.
|
|
|
|
01:58:28:10 - 01:58:32:28
|
|
Unknown
|
|
I'm.
|
|
|
|
01:58:32:33 - 01:58:43:16
|
|
Unknown
|
|
You. Oh!
|
|
|
|
01:58:43:21 - 01:58:50:51
|
|
Unknown
|
|
The grim. Yeah. Oh.
|
|
|
|
01:58:50:56 - 01:59:10:34
|
|
Speaker 3
|
|
Fuck! Sake! Micro boss having mega orgasms? That's what it seems like, is it? It. It's just making a mess. More like a mini boss. Yeah, yeah, exactly. That's always do. And making a mess.
|
|
|
|
01:59:10:39 - 01:59:24:02
|
|
Speaker 3
|
|
Perhaps I should turn off the double damage like, seems to be a little bit counterproductive, Oh, it just brings the stakes of the game higher. It's just power scaling.
|
|
|
|
01:59:24:07 - 01:59:28:34
|
|
Unknown
|
|
Whoa! Oh, yeah.
|
|
|
|
01:59:28:39 - 01:59:41:06
|
|
Speaker 3
|
|
I, I miss any I always want my shards.
|
|
|
|
01:59:41:10 - 01:59:47:35
|
|
Unknown
|
|
Hey, hey.
|
|
|
|
01:59:47:40 - 01:59:49:03
|
|
Unknown
|
|
Hey!
|
|
|
|
01:59:49:08 - 01:59:54:24
|
|
Speaker 3
|
|
Shut.
|
|
|
|
01:59:54:28 - 01:59:56:17
|
|
Speaker 3
|
|
What the fuck?
|
|
|
|
01:59:56:22 - 02:00:02:37
|
|
Unknown
|
|
Who do?
|
|
|
|
02:00:02:42 - 02:00:16:43
|
|
Unknown
|
|
These. What?
|
|
|
|
02:00:16:48 - 02:00:22:16
|
|
Speaker 3
|
|
Good is.
|
|
|
|
02:00:22:21 - 02:00:27:23
|
|
Unknown
|
|
He.
|
|
|
|
02:00:27:28 - 02:00:39:20
|
|
Unknown
|
|
Hey! oh oh.
|
|
|
|
02:00:40:48 - 02:00:45:36
|
|
Speaker 3
|
|
Fucking. What the fuck?
|
|
|
|
02:00:45:41 - 02:01:03:43
|
|
Speaker 3
|
|
I'm taking it off. Oh, I don't know which one would be better. That one might be better. Actually. Oh, okay. Well, at least explore it.
|
|
|
|
02:01:03:48 - 02:01:04:30
|
|
Unknown
|
|
Yeah, yeah.
|
|
|
|
02:01:04:40 - 02:01:06:05
|
|
Speaker 3
|
|
Oh, yeah. She doesn't even slow down.
|
|
|
|
02:01:12:50 - 02:01:16:48
|
|
Speaker 2
|
|
Yeah
|
|
|
|
02:01:16:53 - 02:01:22:34
|
|
Unknown
|
|
oh.
|
|
|
|
02:01:22:39 - 02:01:28:21
|
|
Speaker 3
|
|
I just like mowing him down.
|
|
|
|
02:01:28:26 - 02:01:35:24
|
|
Speaker 3
|
|
He. The fuck is this movement?
|
|
|
|
02:01:35:29 - 02:01:39:04
|
|
Speaker 3
|
|
Just fucking fumbling.
|
|
|
|
02:01:41:51 - 02:01:54:27
|
|
Speaker 3
|
|
You almost called it a slut, I heard. No, you just like schizophrenic. Is that like fuck to evade? I, I did not do that.
|
|
|
|
02:01:54:32 - 02:02:06:13
|
|
Unknown
|
|
Hey. oh.
|
|
|
|
02:02:06:18 - 02:02:11:22
|
|
Unknown
|
|
Hey,
|
|
|
|
02:02:11:27 - 02:02:18:51
|
|
Unknown
|
|
Oh.
|
|
|
|
02:02:18:55 - 02:02:20:03
|
|
Unknown
|
|
I think.
|
|
|
|
02:02:20:07 - 02:02:32:26
|
|
Speaker 3
|
|
Maybe it's just because it's so fast, but I don't know how to fucking use that properly, friend. Not yet. At least. Oh, damn.
|
|
|
|
02:02:32:31 - 02:02:39:40
|
|
Unknown
|
|
Oh!
|
|
|
|
02:02:39:45 - 02:02:43:09
|
|
Unknown
|
|
I.
|
|
|
|
02:02:43:13 - 02:02:52:28
|
|
Unknown
|
|
Oh. when this.
|
|
|
|
02:02:52:33 - 02:03:01:09
|
|
Unknown
|
|
Oh. Oh oh. Oh, crap.
|
|
|
|
02:03:01:13 - 02:03:04:41
|
|
Unknown
|
|
Oh!
|
|
|
|
02:03:04:46 - 02:03:06:25
|
|
Unknown
|
|
Oh.
|
|
|
|
02:03:06:30 - 02:03:22:07
|
|
Speaker 3
|
|
There we go. This is it. Okay. He's just fucking dead. About fucking time. Yeah, yeah. That do anything for me?
|
|
|
|
02:03:22:12 - 02:03:36:49
|
|
Speaker 3
|
|
Was this low? Does he genuinely make those noises? Oh, why does he genuinely make those noises I don't know. Good question. To just sort of does fuck.
|
|
|
|
02:03:36:54 - 02:03:42:56
|
|
Speaker 3
|
|
At least now I can finally go back and,
|
|
|
|
02:03:43:01 - 02:04:01:16
|
|
Speaker 3
|
|
Say hello to my boys here. Fuck with your boys. Oh, hello. Memory locket. Has this been here the whole time? well, glad I've no use for it whatsoever.
|
|
|
|
02:04:01:21 - 02:04:03:52
|
|
Unknown
|
|
But,
|
|
|
|
02:04:03:57 - 02:04:13:25
|
|
Speaker 3
|
|
I got away. I've never had to go back this direction. So,
|
|
|
|
02:04:13:30 - 02:04:25:43
|
|
Speaker 3
|
|
Okay, I definitely do less damage now. This is takes four hits.
|
|
|
|
02:04:25:48 - 02:04:44:04
|
|
Speaker 3
|
|
Yeah. Fast.
|
|
|
|
02:04:44:09 - 02:05:10:34
|
|
Speaker 3
|
|
Yes. Let's go down. I think I remember when there was just, like, nothing going on in the chapel. This. Every place have ruined beneath it. Now it's. Everything suddenly seems to be ruined. It's. Yeah. He had too much of the blue juice. Evidently. Yes. He said nothing is nothing but blue juice. Now.
|
|
|
|
02:05:10:39 - 02:05:26:24
|
|
Speaker 3
|
|
I got reservations at Chili's. I'm meeting my boys. I don't know why you say boys. Maybe. Think of that. I've. It doesn't make me think of that. Because I don't know what the fuck that is. Yes. Give me a shit. I've taken your rosaries that previously adorned you. Are they naked now?
|
|
|
|
02:05:26:29 - 02:05:27:20
|
|
Speaker 2
|
|
No.
|
|
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|
02:05:27:25 - 02:05:40:07
|
|
Speaker 3
|
|
Cowards here. You hide even have you as you cause your own lands demise. What is that? Actually what happened to you?
|
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|
02:05:40:12 - 02:05:56:03
|
|
Speaker 3
|
|
You seem displeased. Old one. Where you only did as you asked. Yes. This never sprung. The creature consumed. So did they absorb its power or something by creating the trap? Is that what the deal is? You?
|
|
|
|
02:05:56:07 - 02:06:10:27
|
|
Speaker 3
|
|
It's from the movie due date. It's not any good, is it? Got Adam Sandler in it. I don't know if it's any good. If it, If it hasn't got Adam Sandler at it. Right?
|
|
|
|
02:06:10:31 - 02:06:32:55
|
|
Speaker 3
|
|
You bound it to that void. Don't play daft. You should well know Iowa family's fixations. Surely you had a hunch. How else could we hope to trap one of your our one of your pale kin, or see her consumed with such insatiable efficiency? Well, you could have done it in a way that didn't destroy the entire kingdom, so she didn't actually do anything wrong.
|
|
|
|
02:06:33:00 - 02:06:40:25
|
|
Speaker 3
|
|
Interesting.
|
|
|
|
02:06:40:30 - 02:06:45:51
|
|
Speaker 3
|
|
Apologies. I'm getting overstimulated right now.
|
|
|
|
02:06:56:33 - 02:07:02:51
|
|
Speaker 3
|
|
Going to be fidgeting for a moment. Goodness.
|
|
|
|
02:07:02:56 - 02:07:23:21
|
|
Speaker 3
|
|
Then then you have miscalculated. Gravely. The white knight. She fell with the mother. Oh! The quakes. Yes. We have felt their force even here. So the mother resists the dark to save a child. That is my guess. I must descend to the void below and see clear that truth myself. Oh, oh, how unfortunate. All the folly will fall to her flailing.
|
|
|
|
02:07:23:25 - 02:07:39:45
|
|
Speaker 3
|
|
So it may. But I will not watch idle while it crumbles. The groaning docks beyond the caverns of bone. There I have seen a vessel able to pass below a heavy bell built to descend. I need only gain access and an operator to assist. I will investigate the docks and uncover the means. You'd be the first in an age to dive so deep, old one.
|
|
|
|
02:07:39:45 - 02:08:03:16
|
|
Speaker 3
|
|
That space below remains long unseen, even to our family. For those depths, I am more prepared than most. I will reach the base of this land and know the truth of the new disaster we together have wrought. Need here. The quakes this collapse will take fall them all. If the void doesn't claim at first, surely you have. Surely you've seen them.
|
|
|
|
02:08:03:21 - 02:08:27:16
|
|
Speaker 3
|
|
The black threads that wrack your lands. The dark leeches up upon the fallen monarchs. Silk fall looms. Roads were not safe before now, though, prove impossible. Those pilgrims still alive in your lands. Best huddle and hope. If there could be another end to this, it is up to us to discover it. Even knowing our motivation, it is a shock the monarch can resist.
|
|
|
|
02:08:27:16 - 02:08:46:32
|
|
Speaker 3
|
|
So long we'd thought none could survive that void. She will have retreated within her protective form that cocoon of thread. Even as the dark eats its outer, she will spin its silk anew. The effort would be immense, and it will strain us so thin. But what other choice remains? This is the desperate act of a dying God, a defiance that left and challenge will bring your kingdom's ruin here.
|
|
|
|
02:08:46:37 - 02:08:54:16
|
|
Speaker 3
|
|
Enough chatting, old one. Best you be best. You get heading the old one. You're the old one. Fuck you.
|
|
|
|
02:08:54:21 - 02:09:05:36
|
|
Speaker 3
|
|
Better get heading below. Whatever action you're planning this time is against you in Phoenix, apparently. Oh, the other one's having a thing to say because I may as well sit with them.
|
|
|
|
02:09:09:34 - 02:09:36:40
|
|
Speaker 3
|
|
Goodness. Okay, so I've got to go to, the deep doc's right there as a mark of that. But there's also a thing that. So I suppose I best go there first. Which is easy. I just need to take the deep. Doc. the station flickering flame five mask swelled. So brought in broiled four stones. Rage baked, crushed powder course.
|
|
|
|
02:09:36:45 - 02:09:44:48
|
|
Speaker 3
|
|
Three shells fresh from the pilgrims. Fall into contained and to contain an age.
|
|
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|
02:09:45:32 - 02:10:05:03
|
|
Speaker 3
|
|
What does that mean? That you need deliveries as well? If so, like, Fuck that. Who was the ruler of this land? And was it the self mother?
|
|
|
|
02:10:05:07 - 02:10:11:12
|
|
Speaker 3
|
|
Can I headed to the weave nest? I'm going to see if I can head into the weave nest. Actually.
|
|
|
|
02:10:11:16 - 02:10:16:28
|
|
Speaker 2
|
|
I'm.
|
|
|
|
02:10:16:33 - 02:10:21:29
|
|
Speaker 3
|
|
Good as this place still has. Oh.
|
|
|
|
02:10:21:34 - 02:10:28:52
|
|
Speaker 3
|
|
I didn't expect that to just go so quickly.
|
|
|
|
02:10:28:57 - 02:10:35:26
|
|
Speaker 2
|
|
You.
|
|
|
|
02:10:35:31 - 02:10:44:01
|
|
Speaker 3
|
|
Oh, I forgot, Yes. This is where the creature is. This is where I wish to be.
|
|
|
|
02:10:44:06 - 02:11:04:14
|
|
Speaker 3
|
|
Hello, lady. So you live still? This is good. I had had felt the conflict commence. Pale hearts ablaze in the sudden well of darkness after. I am sorry, I had hoped to seek to slay the monarch and was achieving that goal. But the situation has become complicated now. While the fog loom threatens to fall. It's interesting that the daughter did that.
|
|
|
|
02:11:04:19 - 02:11:27:54
|
|
Speaker 3
|
|
without, Like, you didn't intend on destroying everything, but, like, it just kind of ended up happening that way. Kind of interesting. But I can sense it in you, lady. You have not yielded to despair, so some hope must still remain slim. Hope, I suspect, but true. There may not be a way through this disaster. I shall pursue that goal with whatever, whatever strength remains.
|
|
|
|
02:11:27:59 - 02:11:45:41
|
|
Speaker 3
|
|
Then allow me to continue aid. Continue to aid you as I can. Mine might be a small contribution, but I shall provide it eagerly. Yes, indeed. Lady volumes. Time grows short. You are able to further expand your. If you are able to further expansion outright. Urge you to return to me. Urge you return to me any power I possess.
|
|
|
|
02:11:45:41 - 02:12:10:55
|
|
Speaker 3
|
|
I shall grant it for your aid. Interesting. No is my thanks. I have nature expansive, as you say. I shall return. So basically, Robert Downey Junior plays a stressed guy desperately trying to get home before his baby is born, and Zach Galifianakis plays a super awkward aspiring actor who ends up dragging him into a chaos chaotic cross-country road trip full of nonstop disasters and dumb situations.
|
|
|
|
02:12:11:00 - 02:12:40:57
|
|
Speaker 3
|
|
Well, that's quite the little logline that I love all day. He's pretty good. It's pretty funny, but it's that late 20s dark humor. I love that, though. It's pretty good. Pretty good. Very similar to an Adam Sandler movie. Interesting. I'd say it's between Adam Sandler movie in hangover actually, I don't know if I know hangover. Cheese's I was stuck at the Sam's Cafeteria for like an hour.
|
|
|
|
02:12:40:57 - 02:12:57:06
|
|
Speaker 3
|
|
I scared a kid and he didn't want to sit near me because why did you do that? Did you try and stuff him in an animatronic real? Because I could still hear where it came. No, I don't think there's any agates.
|
|
|
|
02:12:57:10 - 02:13:07:41
|
|
Speaker 3
|
|
The kid has, ventured forth, moved on, even.
|
|
|
|
02:13:07:46 - 02:13:12:34
|
|
Speaker 3
|
|
Those are actually pretty dense.
|
|
|
|
02:13:12:39 - 02:13:23:30
|
|
Speaker 3
|
|
Just look at. Oh, well, there it is. There it is. It's active. Male or female? I think it's too cool for that kind of shit.
|
|
|
|
02:13:23:34 - 02:13:28:39
|
|
Speaker 2
|
|
No.
|
|
|
|
02:13:28:44 - 02:13:33:09
|
|
Speaker 3
|
|
I killed a creature.
|
|
|
|
02:13:33:14 - 02:13:43:45
|
|
Speaker 3
|
|
I just made a face. Well, does the face look like William Afton? Is that it'd be an appropriate face to make?
|
|
|
|
02:13:43:50 - 02:13:48:04
|
|
Speaker 2
|
|
But.
|
|
|
|
02:13:48:09 - 02:14:10:05
|
|
Speaker 3
|
|
Oh, he's non-binary, are they? I don't know, I give up. Now it's just agates, you know, there are no pronouns. There is no gender. There is no anything. There is no time. There is no space. There is nothing but agate.
|
|
|
|
02:14:10:10 - 02:14:15:19
|
|
Speaker 3
|
|
Like a, Hello, children.
|
|
|
|
02:14:15:24 - 02:14:19:03
|
|
Speaker 2
|
|
Yi yi yi yi yi yi yi.
|
|
|
|
02:14:19:08 - 02:14:26:22
|
|
Speaker 3
|
|
Wait. Are they supposed to be able to end up there?
|
|
|
|
02:14:26:27 - 02:14:31:57
|
|
Speaker 3
|
|
Oh.
|
|
|
|
02:14:32:02 - 02:14:38:15
|
|
Speaker 3
|
|
How did I do that?
|
|
|
|
02:14:38:20 - 02:14:41:33
|
|
Speaker 3
|
|
Yes. Oh!
|
|
|
|
02:14:41:38 - 02:14:44:22
|
|
Speaker 2
|
|
Ha ha!
|
|
|
|
02:14:44:27 - 02:14:53:18
|
|
Speaker 3
|
|
Wait. Let me hit the children. this direction. But.
|
|
|
|
02:14:53:22 - 02:15:05:17
|
|
Speaker 3
|
|
She. I'm playing basketball with it. Kids. Of course they are. The ball.
|
|
|
|
02:15:05:22 - 02:15:07:48
|
|
Speaker 2
|
|
Yes, yes!
|
|
|
|
02:15:07:52 - 02:15:16:23
|
|
Unknown
|
|
Ha ha ha ha ha ha ha!
|
|
|
|
02:15:16:28 - 02:15:21:57
|
|
Unknown
|
|
Ha!
|
|
|
|
02:15:22:02 - 02:15:27:15
|
|
Speaker 2
|
|
Hahaha! Hahahahaha!
|
|
|
|
02:15:27:20 - 02:15:38:39
|
|
Speaker 3
|
|
I fucking love that!
|
|
|
|
02:15:38:43 - 02:15:44:49
|
|
Speaker 3
|
|
I love them, I love them all so much. Wait, what?
|
|
|
|
02:15:44:54 - 02:15:52:03
|
|
Speaker 3
|
|
He teleported. I didn't know you could do that.
|
|
|
|
02:15:52:08 - 02:16:01:46
|
|
Speaker 3
|
|
To one of the riddles, right? Gonna let me? Yeah, well, I don't I don't know, I will not be approving. I will sit over here with my arms folded.
|
|
|
|
02:16:01:51 - 02:16:15:04
|
|
Speaker 3
|
|
We're all about scaring it violently, attacking children in this stream. It's harmless. Okay. It's called rough and tumble play. Okay, I have a deal. Listen to any beaters in.
|
|
|
|
02:16:15:09 - 02:16:39:49
|
|
Speaker 3
|
|
The riddle is you're at a store, you're buying a bat and ball. I miss you, bear. I want a question. That's funny. Funny you should say that. I live over there. Where is the, the, the docks. Give me the docks. I want to see the children behind for little children.
|
|
|
|
02:16:39:54 - 02:16:47:12
|
|
Speaker 3
|
|
Bad calls. A dollar more than the ball did it. Together they cost 110.
|
|
|
|
02:16:47:16 - 02:16:53:03
|
|
Speaker 3
|
|
How much does each item cost? Separately.
|
|
|
|
02:16:53:07 - 02:16:55:32
|
|
Unknown
|
|
For on that.
|
|
|
|
02:16:55:37 - 02:17:00:00
|
|
Speaker 3
|
|
I don't have time for this.
|
|
|
|
02:17:00:05 - 02:17:20:40
|
|
Speaker 3
|
|
I could answer it correctly if I, gave it some thought, but I don't have time for this. I have gone to silk. Okay? I have slings snug.
|
|
|
|
02:17:25:22 - 02:17:43:24
|
|
Speaker 3
|
|
Has forged all of these black quakes that now rack your lands. I am seeking to see them quelled that their source below the likes of flame. You wish to descend so deep, pointy. But it is true. These ducks possess a craft capable. Alas, we ourselves cannot help with the fall looms health of all fall. Our charged ties to see this forge always follow.
|
|
|
|
02:17:43:24 - 02:18:10:32
|
|
Speaker 3
|
|
There's the bug to ask if and if our fate is as dire as your actions suggest. We are sure he is only needing of some quick, convincing, interesting. how many do I need? If you're planning passage below about bellows, it's like Baloo the what? To assist you. We must remain by the forge. Always. Indeed, you must. Oh, well, that's interesting.
|
|
|
|
02:18:10:37 - 02:18:18:47
|
|
Speaker 3
|
|
Holy Weaver, tallied Batman.
|
|
|
|
02:18:18:52 - 02:18:22:30
|
|
Speaker 3
|
|
yes, I do need some.
|
|
|
|
02:18:22:35 - 02:18:32:12
|
|
Speaker 3
|
|
Desperately.
|
|
|
|
02:18:32:16 - 02:18:36:51
|
|
Speaker 3
|
|
May as well just dump all into it.
|
|
|
|
02:18:36:55 - 02:18:57:22
|
|
Speaker 3
|
|
The apple. Does it exist? I win, there was no apple mentioned Newton's fifth law is a trick question, and my answer is very much color. Correct trick questions deserve trick answers. Frankly. Frankly, Frank, that's quite the portmanteau.
|
|
|
|
02:18:57:27 - 02:19:04:34
|
|
Speaker 3
|
|
I wish I could hit it back at him. Fuck you. Fuck your work.
|
|
|
|
02:19:04:39 - 02:19:26:49
|
|
Speaker 3
|
|
Five. Is it five senses? What? Five senses? The bat of the ball. Well, 1.05 and .05. The bat calls it the dollar. More so, yes. You would. Well done. You said there was no apple mentioned. And that only makes my answer correct. I think that's true. I think I think Adrian is correct. I concur with the with the with the Adrian, the resident.
|
|
|
|
02:19:26:49 - 02:19:36:30
|
|
Speaker 3
|
|
Adrian. Sir, I have need to head below the likes of to the likes of playing. I love that there was a diving bell at the base of the structure that seemed fit for the task. I require it open at an operator to send it deep.
|
|
|
|
02:19:36:35 - 02:19:37:37
|
|
Speaker 2
|
|
In a thorough.
|
|
|
|
02:19:37:42 - 02:19:55:36
|
|
Speaker 3
|
|
Oh, and he kind of looks like he's a diver because he's got a bloody helmet that looks like he looks like Captain Cutler from Scooby-Doo, a leech ball knowledge. Wonderful reference. How how long could he be scooping that in for?
|
|
|
|
02:19:55:40 - 02:20:10:03
|
|
Speaker 3
|
|
Like, does it does it ever fill up? Fucking labor. Hercules. No, not a labor of Hercules. What do you call it? A labor that never ends a job. The task that is never completed.
|
|
|
|
02:20:10:08 - 02:20:29:03
|
|
Speaker 3
|
|
As what have you upon these docks with mine still sound. That role must fall to you. Can't you see I'm busy? This I got time for? Not sure else. While the shoveling get needs. Stewie, choose to aid me or all your efforts will soon be wasted. This kingdom crumbles. Its collapse is inevitable. If you wish for your work and your life to continue, you must help me now.
|
|
|
|
02:20:29:07 - 02:20:49:51
|
|
Speaker 3
|
|
Murph. So it's got an I bad I. I guess if that's how it is, I'll be a bug. Maybe below with the diving bell. We'll see if I can get you ready for the drop. Need. It just fades and he just I he took his shit with a we hope also serves you well, pointy bug. And now a long time's over these dogs.
|
|
|
|
02:20:49:51 - 02:21:18:09
|
|
Speaker 3
|
|
He's a find assistant we've found for long. Indeed. I certainly hope he will. That'll be good. Well, I don't think I would. I don't think I want this on, but what do I want? Is the question. What have I need for?
|
|
|
|
02:21:18:14 - 02:21:23:55
|
|
Speaker 3
|
|
I like this one. I think it's need.
|
|
|
|
02:21:24:00 - 02:21:30:24
|
|
Speaker 3
|
|
Agate is a smart cookie a so true and.
|
|
|
|
02:21:30:28 - 02:21:55:41
|
|
Speaker 3
|
|
Adrian is an SCP entity. If Adrian was an SCP entity, what would he look like? What would his properties be? What would the curse be? Right as the country comes. What do you mean? You identify me? An SCP that only grows smart, and I SCP that grows more intelligent with every challenge. So based. Let's do a group circle git.
|
|
|
|
02:21:55:46 - 02:22:11:01
|
|
Speaker 3
|
|
I don't know if that is okay. Actually, agate certainly seems to be a little concerned of that proposition. I don't go this way to go that I go this way. Definitely this way.
|
|
|
|
02:22:11:06 - 02:22:20:39
|
|
Speaker 3
|
|
As an API will be built like the Andrew Saurus. I suppose that's only appropriate.
|
|
|
|
02:22:20:43 - 02:22:25:41
|
|
Speaker 3
|
|
Why do you get this many projectiles?
|
|
|
|
02:22:30:39 - 02:22:37:30
|
|
Speaker 3
|
|
For fuck's sake!
|
|
|
|
02:22:37:35 - 02:22:49:14
|
|
Speaker 3
|
|
Sarkis the fuck that needs to be saurus. Why is it named Andrew? What a fucking stupid name.
|
|
|
|
02:22:49:19 - 02:23:07:19
|
|
Speaker 3
|
|
Not if you get to fuck around with that. Oh, he's black now.
|
|
|
|
02:23:07:24 - 02:23:14:51
|
|
Speaker 3
|
|
That name fucking sucks.
|
|
|
|
02:23:14:55 - 02:23:33:09
|
|
Speaker 3
|
|
That. That was you, Adrian, a couple of years ago. Thank you. That they fucking sucks.
|
|
|
|
02:23:33:13 - 02:23:51:29
|
|
Speaker 3
|
|
Oh, wow. I was surprisingly quick. Wait. He's not black anymore. I have released him from his blackness. Oh. Not anymore. It seems.
|
|
|
|
02:23:51:34 - 02:24:00:11
|
|
Unknown
|
|
We'll go. Go. Oh!
|
|
|
|
02:24:04:33 - 02:24:09:40
|
|
Speaker 3
|
|
Well, as fun as that was.
|
|
|
|
02:24:09:45 - 02:24:23:46
|
|
Speaker 3
|
|
Let me through.
|
|
|
|
02:24:23:51 - 02:24:41:08
|
|
Speaker 3
|
|
That's the people who gave it that name. I don't know. I don't want to. I don't want to talk to paleontologists. They. They're so insulting. As I was stuck up about that bloody rocks. Okay.
|
|
|
|
02:24:41:13 - 02:24:58:27
|
|
Speaker 3
|
|
That sounds interesting. Out of context. Right. Well, what did I say? Said it was such disdain. What the heck, Ryan? What what what is wrong with it? Just picked an ugly animal. It was extinct. What about me? Was a few years ago. Sorry. Yeah, it's a fucking meme.
|
|
|
|
02:24:58:31 - 02:25:00:06
|
|
Speaker 2
|
|
What's your name?
|
|
|
|
02:25:00:10 - 02:25:02:19
|
|
Speaker 3
|
|
Ezekiel. Zaky. Oh, that.
|
|
|
|
02:25:02:19 - 02:25:06:51
|
|
Speaker 2
|
|
Day fucking sucks.
|
|
|
|
02:25:06:55 - 02:25:26:04
|
|
Speaker 3
|
|
What's the beef with Joe Biden? He's like, if you don't vote, then vote. Vote me. Then you ain't black. Then he takes the girls melanin. Yeah, he did that. That was that was a pretty interesting incident. Like the straight up Michael Jackson. That bitch like that was crazy.
|
|
|
|
02:25:26:09 - 02:25:48:16
|
|
Speaker 3
|
|
Joe Biden also said, my power is still awakening every second I grow beyond what this world can contain. Yeah, evidently he said that as well. He's just a bloody Kingdom Hearts. He's a member of. Ever since Joe Biden joined, organization 30, things just haven't been the same. You know? Okay, stop your screaming. I'm going to.
|
|
|
|
02:25:48:21 - 02:25:49:52
|
|
Speaker 2
|
|
Begin.
|
|
|
|
02:25:49:57 - 02:25:59:03
|
|
Speaker 3
|
|
Hello?
|
|
|
|
02:25:59:07 - 02:26:27:51
|
|
Speaker 3
|
|
These things again here. I don't want to mess with that. Leave me alone. Oh, right. Right. This, Up up, up up in this direction. Hello? Hello. Who was. I was how's all this sudden? I was all inside. That was all. There's a lot of dials to be dragged, but at least the controls have been good. Order from here, I can guide your bell down best as any bug to me.
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|
|
|
02:26:27:55 - 02:26:52:50
|
|
Speaker 3
|
|
And you've no prior experience with this type of transport. No one does miss. And zoos used to dive in. Them's who's used to diver fucking illiterate cunt or a whole long dead accursed to half life. Half life Pearl. Wow. Freeman. Time. Freeman.
|
|
|
|
02:26:52:55 - 02:27:03:45
|
|
Speaker 3
|
|
Dinosaurs. Dinosaurs are so cool. Correct? Yeah, that's kind of true. I shall we're now. Sorry. We'll see you later. Have a good shower.
|
|
|
|
02:27:03:50 - 02:27:21:25
|
|
Speaker 3
|
|
No need to be sorry. Just be better. Yes. Be better. And don't shower and be stinky. Being stinky is being better. Apparently, in the eyes of a zoo. I'll work at best I can. Can't do much more, I'm afraid. At least the forging of these dogs were built last. Now we've got to go. Only got a bray they hold for you.
|
|
|
|
02:27:21:30 - 02:27:37:36
|
|
Speaker 3
|
|
Here's the key. That'll see you inside. It's metal belly. Pop in there once you're feeling good and ready. In the meantime, I'll get to seeing things set up here. I'll sweet as a diving bell key. I've received it. Pop inside the diving bell. What's a feel? Good and ready in the meantime. As it just so suck, suck my cock.
|
|
|
|
02:27:37:40 - 02:27:48:58
|
|
Speaker 3
|
|
There we go. Who's diving? Bell key. We're diving. That Byford Dolphin incident. She's going to be sucked out. Her. Oh well, that's fancy winning.
|
|
|
|
02:27:49:10 - 02:27:50:42
|
|
Speaker 2
|
|
Hello.
|
|
|
|
02:27:50:47 - 02:27:53:55
|
|
Speaker 3
|
|
Sorry, I wish to depart. Please. Ready the bell for travel.
|
|
|
|
02:27:54:00 - 02:27:59:22
|
|
Speaker 2
|
|
So much so all the birds are also up.
|
|
|
|
02:27:59:27 - 02:28:28:57
|
|
Speaker 3
|
|
That's a very nice bell. There's a very nice little, little, little thing here. So they dive into the lava. It's iron lung. It's literally iron lung. We're doing the thing. She's got a cook in that. She's got to fucking cook. And in the next frame we see the fried hornet. S is not good.
|
|
|
|
02:28:29:02 - 02:28:53:22
|
|
Speaker 3
|
|
I have a feeling I won't be coming up in this thing. Well, that sucks. I might you didn't see my question, Badger. Mr. Krabs, what about Mr. Krabs? The formula is is is steak or a, well, retire symbol retrieve. Retrieve submersible.
|
|
|
|
02:28:53:27 - 02:29:02:40
|
|
Speaker 2
|
|
Or a rock ship? Or do.
|
|
|
|
02:29:02:45 - 02:29:09:54
|
|
Speaker 3
|
|
Okay, fine. What's the question?
|
|
|
|
02:29:09:58 - 02:29:19:52
|
|
Speaker 3
|
|
The the the the the. Ryan. If you could instantly word learn once one skill, what would it be? And you get a guaranteed job with a fucking.
|
|
|
|
02:29:21:46 - 02:29:31:51
|
|
Speaker 3
|
|
Well, I'll choose a skill that I don't know yet that's related to my field. What would it be?
|
|
|
|
02:29:31:55 - 02:29:35:33
|
|
Speaker 2
|
|
Again?
|
|
|
|
02:29:35:38 - 02:29:41:44
|
|
Speaker 3
|
|
Python. And then I become a fucking director.
|
|
|
|
02:29:41:49 - 02:29:59:00
|
|
Speaker 3
|
|
An animator. Director? Okay, like a director of animated film. Then I'll be good. Why does it have to be related to your field? Because I don't want to go outside of my own field. Fuck that. Sir, if you could hear me. There's been an accident during the descent in this broken. Say the bell is unfit for travel. Retrieve it if you may.
|
|
|
|
02:29:59:00 - 02:30:18:11
|
|
Speaker 3
|
|
But I shall not return within a stroke or retrieve possible. Oh, okay. Don't retrieve it. It's a free thing for me. Free bench. No map. So now we're in the abyss beyond the lava.
|
|
|
|
02:30:18:16 - 02:30:21:21
|
|
Speaker 3
|
|
Yes! They're back. They're fucking back!
|
|
|
|
02:30:21:21 - 02:30:23:36
|
|
Speaker 2
|
|
Let's go.
|
|
|
|
02:30:23:41 - 02:30:53:51
|
|
Speaker 3
|
|
I lose my favorite shadow creeper. Shell bladed worm found only in the deepest depths. Seems to survive despite consuming no food or liquid to know. How fucking does that? Hell, yes. I would love to be one of these little things. Well, no, I probably need the resources. I need computational resources. Biologically speaking, or non biologically speaking. Fuck fuck fuck fuck fuck.
|
|
|
|
02:30:53:56 - 02:31:12:34
|
|
Speaker 3
|
|
Give me that. they are always putting a. I should just mine at those fucking walls mining away. Wait, does it just infinitely generate them if I hit it like this? What the fuck?
|
|
|
|
02:31:12:39 - 02:31:20:39
|
|
Speaker 2
|
|
I want to mine all mine. This anyway.
|
|
|
|
02:31:20:43 - 02:31:33:07
|
|
Speaker 3
|
|
See? Okay, so it's not like a fluke or anything. Like that's an actual thing that happens. Like, you could just. Beat up some of these areas, and that sometimes spawns a thing.
|
|
|
|
02:31:33:12 - 02:31:35:17
|
|
Speaker 2
|
|
oh.
|
|
|
|
02:31:35:22 - 02:31:37:55
|
|
Speaker 3
|
|
Mr. Krabs, I've got an idea.
|
|
|
|
02:31:38:00 - 02:31:44:28
|
|
Unknown
|
|
Ha ha ha ha ha!
|
|
|
|
02:31:44:33 - 02:32:10:54
|
|
Speaker 3
|
|
No, son, it's held over. Ha! Old diaper. You could be like a neuroscientist. Well, I don't want to be a neuroscientist. I want to be a fucking, not an animator, but the director. I want to direct things. Or a professional porn actor. You know, I don't really think that that takes a great amount of expertise. You just need a little bit of understanding of, like, fucking, Minecraft in real life.
|
|
|
|
02:32:10:58 - 02:32:38:51
|
|
Speaker 3
|
|
Ha ha ha ha ha ha. Holy shit. I found the fucking infinite glitch. So this can happen anywhere where they've got walls like this. I can just fucking mine away. It it. This is going to be the rest of the fucking stream. Ha ha ha. Worth it. but is it because I've got the, the this thing on?
|
|
|
|
02:32:38:56 - 02:33:03:57
|
|
Speaker 3
|
|
I don't think it is list based on that description doesn't make much sense, but I think lol, I never did it long enough to see because, don't patch this team cherry. Nobody tell Team Cherry. Tools are not that useful, you know. It's not that useful. You're fucking dick. Azha. Shut your mouth.
|
|
|
|
02:33:04:02 - 02:33:12:48
|
|
Speaker 3
|
|
could go this way. Or it could go the other way. The abyss. I'm in the abyss of the kingdom.
|
|
|
|
02:33:12:53 - 02:33:17:49
|
|
Speaker 2
|
|
He.
|
|
|
|
02:33:17:54 - 02:33:24:25
|
|
Speaker 3
|
|
oh. Wait, no, I already. This is. This is where I was doing this thing. Oh.
|
|
|
|
02:33:24:30 - 02:33:35:35
|
|
Speaker 3
|
|
Tools want me multiple fights. You can't say that with a straight face. May be able to say it with a gay one, though, so hence Azure.
|
|
|
|
02:33:35:40 - 02:33:42:06
|
|
Unknown
|
|
Ha ha ha ha!
|
|
|
|
02:33:42:10 - 02:33:52:45
|
|
Speaker 3
|
|
Fuck is that? It's dead now. By no fault of my own. It is dead now.
|
|
|
|
02:33:52:49 - 02:34:03:24
|
|
Speaker 3
|
|
Oh, I love exploring your new area. Oh, I've been leached.
|
|
|
|
02:34:03:28 - 02:34:11:50
|
|
Speaker 3
|
|
Fuck is that shadow leech? Gloom sack? Fuck that shit.
|
|
|
|
02:34:11:55 - 02:34:18:00
|
|
Speaker 2
|
|
Okay. the. Let's fucking follow.
|
|
|
|
02:34:18:00 - 02:34:29:37
|
|
Speaker 3
|
|
You the whole way. What the hell? It's a Brontosaurus friend.
|
|
|
|
02:34:29:42 - 02:34:30:33
|
|
Speaker 3
|
|
I don't like it.
|
|
|
|
02:34:30:37 - 02:34:33:02
|
|
Speaker 2
|
|
Whoa.
|
|
|
|
02:34:33:07 - 02:34:44:21
|
|
Speaker 3
|
|
Nah. I'm good. You got a spawn out? More of them. Goodness.
|
|
|
|
02:34:44:25 - 02:34:54:16
|
|
Speaker 3
|
|
That's not what your mom. Yeah, yeah. So you're trying. You're trying. It's a diplodocus.
|
|
|
|
02:34:54:21 - 02:35:12:07
|
|
Speaker 3
|
|
Suppose it could be a six. Really? Suck. They certainly appear to. I'm going to have so many.
|
|
|
|
02:35:12:12 - 02:35:22:14
|
|
Speaker 3
|
|
Fucks sake! You can't knock them back when they're doing that. Evidently.
|
|
|
|
02:35:22:19 - 02:35:32:15
|
|
Speaker 3
|
|
I don't like it very much, but.
|
|
|
|
02:35:32:20 - 02:35:36:18
|
|
Speaker 3
|
|
shit.
|
|
|
|
02:35:36:23 - 02:35:42:09
|
|
Speaker 3
|
|
I thought I had a fucking thing. Why did my b button do fucking nothing?
|
|
|
|
02:35:42:14 - 02:35:56:08
|
|
Speaker 3
|
|
Can they suck a golf ball through a tube? I don't know. They could probably do a little bit of something with that mouth. You know, something or other. Seems likely to me.
|
|
|
|
02:36:06:14 - 02:36:25:37
|
|
Speaker 3
|
|
You know, I'm not even going to fucking bother.
|
|
|
|
02:36:25:42 - 02:36:30:33
|
|
Speaker 3
|
|
Let's.
|
|
|
|
02:36:30:37 - 02:36:39:38
|
|
Speaker 3
|
|
Shit! Oh, fuck! You!
|
|
|
|
02:36:39:43 - 02:36:47:04
|
|
Speaker 3
|
|
Well, this will be fun, as he is still speaking through that. Or is he given up?
|
|
|
|
02:36:47:09 - 02:36:53:42
|
|
Unknown
|
|
Hey, hey.
|
|
|
|
02:36:53:47 - 02:36:59:19
|
|
Unknown
|
|
Hey!
|
|
|
|
02:36:59:24 - 02:37:11:21
|
|
Speaker 3
|
|
Oh, this is fun. Unlike being in this room, which is not.
|
|
|
|
02:37:17:20 - 02:37:27:45
|
|
Speaker 3
|
|
Fuck you, buddy.
|
|
|
|
02:37:27:50 - 02:37:33:58
|
|
Speaker 3
|
|
I don't know where the fuck I'm going.
|
|
|
|
02:37:34:03 - 02:37:45:49
|
|
Speaker 3
|
|
I just gotta keep on, going places. This is what you. What you supposed to do when you enter a new area? You just fucking wander around.
|
|
|
|
02:37:45:54 - 02:38:14:10
|
|
Speaker 3
|
|
Goodness, I've never seen spies like this before in the abyss. That's not what it looked like previously. Did Hornet ever make it to the abyss in the previous, Kingdom in the previous game? I reckon she could have, if she want to do. She saw fit. What's all this, then? Arcane egg. I'll give this egg. Egg?
|
|
|
|
02:38:14:15 - 02:38:22:41
|
|
Speaker 3
|
|
I'll give this egg to fucking, You there?
|
|
|
|
02:38:22:46 - 02:38:31:05
|
|
Speaker 3
|
|
Then.
|
|
|
|
02:38:31:10 - 02:38:47:35
|
|
Speaker 3
|
|
Why is that, shit. Is that the entire, deal with that? Okay, okay, I get it. Stop is grabbing. I'm trying to focus on the game here.
|
|
|
|
02:38:47:40 - 02:39:07:43
|
|
Speaker 3
|
|
I want nachos with cheese. I could be a deer and fetch me some. Okay? Do not listen to the Mexican over here. He doesn't know what's best for him.
|
|
|
|
02:39:07:48 - 02:39:23:26
|
|
Speaker 3
|
|
I don't even know what I'm saying. Now. Okay, what's. What's all this, then? Can I needle in here? Needle and ds? Wait, why?
|
|
|
|
02:39:23:31 - 02:39:33:07
|
|
Speaker 3
|
|
They seem to respond to that.
|
|
|
|
02:39:33:12 - 02:39:44:10
|
|
Speaker 3
|
|
Excuse me, excuse me, excuse me. Hey, can you let me die?
|
|
|
|
02:39:44:15 - 02:39:58:34
|
|
Speaker 3
|
|
Oh, what's all this race? Our fear. Or eliminate our desire to suffer no more void. Cleanse us. Who put this there? This has got to be ancient.
|
|
|
|
02:39:58:39 - 02:40:26:22
|
|
Speaker 3
|
|
How would I do that? LOL an excellent point. It is with enough willpower. Yes. Well, some nachos into his fucking hands. She technically went there at some point, just not all the way down I think. Interesting egg walrus or is it sea lion? The dog. Listen to me. I'm building a Mexican Agartha. That's pretty. That's pretty sick. Is Adrian gonna assist you in that effort?
|
|
|
|
02:40:26:27 - 02:40:32:01
|
|
Speaker 3
|
|
Here? This.
|
|
|
|
02:40:32:06 - 02:40:48:34
|
|
Speaker 3
|
|
Why did it update the map if I haven't even got it yet? Room. Typically the best. Thank you for the fucking map. Thank you. But wait a minute. This was, clearly done by the weavers.
|
|
|
|
02:40:48:39 - 02:41:01:50
|
|
Speaker 3
|
|
Well, it appears as if the abyss is all there is. Only because I haven't figured out how to get back up top. Now. It's just,
|
|
|
|
02:41:01:55 - 02:41:16:37
|
|
Speaker 3
|
|
It's kind of funny. I could still see my. Yeah. I can't even go up that. Am I supposed to be able to see that, that that the route that not a room. The market,
|
|
|
|
02:41:16:42 - 02:41:38:53
|
|
Speaker 3
|
|
Extra it is added is Mexican card revoked. Why? Because he doesn't speak fluent Spanish is to whitewash for you. Tisk tisk. Hashtag not very woke of you. You should be more tolerant of your Latin Latinx brothers.
|
|
|
|
02:41:38:58 - 02:42:05:42
|
|
Speaker 3
|
|
Perhaps it took them all away. That was rude of them. Can I? I cannot go back up. So if there was anything else there that I ought to have, explored, then it is no longer available to me.
|
|
|
|
02:42:05:47 - 02:42:25:18
|
|
Speaker 3
|
|
okay. Okay. So what exactly are void creatures? Because it appears to be an integral element. oh. Interesting. Here you lie. Monarch sunk so deep, yet still you cling to life. Will you let your lands be choked back to protect it? Just her.
|
|
|
|
02:42:26:43 - 02:42:50:11
|
|
Speaker 3
|
|
Oh, there she is. Spider, dear. What a delight to have you visit. Oh, it is, it is oh, so lonely here at the bottom of the world. I cannot share your mirth, child. Your small rebellion above now causes this kingdom's collapse. Letting you live was my rebellion, spider. I've denied my mother your silken strength. I've won. She can thrash and waste and know her pathetic broken child.
|
|
|
|
02:42:50:11 - 02:43:10:51
|
|
Speaker 3
|
|
Caused the mortal wound. Rejoice and let it all come down I will not I have already stood the sentinel for one dying land. That role I will never play again. Oh so based, oh so based. While I live in. She's such an objectivist batty. Though. Hell yes.
|
|
|
|
02:43:12:23 - 02:43:35:06
|
|
Speaker 3
|
|
Well, transgressions against tortoise. What? What does that mean? but it what it even do in Hollow Knight, she was the princess protector of Hallownest. Of course. And while I live and possess the strength to resist this kingdom and the bugs within, it shall not fall. Ha! Spider, spider! What a marvelous specimen you are! You fight and fight, heedless of the world.
|
|
|
|
02:43:35:15 - 02:43:46:34
|
|
Speaker 3
|
|
As the world crumbles around you fall and her bones will be crushed to dust. And you'll still be vainly straight swinging your. And still you'll be vainly swinging your blade via.
|
|
|
|
02:43:47:58 - 02:44:08:35
|
|
Speaker 3
|
|
There may still be a way to prevent that fate. I will claim the hidden power of the bloom that repels the dark. Those snails share some fault in the snare and the callous use of the void. They shall help me now to seek its counter. I will return, child, when I bear the strength to dive below and cut this land freely, free of your mother's grasp.
|
|
|
|
02:44:08:40 - 02:44:21:51
|
|
Speaker 3
|
|
See you. So that's quite interesting. Now shut.
|
|
|
|
02:44:21:55 - 02:44:27:29
|
|
Speaker 3
|
|
The little giblets of,
|
|
|
|
02:44:27:34 - 02:44:29:55
|
|
Speaker 3
|
|
Oh. That's interesting.
|
|
|
|
02:44:35:04 - 02:44:38:46
|
|
Speaker 3
|
|
Sad. That's so upsetting.
|
|
|
|
02:44:45:02 - 02:44:58:21
|
|
Speaker 3
|
|
Hey, what's all this, then? Fuck you. Cause I've just got to put it that. Yeah, not a single fucking one for me.
|
|
|
|
02:44:58:26 - 02:45:02:33
|
|
Speaker 3
|
|
Just add a fucking magnet to the game, you pricks.
|
|
|
|
02:45:06:50 - 02:45:12:58
|
|
Speaker 3
|
|
Quit your, thrashing, okay? It's not that big a deal, mother.
|
|
|
|
02:45:21:09 - 02:45:25:41
|
|
Unknown
|
|
Hey. Put it.
|
|
|
|
02:45:34:58 - 02:45:42:22
|
|
Unknown
|
|
Let's.
|
|
|
|
02:45:59:38 - 02:46:09:42
|
|
Speaker 3
|
|
Oh. Secrets for me. And it is for me this time, For me? Because I actually get this shit this time.
|
|
|
|
02:46:09:46 - 02:46:15:40
|
|
Speaker 3
|
|
40 smack a ruse.
|
|
|
|
02:46:15:45 - 02:46:19:25
|
|
Unknown
|
|
Ha ha ha ha.
|
|
|
|
02:46:19:30 - 02:46:42:07
|
|
Speaker 3
|
|
Look at this. Hornet on fraud alert. What fraud alert? Such octopus on Google. No, I'm not going to do it. I'm too busy mining. I am a dwarf, and I'm digging a hole. Hey!
|
|
|
|
02:46:42:12 - 02:47:08:57
|
|
Speaker 3
|
|
Yeah, that'd be really something. Just set up an auto clicker. Why does it make a bell sound? Set up an auto clicker, leave it overnight and you've got, like, tons of shit lined up. That's actually quite the idea. I should try to see if, see how that goes.
|
|
|
|
02:47:09:02 - 02:47:12:48
|
|
Unknown
|
|
The.
|
|
|
|
02:47:12:53 - 02:47:13:52
|
|
Unknown
|
|
Ha ha.
|
|
|
|
02:47:13:57 - 02:47:22:52
|
|
Speaker 3
|
|
Okay. Very interesting. This is below that.
|
|
|
|
02:47:22:57 - 02:47:49:27
|
|
Speaker 3
|
|
000. This is so interesting. A rune scroll depicting void given form. Oh, that just adds the void creature, to my thing here. Void tendrils lashing fragments of pure darkness shaped into sharpened tentacles. The void that will claim all things in the barbed forms it chooses. Its nature can be seen clear. No, in the bad forms it chooses.
|
|
|
|
02:47:49:31 - 02:48:00:11
|
|
Speaker 3
|
|
Oh, wait, that's actually quite interesting. That Hornet herself is the one who's making all of the descriptions because she is the hunter.
|
|
|
|
02:48:00:16 - 02:48:10:37
|
|
Speaker 3
|
|
Yep, yup. Actually, I would quite prefer to shit.
|
|
|
|
02:48:10:42 - 02:48:17:22
|
|
Speaker 3
|
|
Oh, okay. I can't hit that. Then.
|
|
|
|
02:48:17:27 - 02:48:34:37
|
|
Speaker 3
|
|
Oh, another weave thing. I'll, Do I bind it? Daughter of a distant land. We who remain have waited long bind. I was trying to reclaim the reclaim the future of our haunted kingdom. This means my nature has changed once more.
|
|
|
|
02:48:34:42 - 02:48:51:04
|
|
Speaker 3
|
|
Game journalist. All for silk soul. Hold down and left trigger. Fling the needle upwards and launch to tremendous heights. Okay.
|
|
|
|
02:48:57:39 - 02:49:15:44
|
|
Speaker 3
|
|
Boy. Oh, she's literally spider manning. Spider thing. oh. That is just so neat,
|
|
|
|
02:49:15:49 - 02:49:26:09
|
|
Speaker 2
|
|
Oh, yeah. But me me me me me me me me me me nickname.
|
|
|
|
02:49:26:14 - 02:49:29:53
|
|
Speaker 3
|
|
I think I actually need to do that.
|
|
|
|
02:49:29:58 - 02:49:36:58
|
|
Speaker 2
|
|
Ha bup bup bup bup bup bup. Bora bora, Bora bora.
|
|
|
|
02:49:37:03 - 02:49:46:09
|
|
Unknown
|
|
Ooh ooh.
|
|
|
|
02:49:48:50 - 02:49:56:10
|
|
Speaker 3
|
|
I think it's funny.
|
|
|
|
02:50:03:14 - 02:50:14:53
|
|
Speaker 3
|
|
Oh, there's more of them. Shida.
|
|
|
|
02:50:14:58 - 02:50:23:12
|
|
Speaker 2
|
|
There. They put.
|
|
|
|
02:50:23:16 - 02:50:26:06
|
|
Speaker 2
|
|
My my my mama.
|
|
|
|
02:50:26:11 - 02:50:36:34
|
|
Speaker 3
|
|
Well, that's pretty neat. so how the fuck do I get out of here? There's some secret somewhere.
|
|
|
|
02:50:36:39 - 02:50:45:09
|
|
Speaker 3
|
|
I don't think I went up to the right. Did I? Well.
|
|
|
|
02:50:45:14 - 02:50:52:36
|
|
Speaker 3
|
|
Put.
|
|
|
|
02:50:52:40 - 02:51:09:42
|
|
Speaker 3
|
|
Course, I've got to be, I obviously use the completely, completely wrong. thing in that situation.
|
|
|
|
02:51:09:46 - 02:51:20:37
|
|
Speaker 3
|
|
Okay, look. That way, it's down to.
|
|
|
|
02:51:20:42 - 02:51:42:09
|
|
Speaker 3
|
|
Right. Trigger. Fuck's sake! Hey, hey. Yeah. That's cool. Can I kill creatures that way? Probably not very practical. Oh, damn. This thing suffers no knockback whatsoever.
|
|
|
|
02:51:42:14 - 02:51:52:01
|
|
Speaker 2
|
|
The Berbera Red River. BA ba ba ba ba ba ba ba ba ba.
|
|
|
|
02:51:52:06 - 02:51:54:06
|
|
Unknown
|
|
Hut hut hut hut.
|
|
|
|
02:51:54:10 - 02:52:12:22
|
|
Speaker 3
|
|
We've got to get at least one. Just one. Oh, I got more than one. I just didn't see them.
|
|
|
|
02:52:12:27 - 02:52:25:50
|
|
Speaker 3
|
|
Hey! All the way bloody back across.
|
|
|
|
02:52:25:55 - 02:52:31:08
|
|
Speaker 2
|
|
Burp burp burp burp burp burp. Hey!
|
|
|
|
02:52:31:13 - 02:52:37:37
|
|
Speaker 3
|
|
Shit! I was it high up enough?
|
|
|
|
02:52:37:42 - 02:52:43:37
|
|
Speaker 3
|
|
Okay, wait. You can just die in the void.
|
|
|
|
02:52:43:42 - 02:52:50:24
|
|
Speaker 3
|
|
Got him. Hey!
|
|
|
|
02:52:50:29 - 02:52:57:07
|
|
Speaker 3
|
|
Put.
|
|
|
|
02:52:57:12 - 02:53:09:36
|
|
Speaker 3
|
|
Diamonds on. Where? For? They put platforms off in the back of the distance, emitting a glow in the dark.
|
|
|
|
02:53:09:41 - 02:53:18:07
|
|
Speaker 3
|
|
Well, not so much. It's actually just, lyric as it were.
|
|
|
|
02:53:18:12 - 02:53:29:57
|
|
Speaker 2
|
|
Okay. band and data and data to better do.
|
|
|
|
02:53:30:01 - 02:53:56:38
|
|
Speaker 3
|
|
Yes. I don't believe I went over here. It's got to be something. Oh, far side. Is that, like, full side? But it's far side instead. Oh, hello. The weavers just always leaving around such trinkets. It's interesting that they like. They just made an entire game about the fucking hut. The fucking key to this.
|
|
|
|
02:53:56:38 - 02:53:58:23
|
|
Speaker 2
|
|
Robe.
|
|
|
|
02:53:58:28 - 02:54:13:21
|
|
Speaker 3
|
|
To up the even further so I could finally get my system school. Look down. Fuck sake. I hate it ever so much. I shouldn't have done that.
|
|
|
|
02:54:13:26 - 02:54:18:47
|
|
Speaker 3
|
|
Super jump. Spider jump.
|
|
|
|
02:54:18:52 - 02:54:31:59
|
|
Speaker 2
|
|
Babe, babe. Babe. Babe, babe. Bow bow bow bow bow bow bow bow bow bow bow.
|
|
|
|
02:54:32:04 - 02:54:46:52
|
|
Speaker 3
|
|
Oh, you could calm down. I've had it up to here with you. Okay.
|
|
|
|
02:54:46:57 - 02:54:58:39
|
|
Speaker 3
|
|
Okay. Oh, right. Now I can jump back up through this area, That's obviously what I'm supposed to do.
|
|
|
|
02:54:58:44 - 02:55:02:31
|
|
Speaker 3
|
|
Really?
|
|
|
|
02:55:02:36 - 02:55:27:25
|
|
Speaker 3
|
|
Spider fuck. Spider fuck! Ha! Gee, goodness, that's quite the jump, is it not? It's a little ring. Okay. Sweet.
|
|
|
|
02:55:27:30 - 02:55:38:17
|
|
Speaker 3
|
|
So I want to go somewhere else in the fucking this place.
|
|
|
|
02:55:38:22 - 02:55:44:57
|
|
Speaker 3
|
|
did I make it into this room?
|
|
|
|
02:55:45:01 - 02:55:52:57
|
|
Speaker 3
|
|
That shit shit shit shit shit.
|
|
|
|
02:55:53:02 - 02:56:04:46
|
|
Speaker 3
|
|
Was this this that that one room?
|
|
|
|
02:56:04:51 - 02:56:08:13
|
|
Unknown
|
|
Hey! Yeah.
|
|
|
|
02:56:08:18 - 02:56:13:39
|
|
Speaker 3
|
|
Oh, yes. This was this room.
|
|
|
|
02:56:13:44 - 02:56:40:14
|
|
Speaker 3
|
|
Almost looked like a broken, Fuck you. Regular, Okay, so no real point to that. I've gone through that entire room now. I suppose. So.
|
|
|
|
02:56:40:19 - 02:56:50:12
|
|
Speaker 3
|
|
This wave is such an ancient type where they.
|
|
|
|
02:56:50:16 - 02:56:51:36
|
|
Speaker 2
|
|
Bring.
|
|
|
|
02:56:51:41 - 02:56:59:21
|
|
Speaker 3
|
|
I do wonder how they,
|
|
|
|
02:57:02:40 - 02:57:11:16
|
|
Speaker 3
|
|
How things would destroy for them. I wonder about that.
|
|
|
|
02:57:11:21 - 02:57:17:26
|
|
Unknown
|
|
But.
|
|
|
|
02:57:17:31 - 02:57:27:24
|
|
Unknown
|
|
Friend.
|
|
|
|
02:57:27:28 - 02:57:28:52
|
|
Speaker 3
|
|
What the hell?
|
|
|
|
02:57:31:57 - 02:57:33:33
|
|
Speaker 3
|
|
Oh, I'm back down here now.
|
|
|
|
02:57:33:37 - 02:57:43:07
|
|
Speaker 2
|
|
I'm.
|
|
|
|
02:57:43:12 - 02:57:46:34
|
|
Speaker 3
|
|
Damaged.
|
|
|
|
02:57:46:39 - 02:57:59:48
|
|
Speaker 3
|
|
damage. What's they fucking steal? My silk. What the hell? Hey!
|
|
|
|
02:57:59:52 - 02:58:11:28
|
|
Speaker 3
|
|
Annoying.
|
|
|
|
02:58:11:33 - 02:58:28:05
|
|
Speaker 3
|
|
Oh! Hey! Hey, consider me annoyed.
|
|
|
|
02:58:28:10 - 02:58:48:15
|
|
Unknown
|
|
Friend. Put in.
|
|
|
|
02:58:48:19 - 02:58:49:36
|
|
Speaker 3
|
|
Damn!
|
|
|
|
02:58:49:40 - 02:58:51:52
|
|
Speaker 2
|
|
The.
|
|
|
|
02:58:51:57 - 02:59:01:01
|
|
Speaker 3
|
|
These things are not that difficult. Okay, now I gotta hit the other bench before I go. Do you fucking about with them?
|
|
|
|
02:59:01:06 - 02:59:05:28
|
|
Unknown
|
|
Hey. Oh.
|
|
|
|
02:59:05:33 - 02:59:11:22
|
|
Speaker 2
|
|
Brad. Ever, babe. Ever better boob above. Fuck you.
|
|
|
|
02:59:11:27 - 02:59:36:34
|
|
Speaker 3
|
|
I said only takes one silk to do that. It's kind of impressive. I really like the silk. regeneration. It's kind of based. Oh, wait a minute. This is the wrong one. This is not the creature I was trifling with before. However, other similar it may seem.
|
|
|
|
02:59:36:39 - 02:59:43:00
|
|
Speaker 3
|
|
Oh, shit.
|
|
|
|
02:59:49:05 - 02:59:56:57
|
|
Unknown
|
|
This. Is.
|
|
|
|
02:59:57:01 - 03:00:01:39
|
|
Unknown
|
|
Friend.
|
|
|
|
03:00:01:43 - 03:00:03:09
|
|
Speaker 3
|
|
Best of.
|
|
|
|
03:00:03:14 - 03:00:04:28
|
|
Speaker 2
|
|
Me.
|
|
|
|
03:00:04:33 - 03:00:28:39
|
|
Speaker 3
|
|
Well, I walked away with here with a significantly higher amount of fuck fucks given, Yeah. I've never done this room. Vice versa before. Fuck you. Holy prick. Holy prick. Nuggets. Bad man.
|
|
|
|
03:00:28:44 - 03:00:38:48
|
|
Speaker 3
|
|
Just let me the fuck out.
|
|
|
|
03:00:38:52 - 03:00:43:07
|
|
Speaker 2
|
|
Rabbit. Remember the better, rather liberal member. Better.
|
|
|
|
03:00:43:12 - 03:00:48:02
|
|
Speaker 3
|
|
And who? Freddy Daggett.
|
|
|
|
03:00:48:07 - 03:00:51:43
|
|
Speaker 2
|
|
Yeah.
|
|
|
|
03:00:51:48 - 03:00:56:22
|
|
Unknown
|
|
Hey.
|
|
|
|
03:00:56:27 - 03:00:56:57
|
|
Unknown
|
|
Hey.
|
|
|
|
03:00:57:01 - 03:01:13:46
|
|
Speaker 3
|
|
Oh, yeah. It's much easier. isn't it interesting that they're in the same bloody room?
|
|
|
|
03:01:13:51 - 03:01:18:24
|
|
Speaker 3
|
|
Just because I don't like you pricks. Goodbye.
|
|
|
|
03:01:27:01 - 03:01:44:46
|
|
Speaker 3
|
|
Thank you for encouraging me to try out this crest a bit more. I guess. Perhaps because I was like, oh, everything so fast. I, I didn't like. Oh, well, he's retract the fucking bell now. Oh, right. Well, I don't need it. I have this.
|
|
|
|
03:01:45:37 - 03:02:09:29
|
|
Speaker 3
|
|
I don't know how. I'm not going to burn. Oh. Oh, evidently it's not really an issue, is it? Friend, that was a waste of silk.
|
|
|
|
03:02:09:34 - 03:02:21:09
|
|
Speaker 3
|
|
Okay. to suppose there's anything useful for me there?
|
|
|
|
03:02:21:14 - 03:02:24:18
|
|
Speaker 3
|
|
Damn.
|
|
|
|
03:02:24:23 - 03:02:31:34
|
|
Unknown
|
|
Hey, just.
|
|
|
|
03:02:31:39 - 03:02:37:32
|
|
Unknown
|
|
A friend.
|
|
|
|
03:02:37:37 - 03:02:46:32
|
|
Speaker 3
|
|
I will need because now I can just hop right back up wherever I want.
|
|
|
|
03:02:46:37 - 03:03:09:47
|
|
Speaker 3
|
|
And silence your voice in darkness. Your. For we higher. Who see you seeking our shells. Yearn for your embrace. Did the weavers write those? Oh. How interesting.
|
|
|
|
03:03:09:52 - 03:03:27:58
|
|
Speaker 3
|
|
It's interesting that they waited till act three to fuck. But, you see, left me one.
|
|
|
|
03:03:28:03 - 03:03:30:49
|
|
Unknown
|
|
ha ha.
|
|
|
|
03:03:30:54 - 03:03:55:33
|
|
Speaker 3
|
|
Yeah, it's a nice one. Have you played already, by the way? Not yet. I've got it by, in my my library. One day. Yup. I'm back of this. Better. I'm back of this. Yeah, yeah. And you are back at this by back at this already, my beloved. Is it, though? You said it sucks, though. Wait until, like, three to fuck.
|
|
|
|
03:03:55:33 - 03:04:04:46
|
|
Speaker 3
|
|
Well, yeah. Why should I do it any earlier?
|
|
|
|
03:04:04:51 - 03:04:26:24
|
|
Speaker 3
|
|
I meant they waited till, like, three to, to give another one of, like, they just decided. Yeah, this this is the time when you get this skill. Put.
|
|
|
|
03:04:26:29 - 03:04:28:03
|
|
Speaker 3
|
|
Okay.
|
|
|
|
03:04:29:34 - 03:04:43:01
|
|
Speaker 3
|
|
Right I want it. Yeah. Yes yes yes yes. you can hop up this way. yeah. It's special on the way.
|
|
|
|
03:04:43:06 - 03:04:55:50
|
|
Speaker 3
|
|
Up. What is this, her own path of pain? No, actually, I certainly hope not.
|
|
|
|
03:04:55:55 - 03:05:02:35
|
|
Speaker 3
|
|
What is this bloody, Detroit. Become human music.
|
|
|
|
03:05:05:12 - 03:05:23:15
|
|
Speaker 3
|
|
Oh, fuck. It's been years since I stream that game. I like it, it's like, actually one of the only games that I just quit streaming. I was like, yeah, no, I'm not going to stream it.
|
|
|
|
03:05:23:20 - 03:05:36:42
|
|
Speaker 3
|
|
I don't know if I've necessarily done it since, because the have been that there's been at least one other game that I've abandoned, but.
|
|
|
|
03:05:36:46 - 03:05:52:01
|
|
Speaker 3
|
|
Now, I did you putting stuff in my mouth again. I was slightly salty last time. No more. Please. What are you on about?
|
|
|
|
03:05:52:06 - 03:05:57:29
|
|
Speaker 3
|
|
I see I'm just not really used to that timing.
|
|
|
|
03:05:59:15 - 03:06:07:37
|
|
Speaker 3
|
|
I mean, there's going to be a plateau, not a platform. One of these.
|
|
|
|
03:06:07:42 - 03:06:21:11
|
|
Speaker 3
|
|
do I need the fucking, I think I gotta do that. Damn.
|
|
|
|
03:06:21:16 - 03:06:26:12
|
|
Speaker 3
|
|
Streams.
|
|
|
|
03:06:26:16 - 03:06:34:37
|
|
Speaker 3
|
|
On Nickelodeon. I need the the magma belt.
|
|
|
|
03:06:34:42 - 03:06:43:30
|
|
Speaker 3
|
|
I should have figured, given that the, environment was clearly going in this direction.
|
|
|
|
03:06:43:35 - 03:06:50:39
|
|
Speaker 3
|
|
Oh, shit. There we go.
|
|
|
|
03:06:50:43 - 03:06:59:06
|
|
Speaker 3
|
|
Oh, I, I don't think I should think there's ever been. Oh. That's interesting. Yeah. I've never been able to fuck around with that.
|
|
|
|
03:06:59:06 - 03:07:03:40
|
|
Speaker 2
|
|
Behavior, but fuck.
|
|
|
|
03:07:03:45 - 03:07:10:39
|
|
Speaker 3
|
|
Yeah, I'm going to need that magma belt. I reckon.
|
|
|
|
03:07:10:43 - 03:07:15:34
|
|
Speaker 3
|
|
That's.
|
|
|
|
03:07:15:39 - 03:07:31:28
|
|
Speaker 3
|
|
Good catch.
|
|
|
|
03:07:31:33 - 03:07:34:37
|
|
Speaker 3
|
|
don't explode on me. Yeah. Oh.
|
|
|
|
03:07:34:37 - 03:07:41:28
|
|
Unknown
|
|
Nice friend.
|
|
|
|
03:07:41:33 - 03:07:58:10
|
|
Speaker 3
|
|
I love that there's just little weave of things all over the place.
|
|
|
|
03:08:03:05 - 03:08:12:31
|
|
Speaker 3
|
|
Blew up one half of it. Controller is vibrating. Significant. Okay.
|
|
|
|
03:08:12:36 - 03:08:18:07
|
|
Speaker 3
|
|
I know if that accomplished anything.
|
|
|
|
03:08:18:12 - 03:08:26:08
|
|
Speaker 3
|
|
Well, Oh, shit.
|
|
|
|
03:08:26:13 - 03:08:36:38
|
|
Speaker 3
|
|
I could very well, you need that, that little trinket.
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|
03:08:36:43 - 03:08:47:10
|
|
Speaker 3
|
|
Blow up. Please.
|
|
|
|
03:08:47:15 - 03:09:09:58
|
|
Speaker 3
|
|
It's gonna blow. Yeah, I'm putting on the trigger. That one FNaF fan game. Well, but I didn't continue playing it like in my own time. Afterword. I don't think I've ever done that with any other one. Ooh. There's another. There's a good time, ancient Weaver. Tell it to throw the the needle upwards and launch the two tremendous eyes.
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|
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|
03:09:10:03 - 03:09:34:54
|
|
Speaker 3
|
|
Yes I did, that was good. Black stone egg fold before the birth of volume. A relic from an ancient past, highly prized by collectors of historical items before the birth of looms. As far loom younger. Because the arcane eggs are like, Well, I don't know. I thought that they were pretty strictly hallownest things. So this is quite interesting.
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|
03:09:34:58 - 03:09:37:23
|
|
Speaker 3
|
|
let's Bell.
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|
03:09:37:28 - 03:09:43:59
|
|
Speaker 2
|
|
Bell, bell, bell bell though,
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|
03:09:44:04 - 03:09:51:43
|
|
Speaker 3
|
|
Oh, it's just these two. Oh, shit. I guess I'll do that one.
|
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|
03:09:51:48 - 03:10:10:33
|
|
Speaker 3
|
|
I like the quick binding, and I'm having all of this extra space is spoiled me. But my my form, it's my my what? Not my form. My. Whatever it is, I've changed. And so I need to go back to funny with a woman.
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|
03:10:10:38 - 03:10:15:00
|
|
Speaker 2
|
|
Oh, I'm.
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|
03:10:15:05 - 03:10:19:03
|
|
Speaker 3
|
|
Shit. Bourbon.
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|
03:10:19:03 - 03:10:24:20
|
|
Speaker 2
|
|
But I'm not a lot of women.
|
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|
03:10:24:25 - 03:10:36:07
|
|
Speaker 3
|
|
For. I'm not playing very patiently now, am I?
|
|
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|
03:10:36:12 - 03:10:51:47
|
|
Speaker 3
|
|
Patience is a virtue. But if I. If it's a virtue you require, then don't ask a dragon.
|
|
|
|
03:10:51:52 - 03:10:55:39
|
|
Speaker 3
|
|
Why is it so hard there?
|
|
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|
03:10:55:44 - 03:10:58:33
|
|
Speaker 3
|
|
And my lower back is not feeling good.
|
|
|
|
03:11:05:15 - 03:11:22:36
|
|
Speaker 2
|
|
Friend.
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|
03:11:22:40 - 03:11:36:44
|
|
Speaker 3
|
|
So it's. It's when it fell down that it blew up, and then it unleashed all of the stuff.
|
|
|
|
03:11:52:39 - 03:11:59:23
|
|
Speaker 3
|
|
Shit shit shit shit shit shit shit shit shit! Fuck!
|
|
|
|
03:11:59:28 - 03:12:12:56
|
|
Speaker 2
|
|
No. That's.
|
|
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|
03:12:13:01 - 03:12:18:56
|
|
Speaker 2
|
|
I'm fine. I'm good. Back. No.
|
|
|
|
03:12:19:01 - 03:12:23:33
|
|
Speaker 3
|
|
My hand currently dealing with this.
|
|
|
|
03:12:23:38 - 03:12:25:31
|
|
Speaker 2
|
|
My girl is.
|
|
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|
03:12:25:31 - 03:12:26:38
|
|
Speaker 3
|
|
Transferring.
|
|
|
|
03:12:26:38 - 03:12:38:28
|
|
Speaker 2
|
|
My little whale.
|
|
|
|
03:12:38:33 - 03:12:43:03
|
|
Speaker 3
|
|
No.
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|
03:12:43:08 - 03:12:50:52
|
|
Speaker 3
|
|
He's.
|
|
|
|
03:12:50:57 - 03:13:07:36
|
|
Speaker 3
|
|
I don't like it. I you let me go! Holy shit! go! Hold it! Go!
|
|
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|
03:13:07:40 - 03:13:09:58
|
|
Speaker 3
|
|
that was pretty fucking epic.
|
|
|
|
03:13:10:03 - 03:13:13:21
|
|
Speaker 2
|
|
Hey!
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|
03:13:13:26 - 03:13:20:17
|
|
Speaker 3
|
|
Goodness.
|
|
|
|
03:13:20:22 - 03:13:45:02
|
|
Speaker 3
|
|
Ooh. These guys respawn infinitely, right? Right, right. I thought they're supposed to, friend. Oh, well. you okay? So. Oh, right. So the area, the is, that's like right down there, isn't it?
|
|
|
|
03:13:45:07 - 03:13:49:28
|
|
Speaker 3
|
|
Oh, okay.
|
|
|
|
03:13:49:33 - 03:13:54:22
|
|
Speaker 3
|
|
Interesting. Wait, so.
|
|
|
|
03:13:54:27 - 03:14:06:15
|
|
Speaker 3
|
|
They say there's something right above. Oh.
|
|
|
|
03:14:06:19 - 03:14:19:45
|
|
Speaker 3
|
|
I don't know, did I never open that right. Objective updated. Okay. So I've just got to return to them now. I want to go to,
|
|
|
|
03:14:19:49 - 03:14:20:34
|
|
Speaker 2
|
|
Blah blah blah, blah.
|
|
|
|
03:14:20:49 - 03:14:38:40
|
|
Speaker 3
|
|
Nice. Thank you. I got thank you. Indeed. I want to go back to the bell just to see, if he's chilling there or what? Excuse me.
|
|
|
|
03:14:38:45 - 03:15:01:22
|
|
Speaker 3
|
|
Just. What? I have a look. Oh. Hello, miss. hello? Is he dead? Somehow, though, that drop must have been thought. That drop must have been your end. It was not. I survived the fall and managed a treacherous return for the diving bells for failure. The risks were clear to me. The fault lies not with you. I, as you say this bells old and time has a way of breaking things even as fine as forges this.
|
|
|
|
03:15:01:22 - 03:15:26:27
|
|
Speaker 3
|
|
It's called entropy. And very true. Very true indeed. As you can see here, for for its failure, I've. I'd already been working at improving the design, ended up being a useful test and good. That return path is now close to me, and your bell may still be needed if I choose to descend again, but again, well, if you're game enough to try a second time once this new shield shell is fitted, it will surely withstand the drop.
|
|
|
|
03:15:26:27 - 03:15:29:46
|
|
Speaker 3
|
|
Surely.
|
|
|
|
03:15:29:51 - 03:15:30:07
|
|
Speaker 2
|
|
yeah.
|
|
|
|
03:15:30:07 - 03:15:41:40
|
|
Speaker 3
|
|
Okay. The diving bell will be ready again soon. Miss wants this new shield gels, but it it'll surely with the transmitter dropped slowly. Let's test it out right now.
|
|
|
|
03:15:41:45 - 03:15:44:46
|
|
Speaker 2
|
|
Yeah.
|
|
|
|
03:15:46:07 - 03:15:49:52
|
|
Speaker 3
|
|
Goodness.
|
|
|
|
03:15:49:57 - 03:15:58:14
|
|
Speaker 3
|
|
Wait a minute. I can do this right?
|
|
|
|
03:15:58:19 - 03:16:01:52
|
|
Speaker 2
|
|
Hello? Yes.
|
|
|
|
03:16:01:57 - 03:16:04:30
|
|
Speaker 3
|
|
I think I can. They can just pop me up at any point.
|
|
|
|
03:16:04:30 - 03:16:09:00
|
|
Speaker 2
|
|
Yay, yay.
|
|
|
|
03:16:09:05 - 03:16:18:02
|
|
Speaker 3
|
|
Love that. yeah. So that we just got to return to him now. I do kind of want to return back to the, the the the the, the,
|
|
|
|
03:16:18:07 - 03:16:18:41
|
|
Speaker 2
|
|
Scarecrow.
|
|
|
|
03:16:18:41 - 03:16:22:05
|
|
Speaker 3
|
|
Row. Chuckles blow up doll.
|
|
|
|
03:16:23:33 - 03:16:40:52
|
|
Speaker 3
|
|
If it what is it if you if you buy one, then it will be used by act three. Oh, yes. It's just this way. All right. That's right, that's right, that's right.
|
|
|
|
03:16:40:57 - 03:16:43:48
|
|
Unknown
|
|
Yeah. Well.
|
|
|
|
03:16:43:53 - 03:16:54:24
|
|
Speaker 3
|
|
No. This way. Yup.
|
|
|
|
03:16:54:29 - 03:16:56:17
|
|
Speaker 2
|
|
Are you,
|
|
|
|
03:16:56:22 - 03:17:15:59
|
|
Speaker 3
|
|
Well. Well. Still alive? You've proved yourself made of the hardiest stuff. Pointy bug fellow did tell, shamefully, of complications with your diving bell and your absence upon its retrieval. He had feared you lost the flame, but we ourselves had a slight guest. Otherwise, to return from below proved as difficult to climb as ever I faced. And yet in time near I will need to descend again.
|
|
|
|
03:17:16:13 - 03:17:41:13
|
|
Speaker 3
|
|
Oh yeah, that poor call was actually, Maybe it's just after doing the path of pain and everything. Like, maybe I'm just, like, used to how the platforming works or whatnot, but, like, just it didn't feel like that. A difficult overall then twice mad you are bug. Oh brave beyond measure which I wish on your continued survival, even if you seem intent on ending it.
|
|
|
|
03:17:41:13 - 03:17:53:30
|
|
Speaker 3
|
|
Well, mad or brave is a question that it's. That's the question that requires madness in order. Or perhaps the one in the same. I don't really need that.
|
|
|
|
03:17:53:34 - 03:17:55:00
|
|
Speaker 2
|
|
You're not a mother.
|
|
|
|
03:17:55:03 - 03:18:10:52
|
|
Speaker 3
|
|
You call him the raging of our world, that our task can continue. Actually, anything more a this well may not have long, but we shall face it then, though still delivering our duty. I just always do it. Like for what?
|
|
|
|
03:18:15:23 - 03:18:32:44
|
|
Speaker 3
|
|
Whoever your boss is should give you a raise. I think that bosses are dead, but, Never mind that. Oh, yeah. That, bloke's not here anymore. The one that would always. Hello?
|
|
|
|
03:18:47:17 - 03:18:53:24
|
|
Speaker 3
|
|
Stop juggling my goods. What the fuck, man?
|
|
|
|
03:18:53:29 - 03:18:57:34
|
|
Speaker 3
|
|
I'm playing basketball.
|
|
|
|
03:19:02:33 - 03:19:08:52
|
|
Speaker 3
|
|
I think she's starting to be a little fed up with my hijinx here.
|
|
|
|
03:19:19:44 - 03:19:26:12
|
|
Speaker 3
|
|
Yes.
|
|
|
|
03:19:26:16 - 03:19:37:25
|
|
Speaker 3
|
|
It's still over. That it's just. It was just off screen burn.
|
|
|
|
03:19:37:30 - 03:19:56:28
|
|
Speaker 3
|
|
There's another. Another platform. Anything I'd say is more annoying. Yeah. I wonder first time I did it took me like, four hours. Second time, 30 minutes. I got good. Well done. I can I see you newborn baby real quick? I just bloody don't get in the lava.
|
|
|
|
03:19:56:33 - 03:20:07:17
|
|
Speaker 3
|
|
As bone bottom is the way to go.
|
|
|
|
03:20:07:22 - 03:20:29:42
|
|
Speaker 3
|
|
0000. Hey, fuckers. They had to pillage after everything is, been destroyed. Oh, I take such pleasure in killing this person's family. If I can scrounge, not scrounge the other one. What I was fucking name is good as penny pinchers. They didn't even give me much.
|
|
|
|
03:20:29:47 - 03:20:36:29
|
|
Speaker 3
|
|
Friend.
|
|
|
|
03:20:36:34 - 03:21:04:46
|
|
Speaker 3
|
|
Oh. All right, I've got to, get the fast bind back on, because I rather enjoy that little burg. I like this build. I'm cool with it. no. No. Yeah. Then I got to return and, give that arcane egg to the funny man. Show me the funny man. Come on. The come into the. Come. Where is the fuck?
|
|
|
|
03:21:04:51 - 03:21:11:08
|
|
Speaker 3
|
|
This one. Thank you.
|
|
|
|
03:21:11:13 - 03:21:31:22
|
|
Speaker 3
|
|
Oh, five minutes left. What's the next little deal here? What do you want? Oh ho! Back for the depths with nary a scratch. Is that you are. Is it? As you feared, it is worse. Your snare has sunk the monarch deep. Deeper than I can safely descend. To cut volume free, I must plunge below the surface of that lake of liquid.
|
|
|
|
03:21:31:22 - 03:21:51:31
|
|
Speaker 3
|
|
Nothing. No shell survive. Subversion in that void, old one. Not even yours. Not without aid. Suddenly, though, aid may exist. The flower that resist the dark. Do you know of it? The ever bloom. We've heard the tale. But that thought is but had thought it a myth. What did she hear about this? I've never heard about this. If ever sprouted in our lands, we would surely have known to me.
|
|
|
|
03:21:51:36 - 03:22:11:11
|
|
Speaker 3
|
|
I would not seek it in these lands. I need it powerful. And it is too fragile to sustain here long. I would seek it in my memory. Oh, so you have this wrench upon your wrench. Open your soul to retrieve the fabled bloom. Can such a thing be done? You can do that. And she's, like, familiar with, like, how the shit works.
|
|
|
|
03:22:11:11 - 03:22:19:01
|
|
Speaker 3
|
|
I don't even know how she knows this. They're talking about the flower for the first game. The, the the.
|
|
|
|
03:22:19:06 - 03:22:34:45
|
|
Speaker 3
|
|
What is it? The white one. The the gray mourners task. The fucking that thing. I never finished that. after that, there were other ones that that I could have finished.
|
|
|
|
03:22:34:49 - 03:22:54:56
|
|
Speaker 3
|
|
Yes. Very well. For another bug. No, but I am Weaver enough to do attempted in the distant past. I knew the flower. My thread still holds its faint memory. If the ever bloom was grasped strongly enough within myself, it could be made to manifest. Oh, I wonder if it's canon then, that, That the flower was brought to Hornet by a brother.
|
|
|
|
03:22:55:01 - 03:23:01:27
|
|
Speaker 3
|
|
That'd be so nice, wouldn't it? Wouldn't that be just sweet brother.
|
|
|
|
03:23:01:31 - 03:23:05:12
|
|
Speaker 2
|
|
Brother, brother brother.
|
|
|
|
03:23:05:16 - 03:23:16:54
|
|
Speaker 3
|
|
so you're asking another spell of us to to reveal the flower. Clear. But to illuminate one of your your kinds old memories so acutely. This is no easy thing, even for us, old one. You must give us a moment to confer.
|
|
|
|
03:23:16:58 - 03:23:23:55
|
|
Unknown
|
|
And I did ask me those last I like that, yeah.
|
|
|
|
03:23:24:00 - 03:23:27:31
|
|
Speaker 2
|
|
farmer, coral can tell.
|
|
|
|
03:23:27:36 - 03:23:41:46
|
|
Speaker 3
|
|
Interesting. We could do it. The spell can be cast with enough power. And whom is power equal? Maybe. To that monarch, I can, I grant you mine. Even if it were enough, my strength is still needed to face it below. Where else do you propose we seek a source from far loom? Oh oh.
|
|
|
|
03:23:41:51 - 03:23:43:10
|
|
Speaker 2
|
|
Oh.
|
|
|
|
03:23:43:15 - 03:24:01:35
|
|
Speaker 3
|
|
Remember, ours is a kingdom of wishes granted. If I was not born of that monarch, old one power existed in these lands even before she bound them beneath her. I did not know that nook. Fuck does that mean? Seek the old heart of the our kingdom in the last successes to build their strength. They're still out there, hidden away, much faded by the pale ones.
|
|
|
|
03:24:01:35 - 03:24:14:15
|
|
Speaker 3
|
|
Long dominion. You must make them stir. We will teach you how. In the way befitting a weaver a somber song did reach down into their memories. And enliven them a final time. Enliven them a final time.
|
|
|
|
03:24:14:20 - 03:24:34:07
|
|
Unknown
|
|
For all, So, no no no
|
|
|
|
03:24:34:12 - 03:24:55:25
|
|
Speaker 3
|
|
Sorry, I just, I every single time I've got to do it, there's no stopping it. silent Night stealer knocked here. Look, knocked a leg of the deep drawer. Out of memories of values forgotten past. Need.
|
|
|
|
03:24:55:30 - 03:25:13:48
|
|
Speaker 3
|
|
The, the heart. You see, we can share that locations. As best we know, three will be needed to construct our spell and draw clear memory of the flower from your silk. Bring us to the heart's old one. Make them beat fierce and final. See for yourself the forgotten strength of this land for bugs. Before we burn those memories in a saving the stars before you.
|
|
|
|
03:25:13:48 - 03:25:32:04
|
|
Speaker 3
|
|
This is mortal power. You would claim the hearts of bugs. It will cost their lost strength to save this land. Even if we have some hesitation in this. Despite our desire to touch their power, we'd never wished to see it expended so utterly. Better to leave your land. We can wonder if it means you'll shells and those of your fellow stay intact.
|
|
|
|
03:25:32:09 - 03:25:36:36
|
|
Speaker 3
|
|
Indeed, it is.
|
|
|
|
03:25:36:41 - 03:25:54:45
|
|
Speaker 3
|
|
Through their march at the far border of these low lands, seek the lost queen of the ant hunters, we sense is still just in youth a voice under United. The wild drives gave them the strength to resist. The pale monarchs wail longer than most at least I wonder saying these very interesting. Well, I've got to go back to.
|
|
|
|
03:26:02:58 - 03:26:09:22
|
|
Speaker 3
|
|
well, now that's that, that was a quite a productive little session there, wasn't it, babe?
|
|
|
|
03:26:09:22 - 03:26:12:36
|
|
Speaker 2
|
|
Baby bow bow bow bow bow bow bow bow bow bow bow bow bow bow bow bow.
|
|
|
|
03:26:12:41 - 03:26:16:21
|
|
Speaker 3
|
|
What are you doing here?
|
|
|
|
03:26:16:26 - 03:26:29:31
|
|
Unknown
|
|
Wow. I'm like, oh, oh.
|
|
|
|
03:26:29:36 - 03:26:33:00
|
|
Speaker 3
|
|
I forgot, I hate these eggs better.
|
|
|
|
03:26:33:01 - 03:26:37:54
|
|
Speaker 2
|
|
Do they do like a.
|
|
|
|
03:26:37:58 - 03:26:46:34
|
|
Speaker 3
|
|
Ballad? Another journey with the children.
|
|
|
|
03:26:49:37 - 03:26:59:49
|
|
Speaker 3
|
|
Oh, I think I forgot that my, This thing was not the,
|
|
|
|
03:26:59:54 - 03:27:15:27
|
|
Speaker 3
|
|
I like this one. That was kind of cool. Oh, I wish oh, fatal resolve. The world is truly ending. I would test my opinion on that one last time. Go to my home at Borders Edge and accept my challenge. Oh, the Pinterest.
|
|
|
|
03:27:15:32 - 03:27:33:34
|
|
Speaker 3
|
|
Oh, yeah. But the the world's not a like. Like you're not going to die. It's going to be fine. I'll save us. Actually used to help me out. If anything. Ecstasy of the end. Music of Whitopia was warned long ago. The Black Times have come. There is one last act before meet us at what was once called Utopia.
|
|
|
|
03:27:33:39 - 03:27:36:43
|
|
Speaker 3
|
|
No, fleet delve is not done.
|
|
|
|
03:27:38:13 - 03:28:00:34
|
|
Speaker 3
|
|
Dakar. It's. Residents of Belgium had such horror upon these roads. Upon the roads, those black mounds formed of husks and bugs corrupting everything around. If only someone would cut them down and grant the poor souls that rest. Interesting. And the reward for that is a bloody mosque shard, which is pretty epic. Things are pretty dire, aren't they?
|
|
|
|
03:28:00:39 - 03:28:26:27
|
|
Speaker 3
|
|
Okay, what was I trying to do to the resident? The world quakes and crumbles. But while my. Yes, yes, yes, indeed. Oh. He's gone. I've departed to pay my respects at the graves. Then the great would. Did I see a grave place? Oh, her thing isn't here. That means she's headed out or, she's in trouble.
|
|
|
|
03:28:26:27 - 03:28:40:06
|
|
Speaker 3
|
|
But, I mean, we know her. She would not. She she wouldn't, get herself into trouble, would she? What was I going to do back here at Belle? Her. Oh, yes. I was going to give you your thing.
|
|
|
|
03:28:40:11 - 03:28:43:48
|
|
Speaker 2
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Oh, yeah. Oh, yeah. Yeah, yeah, I'm all.
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03:28:43:53 - 03:28:58:04
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Speaker 3
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But great racket, is it? Greetings, ma'am. It is only I. If you were disturbed by the rending of these lands, I feel some blame. Is mind about blame, is it? Pop? Those who come after kin after us can apportion blame as they see fit. For now, my collection is the only thing that matters. I must protect it. But what's this?
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03:28:58:04 - 03:29:16:06
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Speaker 3
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I smell something on you right now. You have a relic for me. Yes, indeed. Oh, I love just how obsessed scrounge is with all of the. I mean, this is. This is your purpose, is it not? Ruin of words of a fine weaver born, words of a weaver from the nest beneath the bone bottom. Hide her deep.
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03:29:16:06 - 03:29:47:13
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Speaker 3
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The despised child I was shamed. Shown in shell of iron. She is a wish cast vain divinity mimicked in form two. Frail, beautiful arcane egg. An artifact almost impossibly old. Mocked inside with many fine etchings, most of indecipherable. No well, no. Cells shade. I didn't know that there were actually etchings. New, as we will hold all of the relics.
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03:29:47:18 - 03:29:51:30
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Speaker 3
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We.
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03:29:51:34 - 03:30:05:24
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Speaker 3
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Oh, what is the I forget what the, The guy is the thing that he would say all the time. What was it? If I couldn't?
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03:30:05:29 - 03:30:22:50
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Speaker 3
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I don't remember what it was. But he would say something. It was like Alpha. Alpha varnish or something like that. So he said something very clear. The.
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03:30:22:55 - 03:30:41:35
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Speaker 3
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At one guy, what was his name? Lem. Relic. Seek a lamb.
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03:30:41:40 - 03:30:45:02
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Speaker 3
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Yeah. What's. What's his bloody voice? Give me his voice.
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03:30:45:07 - 03:30:50:03
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Speaker 2
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Morrison can. Oh, Paul.
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03:30:50:07 - 03:31:10:00
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Speaker 3
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Found me obdurate. Vel. Me. tred. That's the one. That's the what? I was thinking of. Vel. Me. Tried.
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03:31:10:04 - 03:31:18:54
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Speaker 3
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For bug that looks like an old man. He has a youthful voice. Who's his voice?
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03:31:18:59 - 03:31:22:48
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Speaker 3
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Who is it?
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03:31:22:53 - 03:31:24:07
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Speaker 3
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Matthew Griffin.
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03:31:24:21 - 03:31:30:22
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Speaker 2
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Yeah, yeah.
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03:31:30:27 - 03:31:36:47
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Speaker 3
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Did he do,
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03:31:36:52 - 03:31:52:14
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Speaker 3
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That's interesting. So he's he's, He's he's marketing, marketing and publishing for Hollow Knight. Silksong. Interesting. So he probably did the previous game as well. That's interesting. And white.
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03:31:52:19 - 03:32:17:22
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Speaker 3
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That should be all. Thank you for tuning in. We had some pretty, pretty lively, Pretty lively, stuff going on. Didn't invite. I had some funny little shenanigans. Anyway.
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03:32:17:27 - 03:35:50:38
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Unknown
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Boy, oh, boy.
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